H. C. for Life, That Is to Say... (Meridian: Crossing Aesthetics)

by Jacques Derrida

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H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Hélène Cixous. The main figure that informs Derrida's reading here is that of "taking sides." While Hélène Cixous in her life and work takes the side of life, "for life," Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores show more this interminable "argument" between Derrida and Cixous as to what death has in store deep within life itself, before the end. In addition to being a memoir, it is also a theoretical confrontation--for example about the meaning of "might" and "omnipotence," and a philosophical and philological analysis of the crypts within the vast oeuvre of Hélène Cixous. Finally, the book is Derrida's tribute to the thought of the woman whom he regards as one of the great French poets, writers, and thinkers of our time. show less

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Ever since I have known her, I have read her and I keep forgetting that she writes, and I forget what she writes. This forgetting is not a forgetting like any other; it is elemental, I probably live on it.

This book is collected and edited from a lecture Derrida gave at a Cixous Conference in 1998. H.C. For Life crackles even as it retreats, asserting and then reframing. The questions it poses are almost benign taunts. Derrida is cautious and still playful, ever mindful of the brackets he employs. I now read Derrida under the advice of Richard Rorty. Mine is a reading of bemused wonder, especially under these heightened circumstances. I have lavished praise on the bond between Cixous and Derrida elsewhere. Their links are knotted and show more braided with an astonishing poetry. The situation is no different here. Derrida examines Cixous writing about her father. He explores the sense of speed and velocity in her prose. The language is sumptuous to the degree of indulgence. I admit to having no regrets. Homonyms reign here, a situation not well suited for translation. An exploration of the words for "side" and "rib" make for fascinating footnotes.

There was a subsequent reading of Cixous's whimsy about her "Uncle Freud" and in the process Derrida lost me. It has happened in most of my reading of him: I am fine and then suddenly lost. Thankfully my bearings were recovered and I finished the book in awe.
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402+ Works 19,762 Members
Jacques Derrida was born in El-Biar, Algeria on July 15, 1930. He graduated from the École Normal Supérieure in 1956. He taught philosophy and logic at both the University of Paris and the École Normal Supérieure for around 30 years. His works of philosophy and linguistics form the basis of the school of criticism known as deconstruction. This show more theory states that language is an inadequate method to give an unambiguous definition of a work, as the meaning of text can differ depending on reader, time, and context. During his lifetime, he wrote more than 40 books on various aspects of deconstruction including Of Grammatology, Glas, The Postcard: From Socrates to Freud and Beyond, and Ulysses Gramophone: Hear Say Yes in Joyce. He died of pancreatic cancer on October 9, 2004 at the age of 74. (Bowker Author Biography) show less

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Original publication date
2006

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Genres
Fiction and Literature, Literature Studies and Criticism
DDC/MDS
848.91409Literature & rhetoricFrench LiteratureFrench miscellaneous writings1900-1900-19991945-1999Individual authors
LCC
PQ2663 .I9 .Z62813Language and LiteratureFrench, Italian, Spanish and Portuguese literaturesFrench literatureModern literature1961-2000
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