Witch Hunt
by Juliet Escoria
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The much-anticipated full-length poetry collection by the critically acclaimed author of Black Cloud, Witch Hunt delves into the terror and beauty that occurs when love, madness, and addiction collide.Tags
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Witch Hunt by Juliet Escoria
Juliet Escoria’s first poetry collection, Witch Hunt, picks up where her first book, the story collection Black Cloud left off. That is, in a semi-autobiographical universe in which the author’s humanity is constantly on display. This isn’t woman magically ennobled, a made-up version of Juliet Escoria, heroine, but a largely unadorned testament that puts Escoria at the center of her own experiences without spending too much time moralizing on where she finds herself, what she does, or what’s done to her.
Witch Hunt’s presentation is fresh, the book’s architecture and delivery blurring the lines between poetry and short fiction, nonfiction and novel. From section titles like “Bipolar National show more Anthem” to poem cycles like “Haikus for Horse Haters” you get that there’s an air of comedy here, or if not comedy a sort of bemused acceptance of life’s insanity. Though many of these poems are delivered in blunt language that defies you to find much beauty in the world it presents, that’s by design. This is a collection that eschews “prettiness” in favor of truth. Perhaps this is a statement on gender, the title evocative of the stalked woman pursued for her innate beauty, her very femininity. In the face of that continuing hunt, these poems respond with brutal honesty.
The quality that sets this above other similarly confessional collections is its voice—infectious, reflective, and matter-of-fact—a voice that grows in power with re-readings, suggesting not only that the collection holds multiple layers of meaning beyond the superficial, but that this is a writer with a lot more to say. From semi-madness (medicated and not-so) through substance abuse, physical abuse, suicidal episodes, and the overarching struggle to simply fit into the world, Escoria displays a shocking lack of self-pity, the rare, fundamental truthfulness that assures you this is not a slick piece of personal advertising designed to make her look or feel better than she is. This is Juliet Escoria’s reality—her truth—on the page.
http://www.thenervousbreakdown.com/kbaumeister/2016/06/the-nervous-breakdowns-re... show less
Juliet Escoria’s first poetry collection, Witch Hunt, picks up where her first book, the story collection Black Cloud left off. That is, in a semi-autobiographical universe in which the author’s humanity is constantly on display. This isn’t woman magically ennobled, a made-up version of Juliet Escoria, heroine, but a largely unadorned testament that puts Escoria at the center of her own experiences without spending too much time moralizing on where she finds herself, what she does, or what’s done to her.
Witch Hunt’s presentation is fresh, the book’s architecture and delivery blurring the lines between poetry and short fiction, nonfiction and novel. From section titles like “Bipolar National show more Anthem” to poem cycles like “Haikus for Horse Haters” you get that there’s an air of comedy here, or if not comedy a sort of bemused acceptance of life’s insanity. Though many of these poems are delivered in blunt language that defies you to find much beauty in the world it presents, that’s by design. This is a collection that eschews “prettiness” in favor of truth. Perhaps this is a statement on gender, the title evocative of the stalked woman pursued for her innate beauty, her very femininity. In the face of that continuing hunt, these poems respond with brutal honesty.
The quality that sets this above other similarly confessional collections is its voice—infectious, reflective, and matter-of-fact—a voice that grows in power with re-readings, suggesting not only that the collection holds multiple layers of meaning beyond the superficial, but that this is a writer with a lot more to say. From semi-madness (medicated and not-so) through substance abuse, physical abuse, suicidal episodes, and the overarching struggle to simply fit into the world, Escoria displays a shocking lack of self-pity, the rare, fundamental truthfulness that assures you this is not a slick piece of personal advertising designed to make her look or feel better than she is. This is Juliet Escoria’s reality—her truth—on the page.
http://www.thenervousbreakdown.com/kbaumeister/2016/06/the-nervous-breakdowns-re... show less
I liked some of these poems but many missed the mark. I was hoping for more.
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