Eyes Bottle Dark with a Mouthful of Flowers: Poems (National Poetry Series)
by Jake Skeets
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Winner of the 2021 Kate Tufts Discovery Award Winner of a 2020 Whiting Award in Poetry Finalist for the 2020 Lambda Literary Award in Gay Poetry Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros. Drunktown, New Mexico, is a place where men "only touch when they fuck in a backseat." Its landscape is scarred by violence: done to it, done on it, done for show more it. Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, "the closest men become is when they are covered in blood / or nothing at all." But if Jake Skeets's collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place-full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover's body: A spine becomes a railroad. "Veins burst oil, elk black." And "becoming a man / means knowing how to become charcoal." Rooted in Navajo history and thought, these poems show what has been brewing in an often forgotten part of the American literary landscape, an important language, beautiful and bone dense. Sculptural, ambitious, and defiantly vulnerable, the poems of Eyes Bottle Dark with a Mouthful of Flowers are coal that remains coal, despite the forces that conspire for diamond, for electricity. Additional recognition: Named a "Best Poetry Book of 2019" by Electric Literature, Entropy Mag, and Auburn Avenue Named a "Favorite Book of 2019" by Lit Hub Named a "Best Queer Book of 2019" by BuzzFeed and Book Marks show lessTags
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magery of coal, pipelines, Catholicism, trucks, compulsory heterosexuality, drunkenness, Diné language & myth, wildflowers, bottlecaps. A place where "boys only hold boys like bottles." A number of these gutted me.
One day he'll forget about wounds and lower himself too into bellflower.
One day he'll forget about wounds and lower himself too into bellflower.
Eyes Bottle Dark with a Mouthful of Flowers by Jake Skeets offers the challenges of most collections and anthologies in that they usually present some things which are good, some that aren’t, some that appealed to the reader and others that didn’t. It is a brief volume of poems by a young Native American of the Diné of Navajo, the same Diné of current US Poet Laureate Joy Harjo. Few Native Americans find their way into print and even fewer of those are either poets or gay. Thus, Skeets’ writes with a voice that intimately understands what it is to be marginalized, pushed aside, ignored or even hated. His collection attempts to convey some of the pain caused by that marginalization in the most emotional of all literary forms, show more poetry. Sometimes, he succeeds brilliantly and other times, the poetry fails in its mission.
His collection came to my attention though the podcast, “Between the Covers,” which is loosely associated with publisher Tin House Books. Tin House focuses on supporting underrepresented writers and often produces sparkling, brilliant new works that deserve top ratings and huge sales. The reason it’s important to mention that is because hearing Skeets read and talk about some of his poetry on the podcast is an impressive experience. In his reading, listeners hear and even feel his emotions, his pain and, conversely, his excitement to be sharing his work. It is what drew me into purchasing the book.
What works in Skeets’ poetry is its ability to evoke images and inspire feelings. His mother tongue is much better suited to doing this than English because the culture of that language deals in images, nature symbolism, metaphor and similes, and in supporting a culture of caring for one another, of neighbors spread across miles who still know each other well, who share even when there is nothing to share. Friends are addressed as “uncle” and close friends as “grandfather.”
Conversely, English comes from a culture where the individual is regarded more highly than the family or group and where the language primarily uses the passive voice and ‘state of being’ verbs.
Thus, Skeets had a natural leg up for writing vivid poetry.
On the other hand, cultural isolation has left Skeets forced to use images, descriptions and contexts which cannot be easily understood outside his culture.
Since the purpose of all art is to convey meaning and a message, art must rely upon references and symbols that non-artists can understand. This is even more true with poetry where the aim of the message is to evoke feelings and emotional response.
The poems of this collection that deal with situations, images and symbols too unique to Skeets’ own personal and cultural experience and culture, and cannot carry their full impact beyond a small audience. The poems within the collection that use more readily accessed symbols and images are sure to be appreciated and loved by a broader audience.
I hope people will find and listen to the podcast I mentioned because this poet deserves a good audience, but the book alone will not deliver one. show less
His collection came to my attention though the podcast, “Between the Covers,” which is loosely associated with publisher Tin House Books. Tin House focuses on supporting underrepresented writers and often produces sparkling, brilliant new works that deserve top ratings and huge sales. The reason it’s important to mention that is because hearing Skeets read and talk about some of his poetry on the podcast is an impressive experience. In his reading, listeners hear and even feel his emotions, his pain and, conversely, his excitement to be sharing his work. It is what drew me into purchasing the book.
What works in Skeets’ poetry is its ability to evoke images and inspire feelings. His mother tongue is much better suited to doing this than English because the culture of that language deals in images, nature symbolism, metaphor and similes, and in supporting a culture of caring for one another, of neighbors spread across miles who still know each other well, who share even when there is nothing to share. Friends are addressed as “uncle” and close friends as “grandfather.”
Conversely, English comes from a culture where the individual is regarded more highly than the family or group and where the language primarily uses the passive voice and ‘state of being’ verbs.
Thus, Skeets had a natural leg up for writing vivid poetry.
On the other hand, cultural isolation has left Skeets forced to use images, descriptions and contexts which cannot be easily understood outside his culture.
Since the purpose of all art is to convey meaning and a message, art must rely upon references and symbols that non-artists can understand. This is even more true with poetry where the aim of the message is to evoke feelings and emotional response.
The poems of this collection that deal with situations, images and symbols too unique to Skeets’ own personal and cultural experience and culture, and cannot carry their full impact beyond a small audience. The poems within the collection that use more readily accessed symbols and images are sure to be appreciated and loved by a broader audience.
I hope people will find and listen to the podcast I mentioned because this poet deserves a good audience, but the book alone will not deliver one. show less
Dark, beautiful poems. You can smell the prairie wind in this collection. Even though Skeets isn't from Canada, this reads like something that could've been written by a kid from a Saskatchewan reserve. His use of plants and flower imagery really grabbed me.
[a:Jake Skeets|18626328|Jake Skeets|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] makes cool structural choices and is bold in his use of whitespace. Quite a bit of sexuality that is generally handled well. Oral sex is a go-to, referenced with the same amount of regularity as cigarettes in my own poetry.
Check out two poems here - http://www.spilledmilkmagazine.com/issue08. He was interviewed on "Between the Covers", which is where I found show more out about him. show less
[a:Jake Skeets|18626328|Jake Skeets|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] makes cool structural choices and is bold in his use of whitespace. Quite a bit of sexuality that is generally handled well. Oral sex is a go-to, referenced with the same amount of regularity as cigarettes in my own poetry.
Check out two poems here - http://www.spilledmilkmagazine.com/issue08. He was interviewed on "Between the Covers", which is where I found show more out about him. show less
These poems make you stop
think
reflect upon the metaphors
The poetic structure also adds to weight and meaning of each poem and sometimes each word. I highly recommend checking out, or buying, a physical copy of this book, because some 0f the poems need to be seen to be understood.
think
reflect upon the metaphors
The poetic structure also adds to weight and meaning of each poem and sometimes each word. I highly recommend checking out, or buying, a physical copy of this book, because some 0f the poems need to be seen to be understood.
This was at times a difficult read, violent and stark, but beautiful through it all.
Borrowed this from a friend, but will be buying my own copy so I can re-read it.
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