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"Summer in London-the sun is finally shining, the flowers are in bloom, and life is humming merrily along for book editor Samantha Clair, off to lunch with her old friend, art-dealer Aidan Merriam. Humming merrily until she learns that his partner has just been found dead in their gallery, slumped over his desk with a gun in his hand. Could anything be worse? Oh yes, the police investigation is being led by Inspector Jake Field, who just happens to be Sam's new boyfriend. And Aidan, who just show more happens to be Sam's ex-boyfriend, wants Sam's help. Finding herself drawn into another investigation, Sam does the only sensible thing and calls her mother. Before long, Sam finds her loyalties stretched to the limit as she herself is threatened. Armed with nothing more than her trusty weapons of satire, cynicism and a stock of irrelevant information culled from novels, Sam races to find a killer who is determined to find her first in the newest fast-paced, uproarious novel in the critically acclaimed series from New York Times bestselling author Judith Flanders"-- show lessTags
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I really enjoyed Judith Flanders' first Samantha Clair mystery, A Murder of Magpies, and I'm happy to say that my enjoyment increased to love with her second book. Everything seems to sparkle in A Bed of Scorpions. Samantha Clair is sarcastic, cynical, and has a ready repertoire of information culled from all the reading she's done. Not all of you may like sarcastic wit, but I love it when it's done well-- and it is here. Sam's got a tough act to follow-- her maternal unit is not only the perfect mother, perfect guest, and perfect hostess, she's also the perfect high-powered lawyer. Watching Sam deal with her mother is part of the fun of this book (and thankfully Helena isn't nearly as abrasive as she was in the first book). Also... show more promise not to tell... this snarky editor who usually has her nose buried in a book has a secret heart of gold, and she's very capable of doing what's best, even if it's at her own cost.
Sam's other relationships-- with ex-flame Aidan, new flame Jake, and her reclusive upstairs neighbor Mr. Rudiger-- also sparkle, as does the mystery. I did pick up a couple of crumbs as I read. For instance, I thought the identity of the main "bad guy" was way too simple, but I hadn't picked all the black hats out of the lineup. I also didn't do a very good job in deducing their motivations.
In many ways, I think Flanders' mysteries are perfect for book lovers. Why? Because one of the very best parts of the book is Samantha's wonderful insider's look at the world of publishing. (In fact her knowledge of publishing helps solve the crime.) As she's trying to solve the mystery, Sam also manages to explain many little ins and outs of publishing, which is bound to thrill the book lovers amongst us.
Do you have to start with the first book in the series? Not really, but I hope you do simply because I've enjoyed both of them so much. An extra little bonus is that I realized this time around that I've also read some of Judith Flanders' non-fiction (Consuming Passions, The Victorian House, and The Making of Home) and enjoyed that as well, so... if you're in the mood for some facts after enjoying this banquet of mayhem, I suggest you try those as well! show less
Sam's other relationships-- with ex-flame Aidan, new flame Jake, and her reclusive upstairs neighbor Mr. Rudiger-- also sparkle, as does the mystery. I did pick up a couple of crumbs as I read. For instance, I thought the identity of the main "bad guy" was way too simple, but I hadn't picked all the black hats out of the lineup. I also didn't do a very good job in deducing their motivations.
In many ways, I think Flanders' mysteries are perfect for book lovers. Why? Because one of the very best parts of the book is Samantha's wonderful insider's look at the world of publishing. (In fact her knowledge of publishing helps solve the crime.) As she's trying to solve the mystery, Sam also manages to explain many little ins and outs of publishing, which is bound to thrill the book lovers amongst us.
Do you have to start with the first book in the series? Not really, but I hope you do simply because I've enjoyed both of them so much. An extra little bonus is that I realized this time around that I've also read some of Judith Flanders' non-fiction (Consuming Passions, The Victorian House, and The Making of Home) and enjoyed that as well, so... if you're in the mood for some facts after enjoying this banquet of mayhem, I suggest you try those as well! show less
Judith Flanders is best known for her exceptional non-fiction (micro-history, mainly) but a couple of years ago she dipped her toe into mystery with A Murder of Magpies and it was very good but maybe a little bit chaotic. I think her sophomore offering, A Bed of Scorpions is better.
My preference might have to do with the plot: Sam's old-flame-turned-good-friend owns a prestigious art gallery and I've been attracted by all things art lately. Aidan finds his partner dead in his office of an apparent suicide but with no reason to kill himself. It might also have to do with Sam and Jake's chemistry; it's there, you can feel the pull, you know it's simmering just beneath the surface, but it's not being rushed.
The murder plotting was show more another skilfully plotted crime; Flanders lead me down the path (Sam and I both), only to make me do a forehead slap at the end. What's more, the clues were all there from the beginning so all points to Flanders.
Whatever the reason, I found the story smoothly paced, exciting, and the dialogue witty. I like all the characters and that almost never happens. I love the dynamic between Sam and her mother Helena and the scene at the dinner party was priceless.
This is a cozy for grown-ups with a strong female lead and I'm really looking forward to the third book out next year. show less
My preference might have to do with the plot: Sam's old-flame-turned-good-friend owns a prestigious art gallery and I've been attracted by all things art lately. Aidan finds his partner dead in his office of an apparent suicide but with no reason to kill himself. It might also have to do with Sam and Jake's chemistry; it's there, you can feel the pull, you know it's simmering just beneath the surface, but it's not being rushed.
The murder plotting was show more another skilfully plotted crime; Flanders lead me down the path (Sam and I both), only to make me do a forehead slap at the end. What's more, the clues were all there from the beginning so all points to Flanders.
Whatever the reason, I found the story smoothly paced, exciting, and the dialogue witty. I like all the characters and that almost never happens. I love the dynamic between Sam and her mother Helena and the scene at the dinner party was priceless.
This is a cozy for grown-ups with a strong female lead and I'm really looking forward to the third book out next year. show less
I think I would still classify this as a cozy mystery, but it's one of the best I've ever read. I would absolutely read a book about the main character's life, even without the mystery.
The book is written in the first person, which isn't always my favorite, but it felt very natural here. Our narrator is Sam, a woman who works in publishing for a small publishing house in London. She's normal and mildly sarcastic, three-dimensional without any forced quirkiness.
In other words, I get this woman, and am show more pretty sure we would be friends in real life.
There are plenty of British-isms (toast soldiers!), which was a bonus for me, especially as they felt natural in the character's voice. There's also a fair amount of realistic background about art and publishing, which lent the whole book an authentic tone. In fact, the whole story seemed more realistic than most mysteries; it seemed entirely plausible that she might inadvertently stumble into this situation that might or might not present, well, a murder mystery.
Pick this up if you're a book nerd who likes mysteries. It's that simple. show less
The book is written in the first person, which isn't always my favorite, but it felt very natural here. Our narrator is Sam, a woman who works in publishing for a small publishing house in London. She's normal and mildly sarcastic, three-dimensional without any forced quirkiness.
I drink three very large cups of coffee first thing in the morning, and sometimes, if I'm feeling I need to make a special gesture toward nutrition and health, I eat a banana. Jake does cereal-ish things which I refuse to get involved in.
In other words, I get this woman, and am show more pretty sure we would be friends in real life.
There are plenty of British-isms (toast soldiers!), which was a bonus for me, especially as they felt natural in the character's voice. There's also a fair amount of realistic background about art and publishing, which lent the whole book an authentic tone. In fact, the whole story seemed more realistic than most mysteries; it seemed entirely plausible that she might inadvertently stumble into this situation that might or might not present, well, a murder mystery.
Pick this up if you're a book nerd who likes mysteries. It's that simple. show less
Almost perfectly plotted, though the characterization was a little uneven this time. I love that Sam is deeply nerdy about books and publishing and really bad at emotions -- she's almost embarrassingly relatable to those of us who would rather stay home with a good book than go to a party.
I would have appreciated a little more attention on the rest of the cast, if only to better differentiate them and establish their various motives.
Queer interest tag for 2 victims and a surviving partner who gets almost no lines despite being adjacent to the plot throughout, which wins an F on the Dead, Evil, or Erased LGBTQ test. Sigh.
A good mystery, otherwise.
I would have appreciated a little more attention on the rest of the cast, if only to better differentiate them and establish their various motives.
Queer interest tag for 2 victims and a surviving partner who gets almost no lines despite being adjacent to the plot throughout, which wins an F on the Dead, Evil, or Erased LGBTQ test. Sigh.
A good mystery, otherwise.
The narrator of this cozy mystery claims that, "I've always got by on not discussing anything important, while chattering frivolously and amusingly about everything that isn't. It works for me. I think."
Well, it doesn't work for me. If she were a real person, I would find her tedious and not worth socializing with. As the protagonist and "sleuth" of a light mystery, it is worse: she wastes the reader's time and too often derails the narrative with her charmless asides. Not recommended.
Well, it doesn't work for me. If she were a real person, I would find her tedious and not worth socializing with. As the protagonist and "sleuth" of a light mystery, it is worse: she wastes the reader's time and too often derails the narrative with her charmless asides. Not recommended.
The mysterious death of an art gallery owner follows the unearthing of the skeletal remains of the missing collage artist whose work is about to be shown at the Tate. The next discovered body is that of the Gallery's restorer.....
An attempted murder of a publisher/editor who accidentally discovers that the publisher's colophon (logo on the spine of a bookcover) used in one of the collages could not possibly have been from when the artist was alive.....
Very interesting once I got into the story... I liked the characters, I liked the story, I liked the art world & publishing details...
I did take exception to the following: "One area I'd like to explore is the future of reproductions in books. Given the spread of images online, and the show more cost of printing, the question, why illustrate book s at all, is an obvious one. If the author can say, 'Vermeer's Music Lesson', and the reader can look at it online, spending money printing it, or spending money paying a permission fee to the owner of the picture, is surely becoming pointless. Just what is the future of this kind of publishing?"
Personally, I borrow, peruse, & purchase Art Books for the Color Art Illustrations..... I am not going to bother w/ any type of book that points me to a web page in order to view the illustrations..... Why would I (or for that matter anyone else) want to stop in the middle of what I am reading, put down the book, go to the pc, turn it on, and search images to find what I was reading about?
Eye-Roll! show less
An attempted murder of a publisher/editor who accidentally discovers that the publisher's colophon (logo on the spine of a bookcover) used in one of the collages could not possibly have been from when the artist was alive.....
Very interesting once I got into the story... I liked the characters, I liked the story, I liked the art world & publishing details...
I did take exception to the following: "One area I'd like to explore is the future of reproductions in books. Given the spread of images online, and the show more cost of printing, the question, why illustrate book s at all, is an obvious one. If the author can say, 'Vermeer's Music Lesson', and the reader can look at it online, spending money printing it, or spending money paying a permission fee to the owner of the picture, is surely becoming pointless. Just what is the future of this kind of publishing?"
Personally, I borrow, peruse, & purchase Art Books for the Color Art Illustrations..... I am not going to bother w/ any type of book that points me to a web page in order to view the illustrations..... Why would I (or for that matter anyone else) want to stop in the middle of what I am reading, put down the book, go to the pc, turn it on, and search images to find what I was reading about?
Eye-Roll! show less
Thanks to Goodreads for providing the book in exchange for an unbiased review.
This is the second book in Judith Flanders' Sam Clair series. I found some of the details in this book a bit confusing and think it would have been less confusing if I had read the series in order. Other than the minor confusion, the book was fun to read. Samantha (Sam) works in publishing and her new boyfriend is a detective with Scotland Yard. He is investigating a case that involves a friend and former lover of Sam's who owns an art gallery. Despite the fact that this is a murder mystery, I really enjoyed the main character of Sam - she was funny and irreverent and enjoyed her job in publishing. I am definitely going to go back and read book 1 in the series show more and then anxiously wait for book 3 due sometime next year. show less
This is the second book in Judith Flanders' Sam Clair series. I found some of the details in this book a bit confusing and think it would have been less confusing if I had read the series in order. Other than the minor confusion, the book was fun to read. Samantha (Sam) works in publishing and her new boyfriend is a detective with Scotland Yard. He is investigating a case that involves a friend and former lover of Sam's who owns an art gallery. Despite the fact that this is a murder mystery, I really enjoyed the main character of Sam - she was funny and irreverent and enjoyed her job in publishing. I am definitely going to go back and read book 1 in the series show more and then anxiously wait for book 3 due sometime next year. show less
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Author Information
Series
Common Knowledge
- Canonical title
- A Bed of Scorpions
- Original publication date
- 2015
- People/Characters
- Samantha Clair; Jake Field; Helena Clair; Pavel Rudiger; Aiden Merriam; Miranda (show all 9); Frank Compton; Lucy Compton; Jim Reynolds
- Important places
- London, England, UK
- Dedication
- For Frank Wynne
- First words
- The summer was rumbling on the way the summer usually does in publishing, and I was ready to murder someone.
- Blurbers
- Cooper, N. J.; Morrell, David; Penny, Louise
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- 168
- Popularity
- 192,809
- Reviews
- 10
- Rating
- (3.82)
- Languages
- English
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- ISBNs
- 16
- ASINs
- 4
































































