Kerstin Meyer

Cornelia Funke, the German children's author whose fantasy novels, from The Thief Lord to Inkheart, are so beloved, has also produced a number of picture-books, amongst them this sweet fractured fairy-tale, originally published as Der geheimnisvolle Ritter Namenlos (literally translated as "The Mysterious Rider, Nameless"). Raised to pursue all the past-times of her brothers, Princess Violetta - the youngest child and only daughter of King Wilfred - perseveres despite her smaller size, and show more becomes an accomplished equestrian, sword-fighter and jouster. When her father announces, the day before her sixteenth birthday, that her hand in marriage will be given to the winner of a tournament, the spirited young princess decides that there is only one thing to do...

An entertaining tale with a wonderful can-do attitude, The Princess Knight manages to convey the idea that girls are just as capable as boys - sadly, a message that is still needed in our society - without descending into any kind of overt didacticism, or demonizing the masculine. I liked the fact that King Wilfred is a little clueless, and a LOT insensitive, when it comes to setting up the tournament, but accepts Violetta's decision, in the end, and still loves her. I also liked that Violetta's brothers tease her as a girl, but are also sympathetic (the scene where her brother tries to comfort her, in her tower room, is so sweet!) to her desires. All in all, a charming tale, and a nice contrast to those fairy-tales which feature princesses who are rescued, or won by the hero. Not necessarily a replacement for these more traditional tales, but a lovely accompaniment - another choice to add the shelf! How fitting, as choice is what it's all about... show less

When his daughter is born and his wife passes away, a king decides to raise his daughter just like his sons -- training to use swords, ride horseback, etc. As she grows up though, he still wants to marry off her to the winner of a jousting competition. So the clever princess knight enters herself in the competition instead...

I absolutely loved this book and am sorry it took me so long to read it after seeing it on recommended lists. The way it plays with tired old fairy tale tropes was show more lovely and a nice relief from so many other 'damsel in distress' style princess stories. The illustrations are more cartoonish than I generally like, but it worked okay with this story.

I would definitely recommend for anyone looking for feminist reads for either boys or girls. show less

The Princess Knight by Cornelia Funke (Author), Kerstin Meyer (Illustrator)
Chicken House (2004), Edition: First US Edition, 32 pages

The Princess Knight is a picture book written by Cornelia Funke and illustrated by Kerstin Meyer. This book belongs in the traditional fantasy genre because of the presence of knights, kings, and princesses.

The Princess Knight is about a princess named Violet who has been raised by her father, the king, in the same way her three brothers had been raised. She had show more been trained to ride horses and joust, so she developed a strong sense of self. It's this determination that leads her to rebel against her father when he decided to hold a tournament to decide who would marry Violet. She then decides to impersonate a knight and compete for her own hand.

One thing that I really appreciated about The Princess Knight was how it subverts the traditional princess narrative and allows Violet to have her own agency and individuality. Violet doesn't want to have her husband chosen for her and resents being offered as a prize, especially when she was as talented as the other knights. When the book eventually tells us that Violet gets married, it's such an afterthought that it's kind of a joke. "And who did she marry? Well, if you MUST know, many years later, she married the rose gardener's son and lived and happily ever after."

Violet is an incredibly strong character and an excellent role model for young girls, and The Princess Knight is a great story about not conforming to what is expected of you and following what makes you happy. show less

Originally published in German as Der geheimnisvolle Ritter Namenlos (which can be roughly translated as the mysterious knight no-name), Cornelia Funke's clever tale of a little princess, who, after the death of her mother, is taught by her father the same lessons and knightly pursuits he is teaching his sons, is both entertaining and empowering (and a great story for all children, not just little girls). Violetta is smaller than her brothers, and of course, like many younger siblings, she show more receives her share of teasing, although it never gets out of hand. The brothers are just acting like typical brothers, they are not maliciously cruel, not the type of villainous siblings so often encountered in traditional folk and fairy tales. Violetta soon realises that the manner in which her brothers are being taught their knightly skills just does not suit her, and so decides to learn these skills on her own (in secret), using her own (successful) strategies. While her brothers become tall and strong, Violetta (although small and slight) becomes supremely nimble and quick; due to her gentle nature and manner, her father's horses love carrying her on their backs.

However, King Wilfred finally realises that Violetta is not one of his knights, but a marriageable princess, and thus decides to hold a jousting tournament for his daughter's hand in marriage (something that Violetta definitely does NOT desire). I did not like the fact that the king shut his daughter in the tower when she rebelled against his wishes (and I appreciate that her youngest brother offered to win the tournament to prevent her marriage). I would, however, say that while King Wilfred is rather clueless and insensitive, he does finally accept his daughter's decision and clearly loves her dearly. When Violetta returns after a year and a day, the king gives her a horse as black as her armour, and she is allowed marry whom she desires.

I have, unfortunately, not had the opportunity to read the original German version of this tale (something I hope to remedy sooner rather than later). Thus, I cannot say all that much about Anthea Bell's translation (how true it is to the original, for example). But as far as the narrative is concerned, I think that it flows well, is engaging, and also does not feel like a "translation" (it reads and feels like an original, well-written text, something that I find both desirable and important in translated works, especially works of fiction).

There is only one aspect of The Princess Knight that I consider a bit problematic, and that is the title. I believe that the English title gives away a bit too much of the mystery, and I think a title closer to Cornelia Funke's original German title (perhaps something like The Mysterious Knight or The Mysterious Anonymous Knight), might have been a slightly better choice, but that is a minor, and likely also very personal quibble.

At first, I did not really enjoy Kerstin Meyer's illustrations. I was intrigued by the fact that she had supposedly used the famous Bayeux Tapestry as inspiration, but as I have never found the former all that esthetically pleasing, I had a similar first reaction to Kerstin Meyer's illustrations. On reflection though, I do think that the illustrations are, in fact, a perfect complement to the text, to the entire theme of the story. They capture the Mediaeval feel of the knightly pursuits and lessons, the jousting tournaments. While by themselves, Kerstin Meyer's illustrations would definitely not be a personal favourite, in combination with the narrative, they become magical and fun, while also giving an air of historical authenticity to the text. show less