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Once an artist and teacher, Jen now spends her time watching the birds around her house and tending her lush sub-tropical garden near the small town where she grew up. The only person she sees regularly is Henry, who comes after school for drawing lessons. When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. She lost her father and her best friend Michael when she was Henry's age. They also went missint - both in the same week. The whole town talked show more about it then, and now, nearly forty years later, they're talking about it again. Everyone is waiting - for the girl to be found and the summer rain to arrive. At last, the answers come, like the wet, in a rush - torrential, drenching, but ultimately reviatising - and the countryside delivers up its lost children. --Back cover. show less

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Australian author Inga Simpson is a writer enthralled with nature, that much is obvious from the first to the very last page of her novel, NEST. In fact the innumerable descriptions of the varied flora and fauna of her native Australia form a natural frame for a central mystery story of children gone missing.

The central character, Jen, is a fifty-ish artist and a lover of all things natural and alive - that flora and fauna I mentioned. She lives alone in a small house in the town where she grew up, on Australia's northern coast, after having spent years away in college, art school and teaching. Recently returned to her old home area, she is in a kind of hiding, grieving the end of a relationship and the recent death of her mother. And show more there is also the unsolved mystery of her dear childhood friend, Michael, who disappeared when they were only eleven years old. Jen's father deserted them at the same time, leaving a cloud of suspicion over his abrupt departure. Jen is now eking out a living with small commissions and by tutoring a promising young artist, twelve year-old Henry, when their small community is suddenly rocked by another child gone missing, bringing back old unhappy memories, as well as suspicion amongst the townspeople.

The story is broken up into short chapters of just a few pages each, often filled with lush descriptions of trees, plants, flowers and animals which fill the rainforest around Jen's cottage. And birds. Because Jen is especially enamored of birds, and her drawings, sketches and paintings are filled primarily with birds, to the extent that she has become known locally as the "bird woman."

Besides the mystery of the missing children, there is also the mystery of her father's abrupt disappearance, something Jen's mother never quite recovered from. Jen, who was very close to her father, has never stopped searching for and wondering what became of this father, a lumberman, who taught her so much about trees and the forest, as well as animals and birds.

"Her father had once taken her to see a koel's eggs in a figbird's nest."

It wasn't until years later that Jen understood -

"The koels were a parasitic cuckoo, knocking the host birds' eggs out of the nest and laying their own in their place."

This revelation later plays a part in Jen's understanding of her father's disappearance. But she never forgot how important the trees, too, were.

"The trees spoke to her ... They spoke to her still. They gentled her, had allowed her to put down roots, and extend them - albeit tentatively - into the ground."

Throughout her adult life, Jen studied birds, loved their shapes and their grace, wishing -

"... to see like a bird, be like a bird, in the end she was only a lumpy human ... She was barely coping on the ground, let alone going to fly, and there was nothing as sad as a bird without wings."

Jen's story culminates with the rains coming, floodwaters which will uncover the earth's secrets. And I found it ironic that I was reading this book during the time that Hurricane Harvey ravaged Texas and the Gulf Coast here in the U.S. Here is Simpson's description of the Australian floods, eerily similar to what I've been hearing on TV and radio here for the past week -

"The coast had been declared a disaster area, whole towns cut off, roads caved in and washed away. Every river, stream and seasonal creek had broken its banks, and still the rain came down and water rushed off the land; there were flood warnings across most of the state. The worst in a hundred years, they said."

In NEST, Inga Simpson has written a mystery, but one that is folded into the lush beauty of an Australian rain forest, filled with the wonder of the natural world. This is not a book to hurry through. It's one to luxuriate in, to crawl into, to build your own nest in - to savor. Very highly recommended. (Four and a half stars)

- Tim Bazzett, author of the memoir, BOOKLOVER
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½
I'm very grateful that the inclusion of NEST in the 2015 Ned Kelly Submissions meant that this wonderful book by Inga Simpson came to my attention. I'm not sure that I'd call this a crime novel, but it's beautiful, engaging and extremely readable.

Reflective and languidly paced, NEST sees Jen Vogel return to the bush town of her childhood. Her mother has recently died, her long-term relationship ended and Jen has returned to her "nest", to the place where she feels safe. A wildlife artist, the garden that surrounds her new home is full of the birds that she loves, and the book takes considerable time to describe the birds, their movements and her interaction with them. It's beautifully done, as is the friendship and mentoring that she show more builds with a young, teenage artist she is tutoring.

Lurking under the surface of this idyllic, but obviously withdrawn life, there's some past mysteries including the disappearance of a young boy Jen had been friends with as a teenager, and the current disappearance of a young girl in the community. This is obviously the "crime" aspect that triggered the inclusion of NEST in the Ned Kelly submissions, but it's not the point of the book. NEST is much more about change, loss and coming to terms with the past so that the future can be lived.

The storytelling style suits this aim perfectly. It's beautifully paced, rythmic, and full of vivid descriptions, but it's the emotion that is the most elegantly done. Whilst Jen is particularly introspective, and obviously thoughtful and reflective, there's nothing overwhelmingly melancholic about her life. She's obviously sad about a number of things, and seeking to understand much from her past, but she's connected so strongly to her garden, and the surrounding landscape that there's a wonderful feeling of hope and contentment as well. Wonderfully evocative and beautifully delivered, NEST was utterly mesmerising.

http://www.austcrimefiction.org/review/review-nest-inga-simpson
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I like Inga Simpson's work, although I can see that some people will consider that she writes too much detail about the Australian native flora & fauna. I'm interested in that stuff so I can relate to a character who is also interested. In fact, that's a lot of the reason I like this book - I relate well to the main character. I too listen to ABC Classic FM, and I'm comfortable being on my own. I'm somewhat older than her and different gender, but I can see myself in her situation if my life had gone slightly differently. I reckon Simpson is writing from her own experience a lot, and that's why a reader can find a lot of truth in her writing. Actually, I can see that she is drawing quite heavily on real life events in the recent past, show more but this isn't mere reportage; Simpson is adding a layer of meaning and depth which is what makes her contribution particularly valuable. show less
After a relationship breakdown and the death of her mother, artist Jen Vogel has taken refuge in her childhood hometown. Here she is content to sketch and paint the birds that visit her garden, care for the land that embraces her property and tutor a talented local teen to supplement her income, but unpleasant memories are revived when a young girl goes missing on her way home from school. Nearly four decades earlier, Jen's best friend Michael, and then her father, disappeared without a trace within days of each other and still there are no answers to what became of them.

Nest is a gentle book, sharing the quiet rhythms of Jen's days and the turbulent memories of her past. It explores the themes of loss, grief, healing and growth, a show more cycle echoed in the environment in which Jen lives.

The mystery of the missing children, and Jen's father's whereabouts, adds interest and a frisson of tension to what is otherwise a fairly introspective narrative.

The language is evocative, with vivid observations of the flora and fauna that surrounds Jen's bush haven. Jen has a particular fascination with birds, with robins being her favourite.

"The robins arrived last, splashing and fluffing, sending the other birds off. Their golden yellow was luminous at dusk, as if carrying the last gleams of the sun. Only now did they sing, with their sweet, piping whistle, and first thing in the morning. Their song was best suited to dusk and dawn - the in-between."

Nest is a self possessed, thoughtful novel from Inga Simpson, author of Mr Wigg.
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Nest is a strong up-close in-depth character portrait of nature-loving artist Jen who is the narrator. She returns home to a tropical Queensland country town mourning the loss of her partner Craig. She clings to the memory of the relationship and immerses herself in her art. Craig isn’t her only problem.

Her father left home when she was at primary school the same week her best friend Michael disappeared. A girl goes missing not long after Jen’s return. The police question her about the disappearances.

Nest is a story of waiting. The town is waiting for the summer rains and for the mystery to be resolved. Jen is waiting for ... well we're never quite sure what.

The missing girl is in the same class as Henry who Jen is teaching art. show more Henry is believable and entertaining. Jen is good to him and encourages him to enter a piece of work in a competition he wasn’t going to. It wins. The Henry sub-plot provides some relief from Jen’s psychological immobility.

The tension of the lingering relationship memory and the missing girl is immersed in long, languid and loquacious descriptions of various wildlife and the environment it inhabits. Jen builds herself a “nest” to where she retreats from the world unlike the birds who flit hither and thither, never staying in one place too long. The metaphor is clear though over-worked.
Jen’s past is revealed through numerous flashbacks that hinder the narrative flow in the first half of the book. In one of the flashbacks we learn about Jen’s aunt who plays a major part in Jen’s upbringing. The aunt reveals a surprise secret later in the novel that gives the narrative a renewal of much-needed tension.

The action culminates in a cyclone that reveals Michael’s remains. The investigation leads to the killer of the girl who went missing soon after Jen’s return. The police, who interviewed Jen about the missing girl, visit her with surprising news about her father.

Nest would benefit from another edit. The descriptive passages about the birdlife become monotonous; the flashbacks at the beginning of the book hinder the pace. The writing was good but not enough to sustain the lack of action and tension. Jen is a frustrating character about whom I ended up feeling indifferent.
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Jen was once an artist and a teacher, but now she spends her times watching birds and working in her gardens. Her house is surrounded by her lush sub-tropical gardens which help keep her from being disturbed by other people in the small town that she grew up in. The only person she sees regularly is Henry who comes after school for drawing lessons. However a girl in his class has gone missing, which pulls Jen back into her past where she lost both her father and best friend in the same week. Now forty years later, the town is talking about those disappearances in connection to the newly missing girl.

If I went into Nest as a book on nature writing, I may have a completely different reaction to the book. For me I went in thinking this was show more going to be a novel revolving around the disappearances and possibly solving the mysteries of her past and what happened to this young girl. Nest focuses mainly on a life of seclusion and the birds Jen finds within her garden. It is a quiet and even gentle novel that I did not connect with at all.

The mysteries only served as a sub-plot and no real depth went into developing it. I found Jen was very evasive and did not want to explore her past or talk about the situation. This was meant to be a way to show the damage caused by the loss of her father and best friend but it was just over done. It was a useful technique for exploring Jen’s hurt and pain but because it was used so much the mystery plot really suffered.

I know I went into the book with the wrong expectations, and I eventually did enjoy the nature writing, and the quiet and peaceful sentences. I put too much focus on the sub-plot and this really highlighted the problems I had with the novel. Inga Simpson can really write and there are some great sentence structures to be found in this novel. Nest is beautifully written and if you love nature and bird watching, this will be worth reading; just do not read this for the mystery.

This review originally appeared on my blog; http://www.knowledgelost.org/literature/book-reviews/genre/contemporary/nest-by-...
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½
I loved this book, the descriptions of the Australian birds and wildlife and art work are beautiful, I'm going to recommend this book to a Twitcher friend of mine . Beautiful story of Jen and hope she copes with the loss of her relationship and the death of her Mother , the disappearance of her Father in her childhood and also the disappearance of her childhood friend Michael and then the disappearance of a school girl in her home town. Beautifully worded , i can almost picture her artwork.

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Inga grew up near Grenfell in central west New South Wales. She has a PhD in Creative Writing from the Queensland University of Technology. Her career in writing and research included working for the federal Parliament and the Commonwealth Ombudsman. She has published short stories, academic and non-fiction articles in the Review of Australian show more Fiction, Clues, Writing Queensland, and the Dictionary of Literary Biography. Her books include Where the Trees Were, Nest, Fatal Development, and Mr Wigg. (Bowker Author Biography) show less

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Common Knowledge

Epigraph
The character study of the bird is beyond the mazes of
classification, beyond the counting of bones, out of the reach
of the scalpel and the literature of the microscope.


Mabel Osgood Wrigh... (show all)t, The Friendship of Nature
Dedication
For Nike
First words
She was trying to capture the wild.
Last words
(Click to show. Warning: May contain spoilers.)Jen slipped and slid down the slope into the water, laughing and splashing.
Original language
English

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General Fiction, Fiction and Literature
DDC/MDS
823.9Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-
LCC
G2015Geography, Anthropology and RecreationAtlasesBy region or countryEastern Hemisphere. Eurasia, Africa, etc.Europe
BISAC

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