Run-Through: A Memoir
by John Houseman
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Description
The first volume of the legendary producer-actor Houseman's memoirs, covering the years 1902-1942. Houseman began his career as a key member of Orson Welles' Mercury Theatre. He went on to produce some of the most significant films of the 1940s and 1950s, including "Citizen Kane" (1941), "The Blue Dahlia" (1946), "Letter from an Unknown Woman," (1948), "They Live by Night" (1948), "On Dangerous Ground" (1952), and "The Bad and the Beautiful" (1952). In 1973, Houseman made an unexpected show more switch to acting in "The Paper Chase," and would never return to producing, instead choosing to work as an actor for his remaining fifteen years show lessTags
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Member Reviews
A fascinating story on many levels: Houseman's life as a citizen of many nations and none, his coming to America and success as an immigrant, his fraught but creative relationship with Orson Welles, his work at the nexus of so much mid-20th Century art of the theater, Broadway, radio and finally motion pictures. All written masterfully by a man fluent in 4 languages.
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ThingScore 100
The partnership with Houseman was an enterprise that worked through a shared faith in Welles’s genius, hence mutual trust, with all their powers in full operation. No wonder they inspired loyalties. And no wonder John Houseman in his memoir has a story to tell. This is a story of artistic satisfactions. Families can die or divorce, marry, move away, or end by boring the very guts out of you. show more But an artistic result achieved through common effort and publicly attested does not fade. It does not fade because there never could have been, never was any doubt about it. And so the telling of how it came to be becomes an act of history. Not a theory about history or a meditation on its meaning, but an act regarding it, like your grandmother, who lived through the Civil War, telling you exactly what it was like.
Houseman wouldn’t kid you; for him the Orson years are glorious enough told right. And that they are told right I can bear witness, because I was there, in many moments a participant, in virtually all the rest John Houseman’s confidant as well as daily housemate in five New York residences shared. show less
Houseman wouldn’t kid you; for him the Orson years are glorious enough told right. And that they are told right I can bear witness, because I was there, in many moments a participant, in virtually all the rest John Houseman’s confidant as well as daily housemate in five New York residences shared. show less
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Lists
Best Show Biz Memoirs
15 works; 2 members
Author Information
Awards and Honors
Awards
Common Knowledge
- People/Characters
- John Houseman
- Dedication
- To Joan
- First words
- I was conceived in the second year of this century and legitimatized five years after that.
- Last words
- (Click to show. Warning: May contain spoilers.)As I received my civil service appointment in the name of Jacques Haussmann (whose naturalization papers, filed in 1936, had not yet come through) no one—least of all myself—seemed to question the propriety of placing the Voice of America under the direction of an enemy alien of Rumanian birth who, as such, was expressly forbidden by the Department of Justice to go near a shortwave radio set.
Classifications
- Genres
- Biography & Memoir, Nonfiction, Anthropology
- DDC/MDS
- 792.0232 — Arts & recreation Recreation, sports, and performing arts Theater: Plays, Ballet, Opera modified standard subdivisions Techniques, procedures, apparatus, equipment, materials, miscellany Supervision Production
- LCC
- PN2287 .H7 .A3 — Language and Literature Literature (General) Literature (General) Drama Dramatic representation. The theater Special regions or countries
Statistics
- Members
- 64
- Popularity
- 484,389
- Reviews
- 1
- Rating
- (4.57)
- Languages
- English
- Media
- Paper
- ISBNs
- 4
- ASINs
- 2























































