The Apprenticeship Writings of Frank Norris 1896-1898: 1896-1897
by Frank Norris
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Frank Norris (1870-1902) has long been recognized by cultural historians as a "touchstone" figure, clearly signaling in 1899 the emergence of an Amer. school of Literary Naturalism. "McTeague: A Story of San Francisco" secured this honor for him that year as it registered more fully than any previous Amer. novel the Darwinian view of life that is the essential characteristic of all subsequent Naturalistic fictions. It thus marked as well the rejection of the Victorian Era's habitually show more idealistic representations of human nature and its basically religious world-view, offering instead a post-metaphysical portrait of the human condition that has remained popular in 20th-cent. literary and intellectual circles. Includes all of the known writings of Norris published between 11 April 1896 and 1897. Illus. show lessTags
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Considered one of the leading pioneers in American Naturalism, Frank Norris is read and studied for his vivid and honest depiction of life at the beginning of a lusty and developing new century. Born in Chicago, he moved to San Francisco with his well-to-do family when he was 14 and went on to attend the University of California and Harvard show more University before becoming a war correspondent in South Africa and Cuba. His early apprentice work consisted mostly of rather unremarkable adventure stories, but with the long-gestating McTeague: A Story of San Francisco (1899), he struck a new note. That powerful study of avarice in a seedy section of the Bay Area may well be Norris's masterpiece. The Octopus (1901), the first of Norris's projected Epic of the Wheat series, deals with the raising of wheat in California and the struggle of ranchers against the railroads, while The Pit (1903) is a novel about speculation on the Chicago wheat exchange. Unfortunately, Norris died suddenly after an operation for appendicitis. Like Stephen Crane, a writer with whom Norris is frequently compared, Norris died too young to fulfill his considerable promise, but he has more than held his own ground among turn-of-the-century writers whose works have lived. One reason may be that he took his craft as a writer seriously, as is shown by his posthumously published Responsibilities of the Novelist and Other Literary Essays (1903) and The Literary Criticism of Frank Norris, edited by Donald Pizer. (Bowker Author Biography) show less
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