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This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.Tags
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6 Works 63 Members
Daisuke Miyao is Associate Professor of Japanese Film/Cinema Studies at the University of Oregon. He is the author of Sessue Hayakawa: Silent Cinema and Transnational Stardom, also published by Duke University Press.
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- Nonfiction
- DDC/MDS
- 791.430952 — Arts & recreation Recreation, sports, and performing arts Public performances Motion pictures, radio, television, podcasting Motion pictures Standard subdivisions History, geographic treatment, biography; description, critical appraisal of specific companies and studios {for specific films see 791.437} Asia Japan
- LCC
- PN1993.5 .J3 .O97 — Language and Literature Literature (General) Literature (General) Drama Motion pictures
- BISAC
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- English
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- 3
