The Geological Unconscious: German Literature and the Mineral Imaginary

by Jason Groves

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Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown.Through a series of careful readings of romantic, realist, and show more modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, Groves elaborates a geological unconscious ?unthought and sometimes actively repressed geological knowledge ?in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period before it was named.These close readings show the entanglement of the human and the lithic in periods well before the geological turn of contemporary cultural studies. In those depictions of human-mineral encounters, the minerality of the human and the minerality of the imagination become apparent. In registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, The Geological Unconscious points toward alternative relations with, and less destructive mobilizations of, the geologic. show less

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Genres
Fiction and Literature, Literature Studies and Criticism
DDC/MDS
830.936Literature & rhetoricGerman & related literaturesGerman literature and literatures of related languagesHistory, description, critical appraisal of works in more than one formSpecific themes and subjectsNatural and physical phenomena; mathematics
LCC
PT749 .R63 .G768Language and LiteratureGerman, Dutch and Scandinavian literaturesGerman literatureHistory of German literatureProse
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