Auguste Rodin and Camille Claudel

by J. A. Schmoll Eisenwerth, Auguste Rodin

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"The relationship between Camille Claudel and Auguste Rodin was one of the most artistically fruitful and passionate turn-of-the-century love affairs. When they first met in 1883, Rodin was forty-four and Claudel a promising sculptor of twenty. Despite the positive response of critics to her early work, Claudel, however, never experienced fame and success. The tragic circumstances of her life - the last thirty years were spent in a psychiatric hospital - have led to considerable speculation show more and interest in this enigmatic figure. To some she seemed to offer the classic example of a woman artist who was oppressed and abused by a successful man. This book examines Claudel's family background, her relationship to her parents and brother, and her behavior as documented by friends and family to determine to what extent her innate mental instability led to her eventual breakdown. What were the circumstances surrounding her commitment to an asylum and how did her family and Rodin react to her illness? Further, the author critically examines the relationship between the two artists: to what extent did they influence each other? How did Rodin really treat Claudel? Finally and most importantly, Claudel's oeuvre is investigated in terms of her biography and in relationship to her contemporaries in an attempt to evaluate her work as a sculptor and to understand the personal and artistic crisis she underwent after severing her relationship with Rodin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved show less

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19 Works 100 Members
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Auguste Rodin, the most celebrated sculptor of the late nineteenth century, was born in Paris. He worked originally as a mason but soon devoted himself to sculpture. His great master was Michelangelo ("he freed me from academicism"). He was a supreme realist as well as a romantic; his first major work, The Age of Bronze, seemed so lifelike that he show more was even accused of having cast it from a living model (there are more than 150 recasts of it). Many of his sculptures are extremely popular and widely reproduced, such as The Kiss, The Thinker, and the haunting Burghers of Calais. One of his innovations was the torso or the fragment as a complete work of art. His main work is the vast Gates of Hell. Many of his works, or recasts of them, are in U.S. collections. (Bowker Author Biography) show less

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Common Knowledge

Canonical title
Auguste Rodin and Camille Claudel
People/Characters
Camille Claudel; Auguste Rodin

Classifications

Genres
Art & Design, Nonfiction, Biography & Memoir
DDC/MDS
730.92Arts & recreationSculpture, ceramics & metalworkSculpture, Origami, Ceramics, JewelryHistory, geographic treatment, biographyBiography
LCC
NB553 .R7 .S36313Fine ArtsSculptureSculptureHistory

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Members
67
Popularity
467,601
Rating
(4.00)
Languages
English, German
Media
Paper
ISBNs
4