Breeder
by Douglas Clegg
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From Douglas Clegg, award-winning author of The Hour Before Dark and The Children's Hour, comes a nightmarish vision of Washington, D.C. where a new horror is born within the walls of an ancient house -- haunted by a diabolical ritual and a terrifying legacy of the past."A white knuckle read from beginning to end -- Clegg delivers!" - John Saul."The tension seldom flags as this tale builds to a grisly, suspense-filled climax. As in Goat Dance , his first book, Clegg pulls out the stops of show more terror: cannibalism, the devil, good magic turned to evil, grave-robbing and the undead all make this a chilling story." -- Publisher's Weekly.THEY CALL IT THE SCREAMING HOUSERachel Adair thought Draper House in Washington, D.C, would be the perfect place to try and start a family.But as soon they move into the century-old townhouse, the nightmares begin: horrific images of the child Rachel lost; the unforgivable sins of Hugh's father; scenes of blood-curdling rituals . . . and the scraping sounds of an even greater terror that lives within the walls . . .BAPTIZED IN A RITUAL OF DARKNESSIn the late 1960s, Draper House was just a crumbling tenement. Now, a young couple, hopeful for their future, have arrived -- to wake the house from its long sleep.About the AuthorDouglas Clegg wrote Breeder in the house in which it was set in Washington, D.C. Born in Virginia, raised there, and in Connecticut and Hawaii, he currently lives on the coast of New England and is working on his next novel.Look for other books by Douglas CleggThe Children's HourGoat DancePurityDark of the EyeThe WordsWild ThingsNightmare HouseBad KarmaRed AngelNight CageMischiefThe InfiniteThe AbandonedThe NecromancerIsisThe Hour Before DarkYou Come When I Call YouNaomiThe Nightmare ChroniclesThe Machinery of NightBreederThe AttractionPraise for Douglas Clegg's Fiction"Douglas Clegg knows exactly what scares us, and he knows just how to twist those fears into hair-raising chills..." - Tess Gerritsen, New York Times bestselling author of the Rizzoli & Isles series."Clegg is the best horror writer of the post-Stephen King generation."-- Bentley Little, author of The Policy"Clegg delivers!"-- John Saul, bestselling author of Faces of Fear and The Devil's Labyrinth."A master of the genre. Absolutely thrilling! Douglas Clegg is the future of dark fantasy."-- Sherrilyn KenyonNew York Times bestselling author of the Dark-Hunters."Douglas Clegg has become the new star in horror fiction."-- Peter Straubauthor of Lost Boy, Lost Girl and the New York Times Bestseller Black House (with Stephen King)"Clegg is one of the best!"-- Richard Laymon"Douglas Clegg is a weaver of nightmares!"-- Robert R. McCammonauthor of The Queen of Bedlam and Speaks The Nightbird. show lessTags
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This book is the first out of 120 horror paperbacks I have hidden away in my closet (there's actually 126, but six of them are Harry Potter books). As I make my way through these piles, each book will get a KEEP, SELL, or TRASH rating along with whatever star rating I choose. If I pick SELL and you would like to buy my copy, feel free to message me on Goodreads.
Breeder, by Douglas Clegg is a KEEP.
If I had to hazard a comparison, I'd say that Clegg's writing is a mixture of Peter Straub and Bentley Little. Yes, there are touches of Stephen King within these pages (especially with the addition of music playing on the radio in almost every chapter, and characters who talk to themselves more than the other characters), but overall, Clegg's show more voice is his own. This is hard to find in eighties horror, especially late eighties horror, because by 1990 (that's still late eighties; you gotta remember that any book published in 1990 must have been written before the turn of the decade) everyone was ripping off the good horror novels of the previous decade: basically, anything King, Straub, Barker, and McCammon were churning out. Finding Clegg's voice not only original but engaging in this, his second novel, was refreshing.
If you like body horror, Breeder is your book. From vaginal wasps to obliterated testicles, Clegg knows how to make both genders cringe and cross their legs. There are some damn unique horror scenes herein, but, I have to admit, the ending was a little... too weird, even for me. So much was going on, I lost the horror of it all. Kinda like a movie goer becomes numb to the four-hundredth explosion in a Michael Bay film. But this is only the final ten pages before the epilogue. The rest of the novel is disturbing and concise. Please, don't get me wrong. The denouement isn't bad, there's just a lot going on. The constant jumps from one person's POV to another do not help this.
I think Clegg's strong point is his characters. Loved Rachel and Sassy and Ted, hated Hugh and Wilson, and Mattie was a guilty pleasure. I loved the mambo's section simply for the what-the-fuckery. I especially liked the scene wherein she's bathing in a grave. I dig the way Clegg's mind works, and I wouldn't mind having coffee with the dude and discussing story ideas.
In summation: If you happen upon this book, it's definitely worth a read. Clegg is not new to me, but it's been a long time since I read anything by the man. I have another paperback of his in my closet (Naomi), that I will be getting to this year, and then I think I'll start looking up his newer work. I would recommend Breeder to fans of Bentley Little, Stephen King, Peter Straub, and Clive Barker, or fans of eighties horror in general. show less
Breeder, by Douglas Clegg is a KEEP.
If I had to hazard a comparison, I'd say that Clegg's writing is a mixture of Peter Straub and Bentley Little. Yes, there are touches of Stephen King within these pages (especially with the addition of music playing on the radio in almost every chapter, and characters who talk to themselves more than the other characters), but overall, Clegg's show more voice is his own. This is hard to find in eighties horror, especially late eighties horror, because by 1990 (that's still late eighties; you gotta remember that any book published in 1990 must have been written before the turn of the decade) everyone was ripping off the good horror novels of the previous decade: basically, anything King, Straub, Barker, and McCammon were churning out. Finding Clegg's voice not only original but engaging in this, his second novel, was refreshing.
If you like body horror, Breeder is your book. From vaginal wasps to obliterated testicles, Clegg knows how to make both genders cringe and cross their legs. There are some damn unique horror scenes herein, but, I have to admit, the ending was a little... too weird, even for me. So much was going on, I lost the horror of it all. Kinda like a movie goer becomes numb to the four-hundredth explosion in a Michael Bay film. But this is only the final ten pages before the epilogue. The rest of the novel is disturbing and concise. Please, don't get me wrong. The denouement isn't bad, there's just a lot going on. The constant jumps from one person's POV to another do not help this.
I think Clegg's strong point is his characters. Loved Rachel and Sassy and Ted, hated Hugh and Wilson, and Mattie was a guilty pleasure. I loved the mambo's section simply for the what-the-fuckery. I especially liked the scene wherein she's bathing in a grave. I dig the way Clegg's mind works, and I wouldn't mind having coffee with the dude and discussing story ideas.
In summation: If you happen upon this book, it's definitely worth a read. Clegg is not new to me, but it's been a long time since I read anything by the man. I have another paperback of his in my closet (Naomi), that I will be getting to this year, and then I think I'll start looking up his newer work. I would recommend Breeder to fans of Bentley Little, Stephen King, Peter Straub, and Clive Barker, or fans of eighties horror in general. show less
Really really enjoyed this book. Spoilers ahead, beware! But I wanted an honest, filtered review for my 6th grade teachers. The word "rape" is used, but it never happens (it's never explained either.) A shirt is ripped off, but undergarments remain intact. A four-letter word is almost used once. By this, I mean it's represented as b--ch. Otherwise, it's a practically perfect dystopian story that had me hooked and staying up past my bedtime to see how it played out. Cannot wait to hear this author speak!!
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- Original publication date
- 1990-07
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- Members
- 174
- Popularity
- 188,129
- Reviews
- 2
- Rating
- (3.53)
- Languages
- English, German
- Media
- Paper, Ebook
- ISBNs
- 7
- ASINs
- 2



























































