Tag Non-Fiction Performance

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• The Butoh Revolution: A dedication to Tatsumi Hijikata by Rhizome Lee
• Constructing the Holistic Actor: FITZMAURICE VOICEWORK by Michael Keith Morgan
• Michael Chekhov’s Acting Technique by Sinéad Rushe
• Shakespeare and Meisner: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions) by Aileen Gonsalves
• Screen Acting: A Cognitive Approach by Dan Leberg
• Taming the Cyclops, How to Do Your Best Work in an On-Camera Audition by Ellen Novack
• Standing in Space: The Six Viewpoints Theory & Practice by Mary Overlie
• Stanislavsky in the world : the system and its transformations across continents by Jonathan Pitches
• The Sanford Meisner Approach: Workbook Four, Playing the Part by Larry Silverberg
• The unwritten Grotowski theory and practice of the encounter by Kris Salata
• Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits (Palgrave Studies in Theatre and Performance History) by B. Baird
• Culture is the Body: The Theatre Writings of Tadashi Suzuki by Tadashi Suzuki
• From Stage to Screen: A Theatre Actor's Guide to Working on Camera by Bill Britten
• Grotowski & Company by Ludwik Flaszen
• The Theatre Practice of Tadashi Suzuki: A Critical Sudy with DVD Examples (Performance Books) by Paul Allain
• Stanislavsky produces Othello by Konstantin Stanislavsk1
• Hijikata Tatsumi and Ohno Kazuo (Routledge Performance Practitioners) by Sondra Fraleigh
• The Actor's Art and Craft: William Esper Teaches the Meisner Technique by William Esper
• The Dangerous Actor by Judith Gick
• Leaves From the Autobiography of Tommaso Salvini by Tommaso Salvini

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