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Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness

by Zanele Muholi (Photographer), Lesley A Martin (Editor), Renée Mussai (Interviewer)

Other authors: Unoma Nguemo Azuah (Contributor), Milisuthando Bongela (Contributor), Cheryl Clarke (Contributor), Fariba Derakhshani (Contributor), Andiswa Dlamini (Contributor)19 more, Christine Eyene (Contributor), Tamar Garb (Contributor), Thelma Golden (Contributor), Sophie Hackett (Contributor), M. Neelika Jayawardane (Contributor), Peace Kiguwa (Contributor), Mapula Lehong (Contributor), Sindiwe Magona (Contributor), Napo Masheane (Contributor), Hlonipha Mokoena (Contributor), Jackie Mondi (Contributor), Pumelela Nqelenga (Contributor), Oluremi C. Onabanjo (Contributor), Ruti Talmor (Contributor), Christie van Zyl (Contributor), Duncan Whyte (Designer), Carla Williams (Contributor), Deborah Willis (Contributor), Christie van Zyl (Contributor)

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"Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reject her journey, explore her own image and possibilities as a black woman in today's global society, and--most important--to speak emphatically in response to contemporary and historical racisms. As she states, "I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified... To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back." More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement."--Amazon.com.… (more)
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Author nameRoleType of authorWork?Status
Muholi, ZanelePhotographerprimary authorall editionsconfirmed
Martin, Lesley AEditormain authorall editionsconfirmed
Mussai, RenéeInterviewermain authorall editionsconfirmed
Azuah, Unoma NguemoContributorsecondary authorall editionsconfirmed
Bongela, MilisuthandoContributorsecondary authorall editionsconfirmed
Clarke, CherylContributorsecondary authorall editionsconfirmed
Derakhshani, FaribaContributorsecondary authorall editionsconfirmed
Dlamini, AndiswaContributorsecondary authorall editionsconfirmed
Eyene, ChristineContributorsecondary authorall editionsconfirmed
Garb, TamarContributorsecondary authorall editionsconfirmed
Golden, ThelmaContributorsecondary authorall editionsconfirmed
Hackett, SophieContributorsecondary authorall editionsconfirmed
Jayawardane, M. NeelikaContributorsecondary authorall editionsconfirmed
Kiguwa, PeaceContributorsecondary authorall editionsconfirmed
Lehong, MapulaContributorsecondary authorall editionsconfirmed
Magona, SindiweContributorsecondary authorall editionsconfirmed
Masheane, NapoContributorsecondary authorall editionsconfirmed
Mokoena, HloniphaContributorsecondary authorall editionsconfirmed
Mondi, JackieContributorsecondary authorall editionsconfirmed
Nqelenga, PumelelaContributorsecondary authorall editionsconfirmed
Onabanjo, Oluremi C.Contributorsecondary authorall editionsconfirmed
Talmor, RutiContributorsecondary authorall editionsconfirmed
van Zyl, ChristieContributorsecondary authorall editionsconfirmed
Whyte, DuncanDesignersecondary authorall editionsconfirmed
Williams, CarlaContributorsecondary authorall editionsconfirmed
Willis, DeborahContributorsecondary authorall editionsconfirmed
Zyl, Christie vanContributorsecondary authorall editionsconfirmed
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"Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reject her journey, explore her own image and possibilities as a black woman in today's global society, and--most important--to speak emphatically in response to contemporary and historical racisms. As she states, "I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified... To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back." More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement."--Amazon.com.

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