On Music and Musicians
by Robert Schumann
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Edited by Konraad WolffTranslated by Paul Rosenfeld
With twenty black-and-white illustrations
Schumann's literary gifts and interests almost equaled his musical ones. From boyhood on he was drawn to literary expression, and his writings on music belong to the best among the romantic literature of the 19th century. The same fire, poetry, directness of expression, the same inventiveness we love in his compositions, also animated his prose.
This edition for the first time groups his articles show more and observations according to subject matter and individual composers. It is complete as far as Schumann's writings on the great composers are concerned. All his reviews of the works by the masters, from Beethoven to Brahms, are included, some of them translated for the first time into English.
From the Hardcover edition.
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Trinity College Booklist (1951): Class Seven, Fine Arts and Music
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Born in Zwickau, Germany, Robert Schumann hoped early in his career to become a piano virtuoso. That dream was shattered in 1832, however, when he sustained permanent injury to his right hand while using a finger-strengthening device that he had invented. Thereafter, he devoted his energies to composition. His first compositions, the Toccata, show more Paganini studies, and Intermezzi, were published in 1833. A year later, he founded and edited Neue Leipzige Zeitschrift fur Musik, a music magazine that became influential in its support of romanticism. Schumann's attachment to Clara Wieck (the future Clara Schumann), the daughter of his piano teacher, was frowned upon by her disapproving father, who considered Schumann unsuitable. Despite this opposition, the two were married in 1849. The Schumanns made several concert tours together, with Clara performing the premieres of many of Robert's works. Schumann is especially noted for his cycles of piano music, particularly Papillons (1829-31), Carnaval (1834-35), and Phantasiestucke (1837). His works are marked by imaginative power, with beautiful melodies and harmonies, and they embody the romantic spirit that prevailed at the time. During the latter part of his life, Schumann worked as an orchestral conductor in Dresden and Dusseldorf. In 1854 his health began to decline and he was plagued by symptoms of mental illness that had recurred throughout his life. That same year, fearing for his sanity, he threw himself into the Rhine river. He was rescued by fishermen and taken to an asylum, where he died two years later. (Bowker Author Biography) show less
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