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Frankenstein and its classics : the modern Prometheus from antiquity to science fiction

by Jesse Weiner (Editor), Brett M. Rogers (Editor), Benjamin Eldon Stevens (Editor)

Other authors: Suzanne L. Barnett (Contributor), Samuel Cooper (Contributor), Neşe Devenot (Contributor), David A. Gapp (Contributor), Matthew Gumpert (Contributor)5 more, Emma Hammond (Contributor), Genevieve Liveley (Contributor), Andrew M. McClellan (Contributor), Martin Priestman (Contributor), Carl A. Rubino (Contributor)

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Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley's novel, the volume explores classical receptions in some of Frankenstein's most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials-including recent films like Alex Garland's Ex Machina and comics like Matt Fraction's and Christian Ward's Ody-C-in relation to ancient works including Hesiod's Theogony, Aeschylus's Prometheus Bound, Ovid's Metamorphoses, and Apuleius's The Golden Ass. All together, these studies show how Frankenstein, a foundational work of science fiction, brings ancient thought to bear on some of today's most pressing issues, from bioengineering and the creation of artificial intelligence to the struggles of marginalized communities and political revolution. This addition to the comparative study of classics and science fiction reveals deep similarities between ancient and modern ways of imagining the world-and emphasizes the prescience and ongoing importance of Mary Shelley's immortal novel. As Frankenstein turns 200, its complex engagement with classical traditions is more significant than ever.… (more)
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Comprising twelve essays, Frankenstein and Its Classics is the first scholarly collection dedicated to understanding the extent to which Mary Shelley’s seminal work of fiction and some other works inspired by it draw on ancient Greek and Roman literature, philosophy, and myth. Prometheus is the dominant figure throughout, of course, in no small part because Shelley presented her work as a modern take on the story of the Titan who stole fire and gave it to his lumpish creation, humans. After a mid-sized and pertinent introduction, as well as a brief but important preface, the collection is divided into two parts, each comprising six essays. Ranging from Romantic neoclassicism to contemporary cinema, the scope is pleasingly broad.
 

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Author nameRoleType of authorWork?Status
Weiner, JesseEditorprimary authorall editionsconfirmed
Rogers, Brett M.Editormain authorall editionsconfirmed
Stevens, Benjamin EldonEditormain authorall editionsconfirmed
Barnett, Suzanne L.Contributorsecondary authorall editionsconfirmed
Cooper, SamuelContributorsecondary authorall editionsconfirmed
Devenot, NeşeContributorsecondary authorall editionsconfirmed
Gapp, David A.Contributorsecondary authorall editionsconfirmed
Gumpert, MatthewContributorsecondary authorall editionsconfirmed
Hammond, EmmaContributorsecondary authorall editionsconfirmed
Liveley, GenevieveContributorsecondary authorall editionsconfirmed
McClellan, Andrew M.Contributorsecondary authorall editionsconfirmed
Priestman, MartinContributorsecondary authorall editionsconfirmed
Rubino, Carl A.Contributorsecondary authorall editionsconfirmed
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Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley's novel, the volume explores classical receptions in some of Frankenstein's most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials-including recent films like Alex Garland's Ex Machina and comics like Matt Fraction's and Christian Ward's Ody-C-in relation to ancient works including Hesiod's Theogony, Aeschylus's Prometheus Bound, Ovid's Metamorphoses, and Apuleius's The Golden Ass. All together, these studies show how Frankenstein, a foundational work of science fiction, brings ancient thought to bear on some of today's most pressing issues, from bioengineering and the creation of artificial intelligence to the struggles of marginalized communities and political revolution. This addition to the comparative study of classics and science fiction reveals deep similarities between ancient and modern ways of imagining the world-and emphasizes the prescience and ongoing importance of Mary Shelley's immortal novel. As Frankenstein turns 200, its complex engagement with classical traditions is more significant than ever.

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