The Dain Curse / The Thin Man / The Glass Key / Red Harvest / The Maltese Falcon

by Dashiell Hammett

Sam Spade (Collections and Selections — Omnibus 1, plus), The Continental Op (Collections and Selections — omnibus 1,2)

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"In a few years of extraordinary creative energy, Dashiell Hammett invented the modern American crime novel." "The five novels that Hammett published between 1929 and 1934, collected here in one volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules for a whole tradition of hardboiled writing." "Each novel is distinct in mood and structure. Red Harvest (1929), a raucous and nightmarish evocation of political corruption and gang show more warfare in a western mining town, epitomizes the violence and momentum of Hammett's Black Mask stories about the anonymous detective the Continental Op. The Op returns, in The Dain Curse (1929), to preside over a more ornately melodramatic tale involving jewel theft, drugs, and a mysterious religious cult. With The Maltese Falcon (1930), and its protagonist Sam Spade, Hammett achieved his most enduring popular success. A tightly constructed quest story with an unforgettable cast of eccentric adventures, it is at the same time shot through with a sense of disillusionment and the arbitrariness of personal destiny." "The Glass Key (1931), an exploration of city politics at their most scurrilous, traces intricate patterns of loyalty and betrayal in scenes charged with drama." "His last novel, The Thin Man (1934), is a ruefully comic tale that pays homage to the traditional mystery form. It is best remembered for its protagonists Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies."--Jacket. show less

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34 reviews
I re-read Hammett's novels after acquiring a battered copy of this omnibus at a library sale. These novels show one of the fathers of "hard boiled" detective novels at work, and while they are entertaining and important to any understanding of the genre, they should not be taken too seriously. "The Maltese Falcon" features several passages of turgid prose that detract from Hammett's objective style; "Red Harvest" is almost cartoonish in its violence, "The Dain Curse" at times seems like a collaboration with Gothic writer Matthew "Monk" Lewis instead of a detective novel. Nevertheless, all of these novels retain interest for the reader and are far above what was being published by inferior writers of the same genres. Of the remaining two show more novels, "The Glass Key" was considered by Hammett himself as his best work, and the almost impenetrable psychological plotting and well-drawn characters give that claim some weight; while "The Thin Man" is a fine romp with a hint of melancholy as you can see in the heavy drinking of the hero the signs of Hammett's own decline. show less
½
THE MALTESE FALCON
July 11, 2017

I'm not a big fan of Hammett, but I revisited this as my daughter was reading it for a RL book club. I can never remember the actual story here. Now I know why. There isn't a particle of story in it. A few people get bumped off, a lot of dumb slang gets thrown about, and a woman acts like a complete ninny. Pages and pages are spent in pointless argument about how to go about something, neither side presenting any new reasons for "doing it my way". I like me a good noir novel; this one failed to establish the atmosphere for me. I love a fine hard-boiled detective, but Sam Spade has nothing to love. Sorry to trash a classic, but I'm not impressed. Also, there's the misogyny, and the fairly distasteful show more representation of homosexuals. show less
At first, I couldn't get into Hammett as I could Raymond Chandler. Chandler writes so beautifully, you just sink into it, even if the plot makes no sense. Hammett, on the other hand, can't be pinned down so easy. He goes from the Maltese Falcon, which is somewhat like a Chandler book, to the Thin Man, which is very different in tone, and in between, you have the Glass Key, which seems to float in some sort of borderland between waking and dreams. When you read these books in order and you come to that one, you expect the story to become more normal at some point, but it never does. Chandler wrote the same novel (to a large extent) each time--Hammett never wrote the same one twice. Strange then that he gave up on writing so early - or show more maybe that is the reason. He wasn't content to do the same thing over and over.

(Please don't think I'm knocking Chandler - I give him five star reviews also. He is a superior stylist to Hammett -- indeed, he is one of the great writers in the English language. But he wasn't as creative when it came to plots and settings. He used the same character in each of his novels, unlike Hammett, whose protagonists may share some traits, but are hardly the same.)
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My dad sent me this multiple-novel edition when I was living in Ecuador and would get pretty hungry for books written in English. I had never really heard of Dashiell Hammett, but once I had his books in my hand, I pretty much read all five novels in one sitting. My roommate probably thought I was in a coma, I sat still so long. Whenever I read a little Hammett, I start wanting to talk about "dames" and drink mixed drinks. I love all of his books, but if you can only read ONE, I suggest /The Thin Man/, first because it has a married couple as the PI, and second because the characters guzzle alcohol at the rate of about 2 mixed drinks per paragraph, a ratio I have never before seen, even in memoirs about serious alcoholism. It's show more fantastic. If these were real people, none of them would have livers by the time they were forty pages in. show less
[The Maltese Falcon] by Dashiell Hammett

Sam Spade is the hardest boiled detective of the noir detectives, save Mike Hammer – the father of the private eye. Spade and his partner, Miles Archer, are hired by Miss Wonderly – you know everything you need to about this femme fatale when you hear her name – to follow a man who has run away with her younger sister. Archer is killed on the first night of the assignment and Spade sets out to get to the bottom of the caper. The twists of the investigation lead to an international conspiracy to retrieve a figurine – The Maltese Falcon of the book’s name.

Sam Spade is cold and determined – focused on justice, though of his own kind. The character and the story hatched an entire cannon show more of literature and film. Every detective that followed was a reduction of Spade on some level. Hammett’s genius is evident not just in the creation of a new kind of story but in the way he told the story.

Bottom Line: The grand-daddy of the hard-boiled detective story – all the others are a reduction of this one at some level.
5 bones!!!!!
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This novel has a distinctively different atmosphere and tone from the the other novels I have read by Dashiell Hammett. It has none of the dark noir quality of The Red Harvest and Sam Spade would be distinctly out of place at a party given by Nick and Nora Charles. Hammett's smooth transition to such a different style of writing is a master craftsman at work. Hammett gives Nick Charles the witty repartee you might hear from Robert Benchley and Dorothy Parker at the Algonquin Round Table. He wakes up at 11:00 a.m. and his first words are a request for "Something to cut the phlegm." He has a slick self confidence and does not appear to be fooled by the emotional posing of the Jorgensen family. Nora possesses an insightful intelligence and show more gets her share of good lines poking fun at Nick. At the same time there is a suspenseful murder story playing out to keep the reader interested. The story is set in the 1930's but the Depression is never mentioned. Nick is an ex-detective who now works full-time managing his wife's money. The story begins with the murder of someone connected to an old client of Nick's.
The old client was Clyde Wynant. His ex-wife married a European gigolo and now they are the Jorgensen family. Mimi, the ex-wife, is still attractive and has a bubbly exterior. She can also be mean as a snake when protecting what she wants. Nick Charles explains that Mimi always lies and when she is caught she will just come up with a different lie until you get tired of asking her questions. Her 18 year old son walks around snooping on everybody and asking about the meaning life. His sister Dorothy is a little older, an attractive airhead who spends a lot of time in speakeasies.
Hammett rounds out the characters with Wynant's lawyer and the ubiquitous Police Detective. The detective has some depth but the lawyer seems the typical high money professional and not very likeable. The plot moves well and has a good share of interesting twists and turns. They all spend a lot of time drinking and there is another murder to keep the story going. The ending is well done, very quickly with a surprise that ties up a lot of loose ends.
I thought the book was very well written. The author is able to shift moods quickly and his characters leave vivid lasting memories. This was a good book and I recommend it as an intelligent enjoyable reading experience. Hammett's five novels certainly left quite an impact on American literature.
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Well, of the five, two are masterpieces - The Maltese Falcon and The Thin Man! The other three are really good tales, two of which star the Continental Op, who happens to be a favorite of mine. I mean what's not to like? A self-described over weight detective whose name we never learn! Anyway, the first novel, "Red Harvest" is an Op tale and one that gets super complicated, super quick! A whole host of gangsters want to run Personville, or Poisonville as the locals call it, and the Op runs a muck between them! He does survive, as he is also the main character of "The Dain Curse"! Anyway, 5 novels of cool crime writing are waiting for you within these pages!

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357+ Works 32,180 Members
Samuel Dashiell Hammett was born on May 27, 1894 in St Mary's County, Maryland. Raised in Baltimore and Philadelphia, he attended Baltimore Polytechnic until he was 13 years old, but was forced to drop out and work a series of jobs to help support his family. At the age of 21 Hammett was hired by the Pinkerton National Detective Agency as an show more operative. After a stint in the United States Army during World War II, he married a nurse named Josephine Annas Dolan, whom he met when he fell ill with tuberculosis. In 1922, Hammett began writing for Black Mask magazine. Using his background in detective work, he created the tough guy detective characters Sam Spade and the Continental Op, as well as debonair sleuths Nick and Nora Charles. By 1927, Hammett had written the Poisonville series, which later became the novel Red Harvest. He wrote more than 85 short stories and five novels during his lifetime. The novels include The Dain Curse, The Glass Key, The Thin Man, and The Maltese Falcon, which was later adapted into a classic movie starring Humphrey Bogart. He also wrote an autobiography entitled Beams Falling: The Art of Dashiell Hammett. After his marriage faltered in the late 1920s, Hammett met Lillian Hellman, then a married 24-year-old aspiring playwright. In 1930, Hellman left her husband for Hammett. Eventually they both divorced their spouses and, although the two never married, they remained together until Hammett's death on January 10, 1961. (Bowker Author Biography) show less

All Editions

Slonims, Nancy (Cover artist)

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Series

Sam Spade (Collections and Selections — Omnibus 1, plus)
The Continental Op (Collections and Selections — omnibus 1,2)

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Common Knowledge

Canonical title
Red Harvest / The Dain Curse / The Maltese Falcon / The Glass Key / The Thin Man; The Dain Curse / The Thin Man / The Glass Key / Red Harvest / The Maltese Falcon
Alternate titles
HAMMETT: Complete Novels; Complete Novels
Original publication date
1965-10
People/Characters
Sam Spade; Nick Charles; Continental Op; Nora Charles; Effie Perine; Brigid O'Shaughnessy (show all 14); Ned Beaumont; Casper Gutman; Lieutenant Dundy; Tom Polhaus (police detective sergeant); Miles Archer; Iva Archer; Joel Cairo; Wilmer Cook
Important places
Montana, USA; San Francisco, California, USA; Personville, Montana, USA; New York, New York, USA
Related movies
The Glass Key (1935 | IMDb); The Maltese Falcon (1941 | IMDb); The Glass Key (1942 | IMDb); The Dain Curse (1978 | IMDb); The Maltese Falcon (1931 | IMDb); Yojimbo (1961 | IMDb) (show all 10); The Thin Man (1934 | IMDb); A Fistful of Dollars (1964 | IMDb); The Thin Man (1957 | IMDb); Last Man Standing (1996 | IMDb)
Dedication
To Joseph Thompson Shaw
To Albert S. Samuels
To Jose
To Nell Martin
To Lillian
First words
I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte.
It was a diamond all right, shining in the grass half a dozen feet from the blue brick walk.
Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth.
Green dice rolled across the green table, struck the rim together, and bounced back.
I was leaning against the bar in a speakeasy on Fifty-second Street, waiting for Nora to finish her Christmas shopping, when a girl got up from the table where she had been sitting with three other people and came over to me.
Last words
(Click to show. Warning: May contain spoilers.)He gave me merry hell.
(Click to show. Warning: May contain spoilers.)I had an idea he thought I hadn't a refining influence.
(Click to show. Warning: May contain spoilers.)"Well, send her in."
(Click to show. Warning: May contain spoilers.)He stared fixedly at the door.
(Click to show. Warning: May contain spoilers.)"That may be," Nora said, "but it's all pretty unsatisfactory."

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
813.52Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991900-1945
LCC
PS3515 .A4347 .A6Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960
BISAC

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Reviews
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Rating
½ (4.30)
Languages
English
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Paper, Ebook
ISBNs
11
UPCs
1
ASINs
34