Musical Form and Transformation: Four Analytic Essays
by David Lewin
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Foreword, by Ed Gollin Introduction 1. Serial Transformation Networks in Dallapiccola's ""Simbolo"" 2. Making and Using a Pcset Network for Stockhausen's Klavierstuck III 3. Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 4. A Transformational Basis for Form and Prolongation in Debussy's ""Feux d'Artifice"" References IndexTags
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David Lewin taught composition at the University of California, Berkeley, and at the State University of New York, Stony Brook, and later taught music theory at Yale and Harvard Universities.
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