Rain Dance - Acting Edition
by Lanford Wilson
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In a ramshackle cantina in Los Alamos, New Mexico, on the night of July 15, 1945, four people await the test of the atomic bomb. Each of them is connected directly or indirectly with the top-secret Trinity project, and over the course of the evening the horror of what is about to be unleashed on the world begins to dawn on them. As tensions mount, and questions of science, religion and morality collide, RAIN DANCE makes palpable the thrilling and terrifying journey of our first steps into show more the atomic age. show lessTags
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A play about the nuclear bomb testing in Los Alamos in the waning days of WWII. The characters are employed by the government, and are having a drink on the night of the testing, as they wait for their ride to the site. The discussion grows more philosophical, discussing life and death, war, and Native American spirituality. The concept of scientific ethics is explored in detail as the scientists debate the uses the government might find for their invention. They are aware that the government wants to use the bomb to end the war, and that Einstein has urged the president not to drop it on any cities (and been ignored); they still try to convince themselves that the government won't actually drop it on any inhabited areas, and that they show more are just going to prove that it won't actually work. Nothing they say on that count sounds convincing, probably because they are not convinced themselves. I have read so many anti-nuke plays recently, I didn't think this one could give me anything new, but the aspect of the Native American angle did give it a different feel; it was a different angle for a discussion that runs the risk of becoming trite in the telling and retelling. show less
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Plays about science and scientists
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Author Information

58+ Works 1,713 Members
Wilson was born in Lebanon, Missouri, and began to write plays while at the University of Chicago. In 1969 he helped found the off-Broadway Circle Repertory Company, becoming its chief playwright. He thus has had the rare opportunity to develop his craft in collaboration with a permanent company of actors and a theater where he could try out and, show more if necessary, revise his plays. Like The Hot l Baltimore (1973), which ran for 1,166 performances and set an off-Broadway record for a nonmusical, many of Wilson's plays are vaguely realistic in manner, emphasizing characters over plot, and featuring likeable misfits and deviants. Fifth of July (1978), Talley's Folly (1979), and Talley and Son (1981) are all about the Talley family of Lebanon, Missouri. Fifth of July, a Broadway smash hit, deals with people who were "burned" physically and psychologically by the 1960s but who can still dream of a democratic America. Talley's Folly, another Broadway hit, is an unabashed love story about the Jewish outsider, Matt, and the misfit of the Protestant Talley family, Sally. Talley and Son tells of the financial and other machinations of three generations of Talleys. This story of meanness and greed has often been compared with Lillian Hellman's The Little Foxes. .Angels Fall (1982) concerns a group of people brought together in a mission in northwestern New Mexico by a nuclear accident. Although it seems at first that the play will comment on an impending apocalypse, its actual themes deal with daily questions: how to live and love, how to teach and learn, and how to find one's vocation. Burn This (1987) is the story of a young dancer, Anna, who is profoundly distressed by the death of her gay collaborator. Her life is transformed by the bizarre and explosive arrival of Pale, the dead man's older brother. Shocking, outrageous, and larger than life, the play presents Wilson's views on art, human sexuality, and love. It is a poetic and cataclysmic work in which art is seen as a sacrament, as an outward sign for inward, chaotic, and exhilarating truths. Burn This, which opened on Broadway in the fall of 1987, is Wilson's masterpiece. Lanford Wilson is a distinctly American playwright whose works reflect his roots in the Ozarks as well as in his adopted home, New York City. The esteem in which he is held is attested to by the respect of numerous critics and by the many awards he has received: a Vernon Rice Award, several Rockefeller and Guggenheim fellowships, the Brandeis University Creative Arts Award, Obies for The Hot l Baltimore and The Mound Builders (1976), and a Pulitzer Prize and New York Drama Critics Circle Award in 1980 for Talley's Folly. (Bowker Author Biography) show less
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