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When fate brings fourteen-year-old Leven and thirteen-year-old Winter together, they discover that for mankind to continue dreaming, the gateway between reality and dreams needs to be found and demolished.Tags
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My husband heard about Leven Thumps and the Gateway to Foo by Obert Skye and was curious to read it. As we had a road trip coming up, I borrowed the audio version, performed by E.B. Stevens (the narrator of the Fablehaven audio books).
The book is about three refugees from the land of Foo who together can either be the land's salvation or its destruction. In comic book fashion, we're given three origin stories to see how the three unlikely heroes have ended up in Burnt Culvert, Oklahoma. Most of the book is spent in uniting these three before they can set off on the quest to stop the Foovian hell bent on giving all of Foo a chance to return to Earth.
The titular character is Leven, an orphan left in the care of his mother's half sister show more and her lazy husband. Winter is a changeling, left in the care of a mother not at all interested in being a parent. No mention is made as to the fate of exchanged baby. Finally, there's Geth (who Stevens pronounces as Gef), once a king and now through the power of "Fate", a walking, talking tooth pick.
There are a number of distractions with this book. As this is an audio, the first and foremost, is the performance. I'm not a fan of Stevens's odd over enunciation of words or how often he mispronounces words.
Secondly, there's there's the over use of FATE. Throughout the book Leven and Winter are reluctant to blindly follow the orders of Clover — a catlike creature who is somewhere between a house elf and Jar Jar Binks. Yes, he's that annoying, and yes, I was imagining all sorts of painful fates for him. Anyway, whenever Leven or Winter don't want to listen, Clover and Geth sit back and smugly tell them to trust in FATE. And of course, FATE steps in, because it is the deus ex machina of the book for every single time the author writes himself into a corner.
As FATE is the ten thousand pound gorilla in this fantasy, there's not much room left for bravery or bravado on the part of either Leven or Winter. All these characters have to do is be transported from point A to point B. Leven is especially prone to just being carted around — at times being frozen and at other times, drugged by Clover.
Finally there's Foo. This is the land of dreams, where people who are unlucky enough to be at a crossroads under extraordinary circumstances, are sucked into Foo. While those who come out of Foo describe it as the most wonderful and important place ever, I am tempted to side with Sabine who was one of these stolen children and wants nothing but to get back home — even if it means destroying Foo in the process.
Foo is by no means Oz. For Foo being such a monumentally important place (fostering the creativity and hope of mankind) and for being such a potentially dangerous place (world destruction if it's destroyed), why does it have such a stupid sounding name? Seriously, Foo? show less
The book is about three refugees from the land of Foo who together can either be the land's salvation or its destruction. In comic book fashion, we're given three origin stories to see how the three unlikely heroes have ended up in Burnt Culvert, Oklahoma. Most of the book is spent in uniting these three before they can set off on the quest to stop the Foovian hell bent on giving all of Foo a chance to return to Earth.
The titular character is Leven, an orphan left in the care of his mother's half sister show more and her lazy husband. Winter is a changeling, left in the care of a mother not at all interested in being a parent. No mention is made as to the fate of exchanged baby. Finally, there's Geth (who Stevens pronounces as Gef), once a king and now through the power of "Fate", a walking, talking tooth pick.
There are a number of distractions with this book. As this is an audio, the first and foremost, is the performance. I'm not a fan of Stevens's odd over enunciation of words or how often he mispronounces words.
Secondly, there's there's the over use of FATE. Throughout the book Leven and Winter are reluctant to blindly follow the orders of Clover — a catlike creature who is somewhere between a house elf and Jar Jar Binks. Yes, he's that annoying, and yes, I was imagining all sorts of painful fates for him. Anyway, whenever Leven or Winter don't want to listen, Clover and Geth sit back and smugly tell them to trust in FATE. And of course, FATE steps in, because it is the deus ex machina of the book for every single time the author writes himself into a corner.
As FATE is the ten thousand pound gorilla in this fantasy, there's not much room left for bravery or bravado on the part of either Leven or Winter. All these characters have to do is be transported from point A to point B. Leven is especially prone to just being carted around — at times being frozen and at other times, drugged by Clover.
Finally there's Foo. This is the land of dreams, where people who are unlucky enough to be at a crossroads under extraordinary circumstances, are sucked into Foo. While those who come out of Foo describe it as the most wonderful and important place ever, I am tempted to side with Sabine who was one of these stolen children and wants nothing but to get back home — even if it means destroying Foo in the process.
Foo is by no means Oz. For Foo being such a monumentally important place (fostering the creativity and hope of mankind) and for being such a potentially dangerous place (world destruction if it's destroyed), why does it have such a stupid sounding name? Seriously, Foo? show less
I'm really not sure how I feel about this book. It was recommended by the woman who works in children's books at the local B&N and I do agree that the writing is entertaining and very good. But it bothers me that basically every adult/figure of authority - parents, teachers, whatever - is portrayed as cruel and essentially evil. The descriptions are beyond neglectful or mean, they're downright abusive, and I don't think it really adds to the story. Kids can be isolated, lonely, and unhappy without being abused like that, or it didn't have to be such a big part of the book.
Other than that, I enjoyed the story and as I said, the writing is very good.
Other than that, I enjoyed the story and as I said, the writing is very good.
I fell in love with this writer in the first paragraph: "And the flags that only days before had hung majestically on top of the local flagpoles no longer looked majestic, they looked like multicolored pieces of cloth that had climbed up and tragically hung themselves." The story is good enough, if pretty standard fare for the Harry Potter generation: kid grows up in unfortunate circumstances, not knowing hs true power, then teams up withthe first true friends he ever had to save the world...However, the writing makes this book totally worh the read. It is clever without being to much so or pretentious in the least. And laugh-out-loud funny in places as wll. Am looking forward to the sequel (LT & the Whispered Secret) as well as the show more rest of the series with great anticipation... show less
Like all great audiobooks, this one had an amazing narrator. Of course, the story has to be worth narrating well, and this one was. Following Leven and Winter through their quest to find and destroy the gateway to Foo in order to preserve the peace and protect the dreams of both the people of Earth and the people of Foo was an excellent way to spend some time. I will be looking forward to the next story in the series.
Oregon Battle of the Books.
I actually enjoyed this book. I liked that the sci-fi/fantasy part didn't too much additional language and lingo and that the story was cute but light.
I actually enjoyed this book. I liked that the sci-fi/fantasy part didn't too much additional language and lingo and that the story was cute but light.
Stupid. Sorry, but it's true. All sorts of cliches, and no heart, no resonance. The made-up words make it sound like it's aimed at preschoolers, yet the characters are young teens. The adults are caricatures. And Sabine is a beautiful name for a randomly evil overlord. There are so many richer, more enjoyable, more creative MG fantasies out there and I refuse to waste my time past p. 83 on this one.
Extremely inventive plotting and evocative writing but the characters are two-dimensional cliches. I keep seeing Clover as E.T.
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- Canonical title
- Leven Thumps and the Gateway to Foo
- Original publication date
- 2005
- People/Characters
- Leven Thumps; Winter Frore; Geth; Sabine (suh-bine'); Anstel; Clover Ernest (show all 9); Jamoon; Hector Thumps; Amelia Thumps
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- Members
- 1,626
- Popularity
- 13,915
- Reviews
- 31
- Rating
- (3.74)
- Languages
- English
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 29
- ASINs
- 7
























































