The World, the Text, and the Critic

by Edward W. Said

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This extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through show more their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world. The critic must maintain a distance both from critical systems and from the dogmas and orthodoxies of the dominant culture, Said contends. He advocates freedom of consciousness and responsiveness to history, to the exigencies of the text, to political, social, and human values, to the heterogeneity of human experience. These characteristics are brilliantly exemplified in his own analyses of individual authors and works. Combining the principles and practice of criticism, the book offers illuminating investigations of a number of writers--Swift, Conrad, Lukács, Renan, and many others--and of concepts such as repetition, originality, worldliness, and the roles of audiences, authors, and speakers. It asks daring questions, investigates problems of urgent significance, and gives a subtle yet powerful new meaning to the enterprise of criticism in modern society. show less

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Kritik lässt er daher nicht nur der schönen Literatur (von Thomas Mann, Swift, Conrad), sondern auch den Essays und Studien herausragender (Literatur-) Theoretiker (wie Derrida, Foucault, Lukács) angedeihen. Theorie ist für Said ebenso originäre Schöpfung wie Literatur und Kunst - und nicht einfach nur "Wiederholung". Das Gegensatzpaar von Originalität und Epigonalität hat für seinen show more Textbegriff eine fundamentale Bedeutung, denn es soll zeigen, dass Kritik ohne Geschichte undenkbar ist. show less
Lutz Hagestedt, literaturkritik.de
Sep 1, 2000
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Born in Jerusalem and educated at Victoria College in Cairo and at Princeton and Harvard universities, Edward Said has taught at Columbia University since 1963 and has been a visiting professor at Harvard and Johns Hopkins University. He has had an unusual dual career as a professor of comparative literature, a recognized expert on the novelist show more and short story writer Joseph Conrad, (see Vol. 1) and as one of the most significant contemporary writers on the Middle East, especially the Palestinian question and the plight of Palestinians living in the occupied territories. Although he is not a trained historian, his Orientalism (1978) is one of the most stimulating critical evaluations of traditional Western writing on Middle Eastern history, societies, and literature. In the controversial Covering Islam (1981), he examined how the Western media have biased Western perspectives on the Middle East. A Palestinian by birth, Said has sought to show how Palestinian history differs from the rest of Arabic history because of the encounter with Jewish settlers and to present to Western readers a more broadly representative Palestinian position than they usually obtain from Western sources. Said is presently Old Dominion Foundation Professor in the Humanities at Columbia, editor of Arab Studies Quarterly, and chair of the board of trustees of the Institute of Arab Studies. He is a member of the Palestinian National Council as well as the Council on Foreign Relations in New York. (Bowker Author Biography) Edward W. Said is University Professor of English & Comparative Literature at Columbia University. He is the author of nineteen books, including "Orientalism" (which was nominated for a National Book Critics Circle Award), "Culture & Imperialism", "The End of the Peace Process", & "Out of Place", a memoir. He lives in New York City. (Bowker Author Biography) show less

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Common Knowledge

Original title
The World, the Text, the Critic
Original publication date
1983; 2004 (Castellano) (Castellano)

Classifications

Genres
Literature Studies and Criticism, Nonfiction, Fiction and Literature, Philosophy
DDC/MDS
801.95Literature & rhetoricLiterature, rhetoric & criticismPhilosophy and theoryNature and characterLiterary theory and criticism
LCC
PN81 .S223Language and LiteratureLiterature (General)Literature (General)Criticism
BISAC

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104,201
Rating
(4.15)
Languages
English, German, Spanish
Media
Paper
ISBNs
10