Alarms and Diversions
by James Thurber
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The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid show more systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses in detail the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the composition of scenes as a whole. Numerous line drawings with superimposed grids illustrate the text. show lessTags
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Both columns, essays and the graphic epic "The War between en and Women" are found herein.
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133+ Works 18,232 Members
Born in Columbus, Ohio, Thurber was blinded in one eye in a childhood accident. He attended Ohio State University but left without earning a degree. In 1925 he moved to New York City, where he joined the staff of the New Yorker in 1927 at the urging of his friend E. B. White. For the rest of his lifetime, Thurber contributed to the magazine his show more highly individual pieces and those strange, wry, and disturbing pen-and-ink drawings of "huge, resigned dogs, the determined and sometimes frightening women, the globular men who try so hard to think so unsuccessfully." The period from 1925, when the New Yorker was founded, until the death of its creator-editor, Harold Ross, in 1951, was described by Thurber in delicious and absorbing detail in The Years with Ross (1959). Of his two great talents, Thurber preferred to think of himself primarily as a writer, illustrating his own books. He published "fables" in the style of Aesop (see Vol. 2) and La Fontaine (see Vol. 2)---usually with a "barbed tip of contemporary significance"---children's books, several plays (two Broadway hits, one successful musical revue), and endless satires and parodies in short stories or full-length works. "The Secret Life of Walter Mitty," included in My World---and Welcome to It (1942), is probably his best-known story and continues to be frequently anthologized. T. S. Eliot described Thurber's work as "a form of humor which is also a way of saying something serious." (Bowker Author Biography) show less
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Harper Perennial (P013)
Perennial Library (P13)
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