Listening through the Noise: The Aesthetics of Experimental Electronic Music
by Joanna Demers
53 Members (4.17)
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Description
Contemporary electronic music has splintered into a dizzying assortment of genres & subgenres, communities & subcultures. Given the ideological differences among academic, popular & avant-garde electronic musicians, is it possible to derive an aesthetic theory that accounts for this variety?Tags
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320 works; 1 member
Author Information
5 Works 107 Members
Joanna Demers is associate professor chair of musicology at the University of Southern California, where she specializes in post-1945 popular and art music.
Classifications
- Genres
- Music, Nonfiction, Philosophy, History, Art & Design
- DDC/MDS
- 786.7 — Arts & recreation Music Keyboard, mechanical, electrophonic, percussion instruments Electronic instruments [formerly: training in and performance on organ]
- LCC
- ML1380 .D45 — Music Literature on music Literature on music History and criticism Instruments and instrumental music
- BISAC
Statistics
- Members
- 53
- Popularity
- 572,363
- Rating
- (4.17)
- Languages
- English
- Media
- Paper, Ebook
- ISBNs
- 3
- ASINs
- 1
