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In this companion volume to The Boggart, the invisible and mischievous spirit living in the Scottish Castle Keep sets out to help save Nessie the Loch Ness Monster, one of its few remaining cousins.Tags
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The Boggart of Castle Keep returns in this follow-up to his first fantastical adventure—chronicled in the eponymous The Boggart—this time reuniting with a long-lost relative. Emily and Jessup Volnik, with whom the Boggart lived in Canada for a time, return to Scotland, and are reunited with their magical friend, as well as Tommy Cameron and Mr. Maconochie, the lawyer who purchased their ancestral home (and home of the Boggart). A camping trip to Loch Ness soon involves the four of them in an unexpected reunion, as the Boggart (tagging along) discovers that his long-forgotten but once beloved cousin, Nessie, has descended into a sleepy existence in the loch, no longer able to shape shift as he once did, and trapped in a monstrous show more shape. Can the Boggart, with the help of human friends, save Nessie from his lonely existence? Will the teams searching for the Loch Ness Monster get in the way?
Although not quite the equal of its predecessor, which had a sharp poignancy and deeper emotional pull, due to its eponymous character's displacement and eventual homesickness in a foreign human-dominated world, I do think The Boggart and the Monster makes for an appealing fantasy. I enjoyed the story, and was rooting for Nessie to make a recovery, and shake off the centuries of lethargy which had settled upon him, after the loss of his human Urquhart family and his subsequent grief. I also appreciated getting to visit with the human characters again, and found the incipient romance between Emily and Tommy—handled by Susan Cooper with a light touch—quite charming. The sub-plot with the Nessie-hunters was also fun, and I particularly liked the sub-plot involving Tommy's report father, whose deepest wish was granted. As someone who dreams of flight as a child (some of the few dreams I can ever recall having), I sympathized with his resultant delight a great deal. Recommended to anyone who has read and enjoyed the first Boggart book. show less
Although not quite the equal of its predecessor, which had a sharp poignancy and deeper emotional pull, due to its eponymous character's displacement and eventual homesickness in a foreign human-dominated world, I do think The Boggart and the Monster makes for an appealing fantasy. I enjoyed the story, and was rooting for Nessie to make a recovery, and shake off the centuries of lethargy which had settled upon him, after the loss of his human Urquhart family and his subsequent grief. I also appreciated getting to visit with the human characters again, and found the incipient romance between Emily and Tommy—handled by Susan Cooper with a light touch—quite charming. The sub-plot with the Nessie-hunters was also fun, and I particularly liked the sub-plot involving Tommy's report father, whose deepest wish was granted. As someone who dreams of flight as a child (some of the few dreams I can ever recall having), I sympathized with his resultant delight a great deal. Recommended to anyone who has read and enjoyed the first Boggart book. show less
A neat little tale of magic, mayhem and the soul of ancient things. It made me yearn for something nameless.
Another nice story. The boggarts are...slightly less alien, because their behavior is more human, though it's repeatedly described as unusual for them. The side characters are excellent - they read like complete people who have just dropped in to play a part here, not props set up to take the role. Again, I had apparently read it long before, but didn't remember it at all.
Unfortunately this isn't my favorite Susan Cooper book. I prefer the timeless theme in The Dark is Rising, for instance. However, this is an imaginative, playful story, and is worth reading once.
This was a suprise find for a me a few years back. I enjoyed it maybe even more than the Dark is Rising series.
Another great reading by David Rintoul. I liked the Boggart better, but I just wanted him to keep reading.
The same, unadulterated Scotland that I fell in love with.
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Author Information

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Susan Cooper was born in Buckinghamshire, England in May of 1935. She attended Slough Grammar School, and then went on to Somerville College and Oxford. She was the first woman to ever edit the University Magazine, the Cherwell. She graduated from Oxford with an MA in English and went to work for London's The Sunday Times as a reporter on the show more Atticus Column for Ian Flemming. She evenutally made it to features writer, during which time she wrote her first book, "Mandrake," a science fiction story for adults. Soon after the publication of "Mandrake," Cooper wrote the children's story "Over Sea, Under Stone" for a publishing house competition. It would later become the first of a five book series she would become famous for. She left England in 1963 to marry an American professor. Once there, she wrote two more books for adults, "Behind the Golden Gate" a study of America, and "Portrait of an Author" the biography of J. B. Priestley. In 1970, Cooper published "Dawn of Fear" an almost entirely autobiographical book about growing up as a child during the war. Even though Cooper wrote "Over Sea, Under Stone" as a entry for a publishing house competittion, she did not know at the time that it would be the first of her most famous copilation, "The Dark is Rising Series." In 1973 she wrote the second in the five book series, entitled "The Dark is Rising," published more than ten years after the first. In1974, Cooper published Greenwitch, book three, and book four, "The Grey King" a year later. "The Grey King" won the Newberry Medal in 1976. "Silver on the Tree" was the fifth and last book published, completing the series in 1977. After completing the "Dark is Rising" series, Cooper turned to writing for the theater, learning the style from Urjo Kareda at Tarragon Theatres in Toronto. She wrote for Jack Langstaff's "Revels." Her first major play was called "Foxfire," which was written in coolaboration with Hume Cronyn. The play eventually went to Broadway in 1983 and starred Hume Cronyn and Jessica Tandy, who won a Tony for her performance. Cooper then began working on "Seaward," but was interrupted by Jane Fonda, who wanted her to write the screenplay for Harriet Arnow's "The Dollmaker." She wrote the adaptation with Cronyn and won a Humanitas Award for it, while Jane Fonda won the Best Actress Emmy for her role. Cooper also got an Emmy nomination for her adaptation of "Foxfire" for television. "To Dance with the White Dog," a made for tv movie, was the last collaboration of Cooper, Cronyn and Tandy, Tandy having died in '94. IN the '80's and '90's, Cooper wrote the text for many children's picture books such as, "Jethro and the Jumbie" and "Danny and the Kings." 1993 marked her return to the Children's Book List with "The Boggart" and int's follow up "The Boggart and the Monster" in 1997. In 1996, Cooper published a collection of essays on children's literature entitled, "Dreams and Wishes." Over the course of her career, Cooper has written for newspapers, books for children and adults, screen[plays for television and cinema, and a Broadwat play. Today, she lectures on children's literture and continues to write. (Bowker Author Biography) show less
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Awards and Honors
Series
Common Knowledge
- Original publication date
- 1997
- Important places
- Loch Ness, Highland, Scotland, UK
Classifications
- Genres
- Fiction and Literature, Kids, Tween, Fantasy
- DDC/MDS
- 823.914 — Literature & rhetoric English & Old English literatures English fiction 1900- 1901-1999 1945-1999
- LCC
- PZ7 .C7878 .B — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
Statistics
- Members
- 595
- Popularity
- 49,174
- Reviews
- 7
- Rating
- (3.59)
- Languages
- English, German, Japanese
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 26
- ASINs
- 7






























































