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In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a show more concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book. show less

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Hua Hsu, The New Yorker (pay site)
Mar 25, 2018
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Author Information

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20+ Works 1,115 Members
Lauren Berlant is George M. Pullman Distinguished Service Professor at the University of Chicago, coauthor of The Hundreds, and author of Cruel Optimism, both also published by Duke University Press.
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5+ Works 303 Members

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Genres
Literature Studies and Criticism, Fiction and Literature
DDC/MDS
808.02Literature & rhetoricLiterature, rhetoric & criticismCompositionRhetoric and anthologiesAuthorship techniques, plagiarism, editorial techniques
LCC
PN145 .B474Language and LiteratureLiterature (General)Literature (General)Authorship
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Languages
English
Media
Paper, Ebook
ISBNs
3
ASINs
1