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Loading... An Orphan World (2016)by Giuseppe Caputo
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In a run-down neighbourhood, in an unnamed seaside city with barely any amenities, a father and son struggle to keep their heads above water. Rather than being discouraged by their difficulties and hardship, they are spurred to come up with increasingly outlandish plans for their survival. Even when a terrible, macabre event rocks the neighbourhoods bar district and the locals start to flee, father and son decide to stay put. What matters is staying together. Without ever mentioning the word gay, this is a bold poignant text that interplays a very tender father-son relationship while exposing homosexuality and homophobia with brutal honesty. With delicate lyricism and imagery, Caputos originality and creativity produce a tale that harmoniously balances violence, discrimination, love, sex and defiance, demonstrating that he is a storyteller of great skill. An Orphan World is about poverty, and the resourceful ways in which people confront poverty. At the same time, it is a reflection about the body as a space of pleasure and violence. Perhaps above all else, An Orphan World is a brutally honest love letter between a father and son. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)863.7Literature Spanish and Portuguese Spanish fiction 21st CenturyLC ClassificationRatingAverage:
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In some places the scenic renderings are so visceral, and so full of smell and touch and need, that I had that delightful feeling as I read along that we readers get sometimes, too rarely, when we read something unlike anything we’ve read before. There is a father and son in this story who show their love for one another in goofy and particular and touching ways. The sea in this story offers up clocks that still work. A kelp-festooned couch on the beach becomes an absurd and effective representation of the poverty of the main characters. The writing throughout is poetic and pleasingly cryptic, with the exception of a passage that seems meant to bore me, as it demonstrates at length the inanity and emptiness of online sex.
While the story's thematic undercurrent is serious—homophobic violence, and the degradations of poverty — the tone is so detached and absurd that these serious themes disturb me and unsettle me and distance me from the horrors. I felt little emotion as I read other than delight about the prose, and curiosity and puzzlement and occasional boredom about the story itself, especially when it turned to these darker themes. The second chapter, for instance, describes bodies after a horrific mass lynching. The bodies have been mutilated in what should have struck me as revolting ways, but the tone is so detached and absurd that my feeling was muted.
Maybe that was the point. Lately I’ve been having conversations elsewhere on GR about the way a writer might choose flat affectless prose to get to the truth of horrific themes, rather than trying to amp up the reader’s empathy artificially by writing emotionally. Colson Whitehead in The Nickel Boys for instance writes in a flat tone when describing the most horrific of realities in his novel. The tonal detachment here, though, was in the direction of a exaggerated surrealism, and not in the direction of trying to render a reality that allows readers to experience their own emotions. It will take some acclimation and hence my plan to read this novel again. ( )