Tag Study B6

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• Animation, Plasticity, and Music in Italy, 1770-1830 by Ellen Lockhart
• Small-Scale Sacred Concertato in the Early Seventeenth Century by Anne Kirwan-Mott
• The Small-Scale Sacred Concertato in the Early Seventeenth Century, Vol. 1 (Studies in British Musicology) by Anne Kirwan-Mott
• Music at German Courts, 1715-1760: Changing Artistic Priorities by Samantha Owens
• Harpsichord and Lute Music in Seventeenth Century France (Music Scholarship and Performance) by David Ledbetter
• The instrumental music of Schmeltzer, Biber, Muffat and their contemporaries by Charles E. Brewer
• Music in the Seventeenth and Eighteenth Centuries: The Oxford History of Western Music by Richard Taruskin
• Music in the Nineteenth Century: The Oxford History of Western Music by Richard Taruskin
• Music in the Late Twentieth Century: The Oxford History of Western Music by Richard Taruskin
• Music in the Early Twentieth Century: The Oxford History of Western Music by Richard Taruskin
• A History of the Oratorio: Vol. 2: The Oratorio in the Baroque Era - Protestant Germany and England by Howard E. Smither
• Source Readings in Music History: The Classic Era by Oliver Strunk
• Historical Musicology: Sources, Methods, Interpretations by Stephen A. Crist
• Music from the Earliest Notations to the Sixteenth Century: The Oxford History of Western Music by Richard Taruskin
• Music in European Capitals: The Galant Style, 1720-1780 by Daniel Heartz
• Technique and Interpretation on the Harpsichord and Clavichord (A Midland Book) by Richard Troeger
• Source Readings in Music History: The Renaissance (Renaissance Era) by W. Oliver Strunk
• Source Readings in Music History: The Baroque Era by W. Oliver Strunk
• Source Readings in Music History: The Romantic Era by W. Oliver Strunk
• Source Readings in Music History: Antiquity and the Middle Ages by W. Oliver Strunk

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