The Mousetrap: A Play
by Agatha Christie (Autor)
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Description
The story drew from the real-life case of Dennis O'Neill, who died after he and his brother Terence suffered extreme abuse while in the foster care of a Shropshire farmer and his wife in 1945.Tags
Recommendations
Member Reviews
4.5★ I can see why this play enjoyed such a long run! Great take on the country home mystery, a new guest house (sort of like a bed & breakfast but serving all meals) opens one winter day, coincidentally when a blizzard is occurring. On the radio as the play opens is the news of a murder in London...
I am a Christie fan but for some reason have never read this play before. It is very well done and she manages to make the audience suspect each person in turn and yet the guilty person is still a surprise! Sadly, it might not appeal to today's young people as the plot does depend on the murderer cutting the telephone wire to isolate the house even more -- the prevalence today of cell phones has made this whole subgenre of mysteries show more obsolete (or at least dependent on exotic circumstances).
Note: I read this in the omnibus "The Mousetrap and Other Plays" show less
I am a Christie fan but for some reason have never read this play before. It is very well done and she manages to make the audience suspect each person in turn and yet the guilty person is still a surprise! Sadly, it might not appeal to today's young people as the plot does depend on the murderer cutting the telephone wire to isolate the house even more -- the prevalence today of cell phones has made this whole subgenre of mysteries show more obsolete (or at least dependent on exotic circumstances).
Note: I read this in the omnibus "The Mousetrap and Other Plays" show less
See How They Run
A review of the Concord Theatricals/Samuel French paperback (2010) of the Samuel French original playscript (performed in 1952, published in 1954) adapted from the short story "Three Blind Mice" published in Cosmopolitan (May 1948) and collected in [book:Three Blind Mice and Other Stories|13622161] (US, 1950) and an earlier BBC radio play (May 1947).
The hosts and an odd assortment of guests at the Monkwell Manor Guest House are snowed in and a suspected murderer is among them. A show more policeman manages to arrive by skiing through the storm. But then a guest is murdered and the policeman's skis have disappeared. Can the murderer be stopped before anyone else is killed?
This is one of the top Christie twist endings and it is interesting to note that it went through several stages as a radio play and short story before taking its final form as the stage play that has been running continuously in London's West End since its opening in 1952 (with a few years break for the COVID pandemic). It is considered the longest running play in the world, having hit 30,000 performances in 2025.
This play counts against my Complete Agatha Christie binge goal, so I have 18 novels (including 5 remaining Westmacotts), 5 short story collections, 10.5* theatrical plays (+ several harder to find 1-act radio plays) and 1 autobiography left to go. If my count is wrong I'll adjust it as I get nearer to the end of my target.
Footnote
* I am counting Towards Zero stage play version #1 (1945) and Towards Zero stage play version #2 (1956) each as 1/2 of a play.
Trivia and Links
Curiously, despite the large number of film and TV adaptations of Agatha Christie works, there has never been an English language screen adaptation of The Mousetrap. Several foreign language adaptations have been made though and you can see them listed at Wikipedia.
As best as I know, the 10 and 1/2 remaining full length plays on my list are:
Black Coffee (1930).
The Secret of Chimneys (1931) [was a lost play not on my original list, it was rediscovered and finally performed in 2003].
The Stranger (1932).
Akhnaton (1937).
And Then There Were None (1939).
Murder on the Nile (1944).
Towards Zero (Version #1) (1945).
Spider's Web (1954).
A Daughter's A Daughter (1956).
The Unexpected Guest (1958).
Fiddlers Three (1972).
In addition there are several full length plays that have been posthumously adapted from Agatha Christie novels by other people, but I am not counting them as part of the canon. For a complete listing see the works at Concord Theatricals listed under Agatha Christie.
The above list does not include the shorter one-act plays and/or radio plays which I still have to investigate. show less
A review of the Concord Theatricals/Samuel French paperback (2010) of the Samuel French original playscript (performed in 1952, published in 1954) adapted from the short story "Three Blind Mice" published in Cosmopolitan (May 1948) and collected in [book:Three Blind Mice and Other Stories|13622161] (US, 1950) and an earlier BBC radio play (May 1947).
PARAVICINI. Have you references with these guests of yours?
MOLLIE. Is that usual? (She turns to PARAVICINI) I always thought people just—just came?
PARAVICINI. It is advisable to know a little about the people who sleep under your roof.
The hosts and an odd assortment of guests at the Monkwell Manor Guest House are snowed in and a suspected murderer is among them. A show more policeman manages to arrive by skiing through the storm. But then a guest is murdered and the policeman's skis have disappeared. Can the murderer be stopped before anyone else is killed?
This is one of the top Christie twist endings and it is interesting to note that it went through several stages as a radio play and short story before taking its final form as the stage play that has been running continuously in London's West End since its opening in 1952 (with a few years break for the COVID pandemic). It is considered the longest running play in the world, having hit 30,000 performances in 2025.
This play counts against my Complete Agatha Christie binge goal, so I have 18 novels (including 5 remaining Westmacotts), 5 short story collections, 10.5* theatrical plays (+ several harder to find 1-act radio plays) and 1 autobiography left to go. If my count is wrong I'll adjust it as I get nearer to the end of my target.
Footnote
* I am counting Towards Zero stage play version #1 (1945) and Towards Zero stage play version #2 (1956) each as 1/2 of a play.
Trivia and Links
Curiously, despite the large number of film and TV adaptations of Agatha Christie works, there has never been an English language screen adaptation of The Mousetrap. Several foreign language adaptations have been made though and you can see them listed at Wikipedia.
As best as I know, the 10 and 1/2 remaining full length plays on my list are:
Black Coffee (1930).
The Secret of Chimneys (1931) [was a lost play not on my original list, it was rediscovered and finally performed in 2003].
The Stranger (1932).
Akhnaton (1937).
And Then There Were None (1939).
Murder on the Nile (1944).
Towards Zero (Version #1) (1945).
Spider's Web (1954).
A Daughter's A Daughter (1956).
The Unexpected Guest (1958).
Fiddlers Three (1972).
In addition there are several full length plays that have been posthumously adapted from Agatha Christie novels by other people, but I am not counting them as part of the canon. For a complete listing see the works at Concord Theatricals listed under Agatha Christie.
The above list does not include the shorter one-act plays and/or radio plays which I still have to investigate. show less
Tras haberse cometido un asesinato en Londres, el sargento de policía Trotter se presenta en un pequeño hotel alejado de la capital y aislado por la nieve para advertir a sus moradores que el asesino está a punto de llegar con el propósito de cometer otro crimen. Nadie parece dar crédito a las palabras del agente, pero, cuando uno de los huéspedes es asesinado, todos comprenden, alarmados, que el criminal se encuentra ya en el hotel y debe ser uno de ellos... De hecho, algunos personajes se comportan de un modo extrañamente excéntrico y casi todos tienen algo que ocultar, un pasado con experiencias traumáticas que los atormenta hasta el punto de constituirse en una carga demasiado pesada. La habilidad con que Agatha Christie show more maneja la intriga y el desenlace absolutamente inesperado de la historia han convertido a esta obra en la más representada de toda la historia del teatro. show less
Mar 23, 2020Spanish
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Author Information

One of the most successful and beloved writer of mystery stories, Agatha Mary Clarissa Christie was born in 1890 in Torquay, County Devon, England. She wrote her first novel, The Mysterious Affair at Styles, in 1920, launching a literary career that spanned decades. In her lifetime, she authored 79 crime novels and a short story collection, 19 show more plays, and six novels written under the name of Mary Westmacott. Her books have sold over a billion copies in the English language with another billion in 44 foreign languages. Some of her most famous titles include Murder on the Orient Express, Mystery of the Blue Train, And Then There Were None, 13 at Dinner and The Sittaford Mystery. Noted for clever and surprising twists of plot, many of Christie's mysteries feature two unconventional fictional detectives named Hercule Poirot and Miss Jane Marple. Poirot, in particular, plays the hero of many of her works, including the classic, The Murder of Roger Ackroyd (1926), and Curtain (1975), one of her last works in which the famed detective dies. Over the years, her travels took her to the Middle East where she met noted English archaeologist Sir Max Mallowan. They married in 1930. Christie accompanied Mallowan on annual expeditions to Iraq and Syria, which served as material for Murder in Mesopotamia (1930), Death on the Nile (1937), and Appointment with Death (1938). Christie's credits also include the plays, The Mousetrap and Witness for the Prosecution (1953; film 1957). Christie received the New York Drama Critics' Circle Award for 1954-1955 for Witness. She was also named Dame Commander of the Order of the British Empire in 1971. Christie died in 1976. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- The Mousetrap: A Play
- Original publication date
- 1954
- Disambiguation notice
- This is a stage play, not a short story nor a collection of stories.
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