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Early one quiet Monday morning, in an empty executive office, assistant Janice Denard begins to prepare for another ordinary day - but instead discovers evidence of horrific crimes, shocking photographs left abandoned in a printer. Now, with the help of the LVPD's computer forensics experts, the CSI team must track through hardware and software, deception and deceit to find the perpetrators. But while Willows and Stokes investigate the once well-hidden secrets now revealed in print, Grissom, show more Brown, and Sidle uncover new and disturbing evidence in a high-profile media case...the brutal murder of the Mayor's long-missing secretary. show less

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Member Reviews

9 reviews
I didn’t enjoy this book as much as other CSI novels that I’ve read in the past. It’s not bad, it’s just that the cases are average. First of all, I don't think that the characters were very in character. They could have been anybody. Also, the cases are quite fast, with a few predictable red herrings. While guessing who is guilty is not too easy, guessing who is innocent is not that difficult. The solving of both cases is very similar, even though the crimes are very different.

If you haven’t watched CSI before, it’s not a problem, because you can read this as any crime novel. It can be enjoyed and perfectly understood by anybody who has never watched the show, because any personal information about the characters that's show more relevant to understand their actions is explained. I don't know if it's supposed to take place at any specific point in the series, but there isn't any indication of were, just that it's after the first half of season two because of some information about Nick.

It’s not a bad crime story, but it was nothing special.

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Este libro no me gustó tanto como otras novelas the CSI que he leído. No está mal, pero los casos no son nada especial. No me pareció que los personajes estuvieran muy bien caracterizados. Podrían haber sido cualquiera. Los casos avanzan muy rápido y tienen pistas falsas predecibles. Aunque no es tan fácil adivinar quién es el culpable, adivinar quién es inocente no es tan difícil. Aparte de esto, la resolución de ambos casos es bastante parecida, aunque los crímenes son muy diferentes.

El no haber visto nunca CSI no es un problema, ya que este libro se puede leer como cualquier novela de crímenes. Cualquier persona que no haya visto nunca la serie la puede entender perfectamente porque toda la información personal de los personajes que es relevante para entender lo que hacen está explicada. No sé si se supone que tiene lugar en un punto específico de la serie, pero no hay indicación alguna de dónde, sólo que es después de la primera mitad de la segunda temporada por alguna cosa que se dice de Nick.

No es una mala novela de crímenes, pero no es nada del otro mundo.
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Since I'm such a big fan of the show, I decided to try one of the novelizations. I got caught up in the story easily enough, and even finished the book quickly (a matter of one evening). Reading BODY OF EVIDENCE was a lot like watching an episode of CSI, and yet at the same time there were enough differences to keep it interesting--and, at the same time, irritating.

Character-development doesn't seem to be a big thing in these serial novelizations; nor, in fact, does a believable plot. And this book could have used some editing, as there are a LOT of grammatical errors that took away from my enjoyment of the story throughout the entire book.

But it is a quick read, and it DOES feel like I'm "watching" an episode of CSI. I enjoyed this one show more enough that I'm now reading a second, so I guess the author did his job! show less
Pretty anticlimactic ending for me which felt kind of rushed. Other than that it's a decent enough read. 3 stars.
Another CSI tie-in novel. Not one of the better ones, but gives the feel of the TV series. Involves indecent pictures of children and the usual crime scene investigation. Relies too heavily on computer technology.
Not likely to be appreciated by the average reader, TV show fans will enjoy having another "episode"

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418+ Works 17,209 Members
Max Allen Collins was born in 1948 in Muscatine, Iowa. He is a two-time winner of the Private Eye Writer's of America's Shamus Award for his Nathaniel Heller historical thrillers "True Detective" and "Stolen Away". Collins also wrote the Dick Tracy comic strip begining in 1977 and ending in the early 1990s. He has contributed to a number of other show more comics, including Batman. Collins created his first independent feature film, Mommy, following a nightmarish experience as screenwriter on the cable movie The Expert. Collins has been contracted by DC Comics to write three tie-ins to his critically acclaimed graphic novel "The Road to Perdition", which was adapted into the feature film. Author of other such move tie-in bestsellers as "In the Line of Fire" and "Air Force One", he is also the screenwriter/director of the cult favorite suspense films "Mommie" and "Mommie's Day". (Publisher Provided) Max Allen Collins was born in Muscatine, Iowa on March 3, 1948. His graphic novel Road to Perdition, published in 1998, is the basis of the Academy Award-winning 2002 film starring Tom Hanks, Paul Newman and Daniel Craig. His other works include Road to Purgatory, Road to Paradise, Return to Perdition, Bye Bye, Baby, and Target Lancer. He won the Shamus awards for True Detective in 1983 and Stolen Away in 1991. He is completing a number of Mike Hammer novels begun by the late Mickey Spillane. He has collaborated with his wife Barbara Collins on three novels and numerous short stories. Their Antiques Flee Market won the Romantic Times Best Humorous Mystery Novel award in 2009. His comics credits include the syndicated strip Dick Tracy (1977-1993), Ms. Tree, Batman; and CSI: Crime Scene Investigation, based on the hit TV series for which he has also written ten novels. He has written tie-in books for several movies including Saving Private Ryan, Air Force One, and American Gangster, which won the Best Novel Scribe Award in 2008 from the International Association of Tie-in Writers. His non-fiction works include The History of Mystery and Men's Adventure Magazines, which won Anthony Award. He is also an independent filmmaker. He has written and directed five features and two documentaries, including the Lifetime movie Mommy and the sequel, Mommy's Day. (Bowker Author Biography) show less

Series

Common Knowledge

Canonical title
Body Of Evidence
Original publication date
2003
People/Characters
Gil Grissom; Catherine Willows; Warrick Brown; Nick Stokes; Sara Sidle
Important places
Las Vegas, Nevada, USA
Related movies
CSI: Crime Scene Investigation (2000 | IMDb)
First words
A ranch in the desert - that's how Las Vegas began.

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3553 .O4753 .B63Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

Statistics

Members
303
Popularity
105,672
Reviews
8
Rating
½ (3.49)
Languages
Dutch, English, German, Spanish
Media
Paper, Ebook
ISBNs
8
ASINs
2