Page 1 Great Expectations
by Lucienne Roberts (Editor)
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Crafted to engage the culturally curious, 'Page 1' collects the responses of 70 international graphic designers when posed with the same brief - to design and lay out the first page of 'Great Expectations' by Charles Dickens.Tags
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bluepiano A story composed of it the first sentences of the top ten US bestsellers from each year of the 20th century, in chronological order.
Member Reviews
This is a wonderful book. It was so taking that not only did I willingly read a passage from Dickens, I read it dozens of times.
The editors gave 70 graphic designers a brief to re-design the first page of the first publication of Great Expectations. The results are fascinating not only in the overall appearance of each page, the type & layout & occasional image, but in the way these affect the reader's perception of Dickens' words. The designs range from a variation of Pip's introduction in 'All the Year Round' through play with word and letter frequency, and from page 1 as internet thread to illegible page. Almost all merit a very close look and only a very very few pages seemed lazy or unattractive.
And Page 1, the book itself, show more couldn't be bettered. In the front are succinct descriptions of the brief, the commonalities/differences between the submissions, the design of the book as a whole, as well as remarks from a professor of 19th-century literature. In the body are explanations from the designers of how their pages came to look as they do. In the back, a glossary. It's a remarkably well thought out book showing a careful consideration of every single element in it, wholly satisfying in appearance and content, and I'm delighted that I came across it. show less
The editors gave 70 graphic designers a brief to re-design the first page of the first publication of Great Expectations. The results are fascinating not only in the overall appearance of each page, the type & layout & occasional image, but in the way these affect the reader's perception of Dickens' words. The designs range from a variation of Pip's introduction in 'All the Year Round' through play with word and letter frequency, and from page 1 as internet thread to illegible page. Almost all merit a very close look and only a very very few pages seemed lazy or unattractive.
And Page 1, the book itself, show more couldn't be bettered. In the front are succinct descriptions of the brief, the commonalities/differences between the submissions, the design of the book as a whole, as well as remarks from a professor of 19th-century literature. In the body are explanations from the designers of how their pages came to look as they do. In the back, a glossary. It's a remarkably well thought out book showing a careful consideration of every single element in it, wholly satisfying in appearance and content, and I'm delighted that I came across it. show less
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- First words
- My father's family name being Pirrip, and my Christian name Philip, my
infant tongue could make of both names nothing longer or more explicit
than Pip. So, I called myself Pip, and came to be called Pip.
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