The Fair Jilt; or, The History of Prince Tarquin and Miranda

by Aphra Behn

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Aphra Behn's The Fair Jilt, Or, The Amours of Prince Tarquin and Miranda (1688) is the story of a charming, daring, and determined lady who contemplates even murder to attain her love. It is all in vain, however, and her love transforms later into aggressive hatred.

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104+ Works 4,113 Members
Aphra Behn is often considered the first Englishwoman to support herself as a writer. She was unquestionably the leading woman playwright of the Restoration period. Behn is also notable for her poetry and fiction. While still in her twenties, she traveled with her family to Surinam, in South America, where she witnessed a slave insurrection, much show more like the rebellion that figures prominently in her novel Oroonoko (1688), a work that introduced the character of the noble savage. Behn was well connected at court and for a brief time was sent to Antwerp as a spy. Around 1670, with the help of John Dryden, she established a career in the theater, and, during the following two decades, rarely was her work absent from the London stage. Among the comedies that bear the special stamp of her libertine, feminist, and Tory political views are The Dutch Lover (1673), The Feign'd Curtezans (1679), and her best-known works, The Rover (1677) and The Rover, Part II (1681). Readers seeking an introduction to the skill and sensibility of Aphra Behn will do well to look into her lyric poetry, which is often represented in recent anthologies of women writers. (Bowker Author Biography) show less

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Canonical title
The Fair Jilt; or, The History of Prince Tarquin and Miranda
Original title
The Fair Jilt; or, The History of Prince Tarquin and Miranda
Alternate titles
The Fair Jilt; or, The Amours of Prince Tarquin and Miranda; The Fair Hypocrite; or, The Amours of Prince Tarquin and Miranda
Original publication date
1688
Dedication
Sir,

Dedications are like Love, and no Man of Wit or Eminence escapes them; early or late, the Affliction of the Poet’s Complement falls upon him; and Men are oblig’d to receive ’em as they do their Wives; For be... (show all)tter, for worse; at least with a feign’d Civility.

It was not Want of Respect, but Fear, that has hitherto made us keep clear of your Judgment, too piercing to be favourable to what is not nicely valuable. We durst not awaken your Criticism; and by begging your Protection in the Front of a Book, give you an Occasion to find nothing to deserve it. Nor can this little History lay a better Claim to that Honour, than those that have not pretended to it; which has but this Merit to recommend it, That it is Truth: Truth, which you so much admire. But ’tis a Truth that entertains you with so many Accidents diverting and moving, that they will need both a Patron, and an Assertor in this incredulous World. For however it may be imagin’d that Poetry (my Talent) has so greatly the Ascendant over me, that all I write must pass for Fiction, I now desire to have it understood that this is Reality, and Matter of Fact, and acted in this our latter Age: And that in the person of Tarquin, I bring a Prince to kiss your Hands, who own’d himself, and was receiv’d, as the last of the Race of the Roman Kings; whom I have often seen, and you have heard of; and whose Story is so well known to your self, and many Hundreds more: Part of which I had from the Mouth of this unhappy great Man, and was an Eye-Witness to the rest.

’Tis true, Sir, I present you with a Prince unfortunate, but still the more noble Object for your Goodness and Pity; who never valu’d a brave Man the less for being unhappy. And whither shou’d the Afflicted flee for Refuge but to the Generous? Amongst all the Race, he cannot find a better Man, or more certain Friend: Nor amongst all his Ancestors, match your greater Soul, and Magnificence of Mind. He will behold in one English Subject, a Spirit as illustrious, a Heart as fearless, a Wit and Eloquence as excellent, as Rome it self cou’d produce. Its Senate scarce boasted of a better States-man, nor Augustus of a more faithful Subject; as your Imprisonment and Sufferings, through all the Course of our late National Distractions, have sufficiently manifested; But nothing cou’d 71 press or deject your great Heart; you were the same Man still, unmov’d in all Turns, easie and innocent; no Persecution being able to abate your constant good Humour, or wonted Gallantry.

If, Sir, you find here a Prince of less Fortitude and Vertue than your self, charge his Miscarriages on Love: a Weakness of that Nature you will easily excuse, (being so great a Friend to the Fair;) though possibly, he gave a Proof of it too Fatal to his Honour. Had I been to have form’d his Character, perhaps I had made him something more worthy of the Honour of your Protection: But I was oblig’d to pursue the Matter of Fact, and give a just Relation of that part of his Life which, possibly, was the only reproachful part of it. If he be so happy, as to entertain a Man of Wit and Business, I shall not fear his Welcome to the rest of the World: And ’tis only with your Passport he can hope to be so.

The particular Obligations I have to your Bounty and Goodness, O Noble Friend, and Patron of the Muses! I do not so much as pretend to acknowledge in this little Present; those being above the Poet’s Pay, which is a sort of Coin, not currant in this Age: though perhaps may be esteem’d as Medals in the Cabinets of Men of Wit. If this be so happy to be of that Number, I desire no more lasting a Fame, that it may bear this Inscription, that I am,

SIR,
 Your most Obliged, and
Most Humble Servant,
A. BEHN.
First words
As Love is the most noble and divine Passion of the Soul, so it is that to which we may justly attribute all the real Satisfactions of Life; and without it Man is unfinish’d and unhappy.
Last words
(Click to show. Warning: May contain spoilers.)Since I began this Relation, I heard that Prince Tarquin, dy’d about three Quarters of a Year ago.

Classifications

Genres
Fiction and Literature, General Fiction
DDC/MDS
813Literature & rhetoricAmerican literature in EnglishAmerican fiction in English
LCC
PR3317 .F3Language and LiteratureEnglishEnglish Literature17th and 18th centuries (1640-1770)
BISAC

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Languages
English
Media
Paper
ISBNs
4
ASINs
1