Tag BSR2.5.a

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• The Music of Elliott Carter by David Schiff
• The Musical Language of Italian Opera, 1813-1859 by William Rothstein
• A Social History of Music: From the Middle Ages to Beethoven and Music & Society: Since 1815 by Henry Raynor
• The American Stravinsky: The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 by Gayle Minetta Murchison
• Modulation and Tonal Space in the "Practical Manual of Harmony": Rimsky-Korsakov's Harmonic Theory and its Historical Antecedents by Larisa Petrushkevich Jackson
• Elliott Carter studies by Marguerite Boland
• Howard Hanson in Theory and Practice (Contributions to the Study of Music and Dance) by Allen Cohen
• Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History Proceedings of the International Conference, Leuven, 4-6 October ... in Context. Leuven Studies in Musicology) by Katelijne Schiltz
• Berg's "Wozzeck": Harmonic Language and Dramatic Design by Janet Schmalfeldt
• Alban Berg: Historical and Analytical Perspectives by David Gable
• The Musical Languages of Elliott Carter by Charles Rosen
• Elliott Carter: A Guide to Research (Composer Resource Manuals) by John F. Link
• Elliott Carter: A Bio-Bibliography (Bio-Bibliographies in Music) by William T. Doering
• Bela Bartok: Composition, Concepts, and Autograph Sources (Ernest Bloch Lectures) by László Somfai
• Roger Sessions: A Biography by Andrea Olmstead
• Walter Piston (Studies in musicology) by Howard Pollack
• Reflections of an American Composer by Arthur Berger
• Anthology of Renaissance Music: Music in Western Europe, 1400-1600 by Allan W. Atlas
• The writings of Elliott Carter : an American composer looks at modern music by Elliott Carter
• Elliott Carter: Collected Essays and Lectures, 1937-1995 by Elliott Carter

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