Maureen C. Miller
Author of Power and the Holy in the Age of the Investiture Conflict: A Brief History with Documents
About the Author
Maureen C. Miller is Professor of History at the University of California, Berkeley. She is the author of The Bishops Palace. Architecture and Authority in Medieval Italy and The Formation of a Medieval Church. Ecclesiastical Change in Verona, 950-1150, both from Cornell, and Power and the Holy in show more the Age of the Investiture Conflict: A Brief Documentary History. show less
Image credit: http://history.berkeley.edu/faculty/Miller/
Works by Maureen C. Miller
Associated Works
The Haskins Society journal : studies in medieval history. Volume 19, 2007 (2008) — Contributor — 6 copies
Tagged
Common Knowledge
- Canonical name
- Miller, Maureen C.
- Birthdate
- 1959-01-12
- Gender
- female
- Education
- Harvard University (Ph.D|1989)
Catholic University of America (MA|1983)
American University (BA|1981) - Occupations
- professor
historian - Organizations
- University of California, Berkeley
George Mason University
Hamilton College - Awards and honors
- Medieval Academy of America (Fellow, 2015)
Otto Gründler Book Prize (2016)
Helen and Howard R. Marraro Prize (2001)
Nelson J. Minnich Prize (2023)
John Gilmary Shea Prize (1993, 2015) - Nationality
- USA
- Associated Place (for map)
- USA
Members
Reviews
Beautifully researched and illustrated, Maureen Miller's ambitious latest book traces the changes in clerical garb between the ninth and twelfth centuries in Latin Christendom. This might seem a rather esoteric subject matter, but through the use of art historical evidence, narrative and theological writings, conciliar legislation, and even surviving pieces of clothing, Miller makes a strong case for vestments as very visual representations of the burgeoning clerical reform movement. She show more really shines at taking a particular cope or textual excerpt and situating them in their broader historical contexts.
I also appreciated her consideration of the role of women in making and embroidering these clothes, though I'm not sure that I would be quite so positive as her in claiming that women's textile work could shape clerical piety. I mean, we don't know—will almost certainly never know—to what extent this embroidery was made according to the women's own design, but my suspicion would be that they're often working according to an external commission, particularly enslaved women. This is, of course, one of those quibbles that comes down to gut feeling more than anything else, and this is a really wonderful work. I'm quite certain that it will be the go-to for anyone working on medieval Christian liturgical vestments. show less
I also appreciated her consideration of the role of women in making and embroidering these clothes, though I'm not sure that I would be quite so positive as her in claiming that women's textile work could shape clerical piety. I mean, we don't know—will almost certainly never know—to what extent this embroidery was made according to the women's own design, but my suspicion would be that they're often working according to an external commission, particularly enslaved women. This is, of course, one of those quibbles that comes down to gut feeling more than anything else, and this is a really wonderful work. I'm quite certain that it will be the go-to for anyone working on medieval Christian liturgical vestments. show less
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Statistics
- Works
- 5
- Also by
- 1
- Members
- 167
- Popularity
- #127,263
- Rating
- 4.3
- Reviews
- 1
- ISBNs
- 13



