The Bonny Lad
by Jonathan Tulloch
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Description
'Like an English Roddy Doyle, Tulloch's dialect characterisation of a community down but not out is at once hilarious and heartbreaking. And the manner in which he develops themes hatched in last year's brilliant debut, The Season Ticket, suggests Tulloch's Gateshead may become as memorable as Doyle's Dublin' GQ Sonny Gee is six years old when his mother abandons him. He is taken in by his grandfather, Joe, a man he's never met, a former miner; grim and taciturn. Forced together and show more immediately locked in conflict, an inarticulate tenderness develops between the old man and the boy. For both of them, however, this new relationship is increasingly threatened by forces from the past.Set in Gateshead over the course of a spring, with humour and poignancy The Bonny Lad celebrates the redemptive power of love without flinching from counting its cost. show lessTags
Member Reviews
This has a similar old geezer-troubled youngster dynamic to "Goodnight Mr Tom". From the very first chapter, where the Bonny Lad of the book's title is brought to live with his Grandfather, it's clear how the story will play out, but it's no less enjoyable for that. Sonny Gee is about six years old, but a neglectful upbringing at the hands of his drug-addicted mother and her hard-case boyfriend who uses the child as a mule, have left him foul mouthed and streetwise beyond his years. The Grandfather, who didn't previously know of his existence, is infirm, an ex-miner suffering from what I took to be vibration white finger. His only wish is to see the out-of-control youngster out of his house as quickly as possible.
The dialogue is all show more rendered in the form of dialogue, so it's all "Divven't do that, gadgie mister", and "Howay" etc etc. I liked that - it made it easier to hear the voices of the characters. What I didn't notice until a little way in was that the story is told in the third person without ever allowing the reader access to the character's private thoughts. Everything has to be gauged from the dialogue, the facial expressions described, the characters' actions. It made me think about how much different it would have been if written otherwise (how much less effective?) when Sonny Gee was pushing the boundaries, constantly threatening to run away (because 'it's shite here') whilst meaning something else.
I knew how the book would end - there are certain rules in literature that this one seemed in no way minded to defy - but it was a good journey, featuring some moments of pure tragedy, entertaining support characters (Audrey in particular, with her different coloured towels - genius), and a dramatic finale. Another great slice of North-Eastern life from this talented author. show less
The dialogue is all show more rendered in the form of dialogue, so it's all "Divven't do that, gadgie mister", and "Howay" etc etc. I liked that - it made it easier to hear the voices of the characters. What I didn't notice until a little way in was that the story is told in the third person without ever allowing the reader access to the character's private thoughts. Everything has to be gauged from the dialogue, the facial expressions described, the characters' actions. It made me think about how much different it would have been if written otherwise (how much less effective?) when Sonny Gee was pushing the boundaries, constantly threatening to run away (because 'it's shite here') whilst meaning something else.
I knew how the book would end - there are certain rules in literature that this one seemed in no way minded to defy - but it was a good journey, featuring some moments of pure tragedy, entertaining support characters (Audrey in particular, with her different coloured towels - genius), and a dramatic finale. Another great slice of North-Eastern life from this talented author. show less
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Author Information
10 Works 111 Members
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Statistics
- Members
- 19
- Popularity
- 1,331,731
- Reviews
- 1
- Rating
- (4.00)
- Languages
- English
- Media
- Paper, Audiobook
- ISBNs
- 3



