The Vicious Red Relic, Love: A Fabulist Memoir

by Anna Joy Springer

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"Gil was just the opposite of animal. Not a dirty little digger like me. She always hit the ashtray with her ash with honed precision. When the landlord found her dead on her mattress she'd just turned 31. She was a Virgo, a tidy brilliant earth sign. All her rings were lined up in alphabetical order on the nightstand, and they were dead too." – excerpt from the book Anna Joy Springer's simultaneously luscious and unsettling novel contains art by the author and prominent writers and show more artists, Shelly Jackson, Kristie Fleming, Rachel Carns, Belden Sezen, Annie Sprinkle & Beth Stephens (Love Art Lab), Rhani Remedes, Tara Jane O'Neil, Miriam Klein Stahl, Cristy C. Road, Maude Place and Teresa Carmody. The fine art limited edition is slated to manifest as a quiver woven out of fabric pages of the book that contains arrows made out of tightly rolled posters by various aritsts. The quiver also contains, wallpaper paste and a brush to adhere the posters to construction sites throughout Los Angeles. Springer, a member of the renowned East Bay punk band, Blatz, and the performance art/spoken word collective Sister Spit, has collaborated with musicians to create music for the book. show less

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But enough about me and more about the book. Read it. It's probably the greatest thing I've read all year. If I ever get the chance to teach Gilgamesh again, I'm teaching parts of this book alongside it. There's just so much to say about this book, I can't do it all. The feminist re-telling of Gilgamesh, the story of Ishtar/Inanna. (Once, at work, a co-worker said to me "You're a goddess." I had done some small thing for her. I said, without even thinking, "I will be Ishtar.") What makes it feminist is that it deals with more than actions, and silence, it imagines emotion, suffering, companionship, hints at an intimacy that goes beyond the buddy-film model. And the descent of Inanna into the underworld is magnificent. The fable world of show more the forest, from which the familiar appears, is so hopeful it hurts. It is the world we all wish we could find. But made strange with longing and reality and memory, it becomes a scary unintelligible place. Synopology, the fake cult, is a brilliant stand-in for Scientology (which is just how I read it, but definitely not the only reading). The typewritten pages of epistolary diary-entry/instruction is absolutely the perfect mode for the kind of reflection that doesn't lead to remorse or revelation, which is the only kind of reflection that matters. The kind of reflection that leads to acceptance, with or without understanding.

[Read the whole review: http://alluringlyshort.com/2013/01/08/the-vicious-red-relic-love-by-anna-joy-spr.... ]
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Genres
Fiction and Literature, Biography & Memoir
LCC
PS3619 .P75 .Z46Language and LiteratureAmerican literature
BISAC

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Reviews
1
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(5.00)
Languages
English
Media
Paper
ISBNs
2