
Series Contemporary Ethnography
26 Works
Popularity 15,982 (640 Members)
772 Books
9 Reviews
3.8
- Body and Emotion: The Aesthetics of Illness and Healing in the Nepal Himalayas by Robert Desjarlait
- Body, Movement, and Culture: Kinesthetic and Visual Symbolism in Philippine Community by Sally Ann Ness
- Enterprising Women: Television Fandom and the Creation of Popular Myth (Contemporary Ethnography) by Camille Bacon-Smith
- Experiencing Ritual: A New Interpretation of African Healing by Edith Turner
- Fighting for Dignity: Migrant Lives at Israel's Margins by Sarah S. Willen
- Fighting for Faith and Nation by Cynthia Keppley Mahmood
- Fire in My Bones: Transcendence and the Holy Spirit in African American Gospel by Glenn Hinson
- The Heartland Chronicles by Douglas E. Foley
- An Imagined Geography: Sierra Leonean Muslims in America by JoAnn D'Alisera
- Learning Capitalist Culture: Deep in the Heart of Tejas by Douglas E. Foley
- Looking West by John D. Dorst
- Love and Honor in the Himalayas: Coming To Know Another Culture by Ernestine McHugh
- Maisin Christianity : an ethnography of the contemporary religion of a seaboard Melanesian people by John Barker
- Occasions of Faith: An Anthropology of Irish Catholics by Lawrence J. Taylor
- Patterns of American Culture: Ethnography and Estrangement by Dan Rose
- Sensory Biographies: Lives and Deaths among Nepal's Yolmo Buddhists by Robert Desjarlais
- Sensuous Scholarship by Paul Stoller
- Shelter Blues: Sanity and Selfhood Among the Homeless by Robert Desjarlait
- Storytellers, Saints, and Scoundrels: Folk Narrative in Hindu Religious Teaching by Kirin Narayan
- The Taste of Blood: Spirit Possession in Brazilian Candomble by Jim Wafer
DescriptionsEdit Descriptions
- A purpose of this series is to encourage ethnographic writing that is flexible enough to give a voice to the people whose lives it records, to recreate those lives rather than merely describe them, and to encompass in this recreation the complexity, ambiguity, and emotion that are central to human experience. This flexibility can be achieved through the use of narration, first person and multiple points of view, dialogue, descriptive imagery, and other literary techniques. (English, Unclassified)
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