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From the #1 Kickstarter campaign of all time—#1 New York Times bestselling author Brandon Sanderson adds to his Cosmere universe shared by Mistborn and The Stormlight Archive with a new standalone novel especially for fans of fantasy romances. Illustrated by Aliya Chen.There is a world. One of endless night, surrounded by an even deeper darkness. Filled with nightmares come to life, twisted shapes that slink to windows and ease open doors, sliding across floors to look down on helpless show more faces.
There is another world. A bright world, so bright it burns. Filled with stacked stones that call forth miracles, raised by callused hands that tremble in their work, drained with each stone lifted, settled, lifted again.
Between these worlds two souls connect. Collide. Entwine.
A bridge. A path.
A road to both worlds changing forever.
Yumi has spent her entire life in strict obedience, granting her the power to summon the spirits that bestow vital aid upon her society—but she longs for even a single day as a normal person. Painter patrols the dark streets dreaming of being a hero—a goal that has led to nothing but heartache and isolation, leaving him always on the outside looking in. In their own ways, both of them face the world alone.
Suddenly flung together, Yumi and Painter must strive to right the wrongs in both their lives, reconciling their past and present while maintaining the precarious balance of each of their worlds. If they cannot unravel the mystery of what brought them together before it's too late, they risk forever losing not only the bond growing between them, but the very worlds they've always struggled to protect.
Note from Brandon:
Even for a compulsive planner like me, sometimes a story emerges like magic. Unexpected, unprompted. You build an outline in days, craft worlds during a compulsive daydream, and develop characters with a burst of imagination like the brief flash of a firework.
That was Yumi and the Nightmare Painter for me. The unanticipated story of two people who find one another.
May your dreams live as mine sometimes do.
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A+ (One of my favorites).
A boy and a girl from different worlds get their souls entwined. Who'd have thought Sanderson would write a romance novel and absolutely knock it out of the park? I mean, it's also fantasy and adventure, but the core of the story is romance, and it had me in tears.
Most creatives by this stage in their careers are content to repeat themselves and ride on their reputations. You've got a hit series or four, you're at the top of your field, why rock the boat? But Sanderson keeps developing and correcting and Having Fun. He just keeps getting better. And he started out as one of the best.
(Jun. 2024)
A boy and a girl from different worlds get their souls entwined. Who'd have thought Sanderson would write a romance novel and absolutely knock it out of the park? I mean, it's also fantasy and adventure, but the core of the story is romance, and it had me in tears.
Most creatives by this stage in their careers are content to repeat themselves and ride on their reputations. You've got a hit series or four, you're at the top of your field, why rock the boat? But Sanderson keeps developing and correcting and Having Fun. He just keeps getting better. And he started out as one of the best.
(Jun. 2024)
man brandon sanderson is really one of my favorite authors. a really beautiful book and a beautiful world. Kinda scifi tech mashed up with historical Asian culture but kinda cyberpunky but also magical? Idk just like so incredible - I was skeptical for sure in the middle cuz of potential cultural appropriation but I think he really made something beautiful w it. Also the slow burn romance lol. I loveee nikaro and yumi. Nikaro because i feel just like him lol and yumi because she is so the opposite so intense and serious. I feel the same reverence for art as them. Very inspiring read for me as always because Brandon Sanderson writing style is somewhat philosophical and didactic but I love the topics he thinks about (in this book: beauty show more of rituals, tradition vs modernity, meaning of art) and there is lots of warmth in his novels, something I really appreciate. and
OMG also the art in the book!!! so pretty and does an incredible job of capturing the light and radiance of the world, palette/textures remind me of Gwen’s world in spiderverse. honestly half the reason i made it through the first half since it was pretty slow lol. show less
OMG also the art in the book!!! so pretty and does an incredible job of capturing the light and radiance of the world, palette/textures remind me of Gwen’s world in spiderverse. honestly half the reason i made it through the first half since it was pretty slow lol. show less
This novel was an absolute delight to read. Whimsical in its depictions of fantastical people, places, and ideas, it has the same playful feel of Tress of the Emerald Sea, but written for an older audience in a time when arts has all but been sent to the sidelines and reality itself is constantly questioned.
I love when Sanderson uses an entire book to answer simple questions. (In this case: What is art?) Because the book focuses on one simple question, we get to explore every nook and crevice of the possible answers and we get to examine the question itself just as deeply. The result is like a tiny crack in my brain that has allowed thoughts and feelings and possibilities to leak through and freshen up the room a bit.
Definitely read show more it. I know I'll be returning to this one often! show less
I love when Sanderson uses an entire book to answer simple questions. (In this case: What is art?) Because the book focuses on one simple question, we get to explore every nook and crevice of the possible answers and we get to examine the question itself just as deeply. The result is like a tiny crack in my brain that has allowed thoughts and feelings and possibilities to leak through and freshen up the room a bit.
Definitely read show more it. I know I'll be returning to this one often! show less
This novel was an absolute delight to read. Whimsical in its depictions of fantastical people, places, and ideas, it has the same playful feel of Tress of the Emerald Sea, but written for an older audience in a time when arts has all but been sent to the sidelines and reality itself is constantly questioned.
I love when Sanderson uses an entire book to answer simple questions. (In this case: What is art?) Because the book focuses on one simple question, we get to explore every nook and crevice of the possible answers and we get to examine the question itself just as deeply. The result is like a tiny crack in my brain that has allowed thoughts and feelings and possibilities to leak through and freshen up the room a bit.
Definitely read show more it. I know I'll be returning to this one often! show less
I love when Sanderson uses an entire book to answer simple questions. (In this case: What is art?) Because the book focuses on one simple question, we get to explore every nook and crevice of the possible answers and we get to examine the question itself just as deeply. The result is like a tiny crack in my brain that has allowed thoughts and feelings and possibilities to leak through and freshen up the room a bit.
Definitely read show more it. I know I'll be returning to this one often! show less
A very good story from an odd little spot of the Cosmere, and physically a gorgeous book, with visual elements that perfectly complement and enhance the story. But! I have two quibbles. First there is an awful lot of very deep Cosmere metaphysics in here, and I have always found that all to be a bit wibbly-wobbly and unconvincing, even though I've read nearly all of the primary Cosmere works, and some relevant parts of the Coppermind wiki. That's probably just me, but still, those bits bugged me a bit. Second is that I found the craft here (how do you hook a reader; how do you get them invested in your characters' success; when do you introduce plot twists, relationship complexities, new information that changes everything a character show more thinks they know; etc.) to be really, well, obvious, more so than in other Cosmere books I've read (at least recently). I mean, I wouldn't call it formulaic at all, and it is (I'll repeat because it's worth stressing) a very good story, most of which I really enjoyed. I just think the technical craft works better when it isn't so noticeable. show less
Yumi and the Nightmare Painter is the third of Brandon Sanderson's Secret Projects and is another tale in the Cosmere. Before digging in to read the book I flipped through to check out the art, which appeared to be Japanese/anime inspired. Turns out I guessed correctly though I'm not familiar with the inspirations used for this story.
Two main characters, two worlds, one story. Yumi lives in a land of sun and heat, where the people request help from spirits for their daily living needs. Painter lives in a world of twilight and neon energy, where the occasional nightmare comes to life to feed on unsuspecting sleepers. Through a seeming quirk of fate Yumi and Painter find their lives are crossed as each begins to experience the other's show more world and start to understand the mystery of what's really going on.
I found Yumi to be a highly enjoyable read. Such a sweet story about art, friendship, a slow burn romance, spirits and saving a planet. And Hoid, of course. I am really enjoying Hoids voice in telling this story and Tress though it was more muted in this installment. I hope there's more stories told by Hoid in the future.
This was a very different style from Sanderson's other work. I ended up liking both Yumi and Painter very much. Yumi is an interesting mix of sweet and sternly disciplined while Painter is seemly the goof off yet highly talented artist. Their relationship was a joy to read and shows how much Sanderson has grown in the romance department. The resolution to their story even brought a tear to my as it felt so perfect for these characters.
I can say that while I was on the right track to solving the mystery, I was also very very wrong! The Cosmere references I picked up on were minimal. I really need to read Stormlight Archive. I feel like I've said that a lot this year. show less
Two main characters, two worlds, one story. Yumi lives in a land of sun and heat, where the people request help from spirits for their daily living needs. Painter lives in a world of twilight and neon energy, where the occasional nightmare comes to life to feed on unsuspecting sleepers. Through a seeming quirk of fate Yumi and Painter find their lives are crossed as each begins to experience the other's show more world and start to understand the mystery of what's really going on.
I found Yumi to be a highly enjoyable read. Such a sweet story about art, friendship, a slow burn romance, spirits and saving a planet. And Hoid, of course. I am really enjoying Hoids voice in telling this story and Tress though it was more muted in this installment. I hope there's more stories told by Hoid in the future.
This was a very different style from Sanderson's other work. I ended up liking both Yumi and Painter very much. Yumi is an interesting mix of sweet and sternly disciplined while Painter is seemly the goof off yet highly talented artist. Their relationship was a joy to read and shows how much Sanderson has grown in the romance department. The resolution to their story even brought a tear to my as it felt so perfect for these characters.
I can say that while I was on the right track to solving the mystery, I was also very very wrong! The Cosmere references I picked up on were minimal. I really need to read Stormlight Archive. I feel like I've said that a lot this year. show less
Now this felt more like the Brandon Sanderson I know and love. Good characters, cool world-building, satisfying ending. I loved the concept of having one world where it's always day and one where it's always night, and the descriptions of each were beautiful. As was the artwork.
I think it would have been better without Hoid, though. I liked his role in the Tress book, but in this one I mostly just wanted him to stop with the interruptions. But I can forgive it since Hoid wasn't a major part of the story, despite his efforts to make it all about him.
I think it would have been better without Hoid, though. I liked his role in the Tress book, but in this one I mostly just wanted him to stop with the interruptions. But I can forgive it since Hoid wasn't a major part of the story, despite his efforts to make it all about him.
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Author Information

372+ Works 183,199 Members
Brandon Sanderson was born on December 19, 1975 in Lincoln, Nebraska. He received a bachelor's degree in English and a master's degree in creative writing from Brigham Young University. His first book, Elantris, was published in 2005. His other works include the Mistborn series, the Stormlight Archive series, Alcatraz Versus the Evil Librarians show more series, and the Reckoners series. In 2007, he was chosen by Harriet Rigney to complete A Memory of Light, book twelve in Robert Jordan's Wheel of Time series. He has continued the series with Towers of Midnight and A Memory of Light. In 2018 his title, White Sand Volume 2, made the Best Seller List. (Bowker Author Biography) show less
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- Canonical title
- Yumi and the Nightmare Painter
- Original publication date
- 2023-07
- People/Characters
- Yumi; Nikaro (Painter); Hoid; Design; Liyun; Akane (show all 9); Tojin; Masaka; Izzy
- Important places
- Kilahito, Nagadan; Cosmere; Torio, Komashi; Noodle Pupil; Gongsha Town; UTol
- Original language
- English
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- 1,983
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- 10,582
- Reviews
- 32
- Rating
- (4.37)
- Languages
- 6 — English, French, German, Polish, Russian, Spanish
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- Paper, Audiobook, Ebook
- ISBNs
- 19
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