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EVERYBODY IS A BOOK OF BLOOD;WHEREVER WE'RE OPENED, WE'RE RED. Clive BarkerFew authors can claim to have marked a genre so thoroughly and personally that their words have leaked into every aspect of modern pop culture. Clive Barker is such an author, and the Books of Blood marked his debut - his coming out to the world - in brilliant, unforgettable fashion. Crossroad Press is proud to present Clive Barker's "Books of Blood" in digital for the first time.The Books of Blood combine the show more ordinary with the extraordinary while radiating the eroticism that has become Barker's signature. Weaving tales of the everyday world transformed into an unrecognizable place, where reason no longer exists and logic ceases to explain the workings of the universe, Clive Barker provides the stuff of nightmares in packages too tantalizing to resist.Never one to shy away from the unimaginable or the unspeakable, Clive Barker breathes life into our deepest, darkest nightmares, creating visions that are at once terrifying, tender, and witty. The Books of Blood confirm what horror fans everywhere have known for a long time: We will be hearing from Clive Barker for many years to come.This second volume contains the short stories : "Dread," "Hell's Event," "Jacqueline Ess: Her Will and Testament," "The Skins of the Fathers," and "New Murders in the Rue Morgue," as well as a new introduction by author Steven Savile. show lessTags
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Hace algunos meses tuve mi primer acercamiento a Barker, he de confesar que fue bastante desafortunado y pensé que me tomaría mucho agarrar el ritmo al autor, de hecho, Libros de sangre estuvo mucho tiempo en el listado de pendientes y sin muchas ganas de librarme de él. Pero finalmente lo hice y creo que ha sido la mejor forma de conocer verdaderamente la obra de Barker, la más inquietante y perturbadora, la que, entre pinceladas de terror sobrenatural nos habla de un terror y decadencia humanos. Conforme iba pasando las historias pensaba que había finalizado la que sería la favorita; sin embargo, ahora que he terminado el libro me doy cuenta que cada historia que compone este volumen brilla con luz propia o, para entrar en el show more ambiente Libros de sangre, cada historia es oscura por sí sola.
En definitiva quiero seguir leyendo más del autor y, quizá, vuelva a leer con una mirada distinta el libro con el que me acerqué a Barker. show less
En definitiva quiero seguir leyendo más del autor y, quizá, vuelva a leer con una mirada distinta el libro con el que me acerqué a Barker. show less
Me quedo con:
1) EL TREN DE LA CARNE DE MEDIANOCHE: La imágenes atroces percibidas, trasmiten el simbolismo y el lado más profundo de Barker. Una historia de apariencia sencilla pero donde la carne adquiere significados casi divinos.
2) EN LAS COLINAS, LAS CIUDADES: Entre la fantasía inexplicable y el terror indescriptible, uno de los mejores trabajos de imaginación de Clive Barker. Una historia cuyo demoledor apartado visual describe escenas y secuencias que superan cualquier sensación descrita en la lectura de un relato y lo eleva a la categoría de experiencia que se vive, se sufre y se adora.
3) SEXO, MUERTE Y BRILLO DE ESTRELLAS: Barker cambia sutilmente de registro, ofreciéndonos, en un aparente homenaje y amor al teatro, una show more historia que bien podría representar el perfil de cuento gótico de terror más clásico, donde la vida y la muerte unen lazos en una representación que se torna bella sobre el escenario, pero macabra en las mentes de los espectadores.
4) TERROR: Explora la mente humana en busca de los límites a los que puede ser expuesta al miedo antes de romperse. Una historia ficticia que invita a reflexionar ante un tema muy real expuesto por personajes vivos, creíbles y altas dosis de terror psicológico. show less
1) EL TREN DE LA CARNE DE MEDIANOCHE: La imágenes atroces percibidas, trasmiten el simbolismo y el lado más profundo de Barker. Una historia de apariencia sencilla pero donde la carne adquiere significados casi divinos.
2) EN LAS COLINAS, LAS CIUDADES: Entre la fantasía inexplicable y el terror indescriptible, uno de los mejores trabajos de imaginación de Clive Barker. Una historia cuyo demoledor apartado visual describe escenas y secuencias que superan cualquier sensación descrita en la lectura de un relato y lo eleva a la categoría de experiencia que se vive, se sufre y se adora.
3) SEXO, MUERTE Y BRILLO DE ESTRELLAS: Barker cambia sutilmente de registro, ofreciéndonos, en un aparente homenaje y amor al teatro, una show more historia que bien podría representar el perfil de cuento gótico de terror más clásico, donde la vida y la muerte unen lazos en una representación que se torna bella sobre el escenario, pero macabra en las mentes de los espectadores.
4) TERROR: Explora la mente humana en busca de los límites a los que puede ser expuesta al miedo antes de romperse. Una historia ficticia que invita a reflexionar ante un tema muy real expuesto por personajes vivos, creíbles y altas dosis de terror psicológico. show less
Five more tales that show a master in the making...though, for me, while there is brilliance here, it feels quite often that Barker's characters are just grist for the mill. Yes, some of it is the limitations of the shorter story format, and it absolutely does not apply in all cases, but in many, the characters just seem...there.
In many of the stories, I didn't necessarily see the motivations for what the main characters ended up doing. It doesn't make the stories bad, but when finishing many of these stories, I felt like I hadn't gotten the full story, that I'd missed a chunk.
Still, the story ideas themselves are phenomenal. I don't think anyone is Barker's equal when it comes to imagination. And these collections are essential to show more anyone wanting to see those first stabs at the themes that would become Barker's trademark in years to come. show less
In many of the stories, I didn't necessarily see the motivations for what the main characters ended up doing. It doesn't make the stories bad, but when finishing many of these stories, I felt like I hadn't gotten the full story, that I'd missed a chunk.
Still, the story ideas themselves are phenomenal. I don't think anyone is Barker's equal when it comes to imagination. And these collections are essential to show more anyone wanting to see those first stabs at the themes that would become Barker's trademark in years to come. show less
Ahh, 3.5? It's really dragged down by the last story, which is deeply stupid in similar ways to the story it's named after (Murders in the Rue Morgue). It defuses any tension by following the original so closely, even stating the plot early on so you can't possibly miss it. The horror relies on the particular bizarre fear of the virility of monkeys over men, which it's hard to sympathise with - again, the whole thing just feels stupid. It's slightly funny but not enough.
Otherwise there's no story that stands out as much as In the Hills, the Cities from the last one. The closest is Jacqueline Ess, which has a fantastic concept but is still full of male insistence a woman needs a man to be complete. There's a lot to love still - the body show more horror is beautiful - but it's held back a little by that. The other stories are enjoyable but it feels like none have the depth of the best stories in vol 1. show less
Otherwise there's no story that stands out as much as In the Hills, the Cities from the last one. The closest is Jacqueline Ess, which has a fantastic concept but is still full of male insistence a woman needs a man to be complete. There's a lot to love still - the body show more horror is beautiful - but it's held back a little by that. The other stories are enjoyable but it feels like none have the depth of the best stories in vol 1. show less
Ante was a bit upped here, don't let the shorter volume fool you. One story in particular had me in reading through spread fingers whilst fetal curling my body.
Well written as always with some really interesting concepts, like Hell betting on an Earth runners and a sorta sequel to a Poe story.
My favourite here was the final story, 'New Murders in the Rue Morgue', although I've not read the original Poe story, something I shall have to rectify soon I think. 'Dread' was also very good but a little too depressing for my liking.
Again, not really a bad story amongst them and only just missed out on a 5 star, more because of how fantastic the first volume was rather than because of any failings on the part of this collection. If I were to pick fault, one of the stories seemed a little slow to unwind if I'm brutally honest, but that really would be picking fault so I'll not do that...
Again, not really a bad story amongst them and only just missed out on a 5 star, more because of how fantastic the first volume was rather than because of any failings on the part of this collection. If I were to pick fault, one of the stories seemed a little slow to unwind if I'm brutally honest, but that really would be picking fault so I'll not do that...
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Author Information

Critics of the horror story have frequently called Clive Barker the "British Stephen King". Born in Liverpool in 1952, Barker attended the University of Liverpool but moved to London in 1977, where he worked as a commercial artist and became involved with the avant-garde theatrical community. Primarily a playwright during this period, he also show more produced short fiction that he would eventually publish as part of his six-volume collection titled Books of Blood (1984-85). More than any other author of contemporary horror fiction, Barker has had a major impact on the direction of the genre. He has introduced strong elements of sex and graphic violence into his fiction, but these elements are employed with an artistic objective. Barker underscores his work with complex subtextual metaphors and artistic allusions. Preoccupied with the craft of writing and with its effect on the reader, Barker is an innovator of formula and genre, often parodying the former in order to change the philosophical contour of the latter. Barker has achieved commercial success not only with his short fiction but also with his novels, which tend to be epic in scope and to blend elements of horror with those of high fantasy. Barker is one of the more influential voices in horror cinema, having written and directed a number of films. His printed works include The Candle in the Cloud, Absolute Midnight, The Scarlet Gospels, and Black is the Devil's Rainbow: Tales of a Journeyman. His films include Dread, Tortured Souls: Animae Damanatae, and Hellraiser. (Bowker Author Biography) Clive Barker was born in October, 1952, in Liverpool, England, and graduated from Liverpool University. While a student, the resourceful Barker formed a theater company as an outlet for his career as a budding playwright. After minor success with several plays such as "Frankenstein in Love," Barker vaulted onto the horror fiction scene with the publication of his short stories, "The Books of Blood." Later books such as "The Damnation Game," "Imajica," and "Everville" have further established his reputation as a Master of Horror. Barker gained further popularity with several motion picture projects. Unhappy with previous film versions of his works, he chose to direct the successful movie "Hellraiser," which generated a string of sequels. In addition to writing and directing, Barker has produced several of the movies in both the "Hellraiser" and "Candyman" series. Besides his writing and film activities, the multitalented Barker is an actor and illustrator, with several published volumes of his artwork. Barker is a recipient of British Fantasy awards and a World Fantasy award, and resides in Los Angeles. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- Books of Blood, Vol. 2
- Original title
- Books of blood vol. 2
- Alternate titles*
- Kammo; Helvetin päivä; Jaqueline Ess: hänen tahtonsa ja testamenttinsa; Aaronin isät; Rue Morquen uudet murhat
- Original publication date
- 1984
- Related movies
- Dread (2009 | IMDb)
- First words
- There is no delight the equal of dread.
- Last words
- (Click to show. Warning: May contain spoilers.)It was a new day.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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