Half-Life of a Stolen Sister

by Rachel Cantor

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"How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate their genius, their bonds of love and duty, periods of furious creativity, and the ongoing tolls of illness, isolation, and loss. As show more it tells the story of the Brontes, Half-Life of a Stolen Sister itself perpetually transforms and renews its own style and methods, sometimes hewing close to the facts of the Brontë lives as we know them (or think we know them), and at others radically reimagining the siblings, moving them into new time periods and possibilities"-- show less

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3 reviews
This is a haunting, nuanced, interesting and amazing book. According to the author's acknowledgement, it took her 10 years to write. I began reading it and thought it might be a long read, but nope. I finished the last half of it in one evening.

The book is told as a series of letters, journal entries, observations, and thoughts by each of the Brontë sisters and Branwell. And their mother as she lays dying. And the telling (re-telling?) takes place in the modern era, so Branwell talks about going downstairs from the apartment with the baby on his shoulder to shop for diapers. Or all the children running through the streets to get to the park, where they can run wild and free. I saw it as a bit of overlay, of one time over another, with show more just enough hint of the "true" Brontë voice for the authenticity. There were passages where I wondered if Rachel Cantor had merged passages from their diaries, just for a moment, as she recounted an episode in their lives.

So yes, the book begins with Maria's death as she reaches out to her children. Then the perspective shifts to the two older sisters as they return, barely more than skeletons, from their horrendous boarding school. Several chapters then include Maria's sister, the children's aunt, who comes to take care of them just after their mother dies. And Patrick's advertisement for a new wife which could easily have been an authentic piece of writing.

It's haunting - it's as though the author has gotten into the heads of Lotte, Em, Annie, and Bran and given them emotions, thoughts, and experiences we only read about as a biography. Some time is spent in the creation of Glass Town, the created world of Emily and Anne, other time is spent with the sisters ignoring their brother, the Only Boy, and his toy soldiers. As the sisters age, we share their experiences as governesses (Lotte), then as hotel staff (Lotte and Anne), then in a journey to Rome (Lotte and Em).

It's also not an easy read. Children left to their own fate because a mother dies and a father is too involved in his own work to care for them is difficult to read. Em describing her self-hatred is difficult to read. Maria coming back as "just a skeleton" and covering her scars is difficult to read. But maybe that's the point: we're not just reading a few sentences in a biography or catching up on details on Wikipedia. We're reading the tragic history of this remarkable family.
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If you love the Brontes and know their books and biographies well, this book is like the richest of chocolate cakes. A delight to be savored.
½
DNF; read 48 pages and it just wasn't grabbing me.

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Common Knowledge

First words
Mama teaches the difference between us.

The pillows are all behind her. Around her, left to right: Branny, the closest because he's the Only Boy; Lotte, jostling with Bran, who's younger by a year but bigger; Em on t... (show all)he end, sucking her thumb; on the right, standing, Liza, holding a broom; and me, holding Annie, who sleeps with a sucker.

Annie, she says, you will always be the baby. No matter what you do, your family with love and underestimate you.

Annie opens her eyes, drops her sucker.

Emily, you will always care more for places than people. You will go away, but you will always come back.

Em puts a blanket over her head.

Branwell, you will try with your big heart to please, but until you learn self-control, you will only disappoint.

Branny whoops and throws a soldier to the air.

Charlotte, you care most for what you do not have, learn to care for what you have, and you will be happy.

But, Lotte says (she wants so much to understand!).

Elizabeth, your needs are simple; you will be forgotten, but you do not mind.

Liza holds her broom to her chest.

Maria. Are you there? Come closer, Maria.

I lay Annie onto the bed. She crawls to Em under the blanket.

I do not need to tell you who you are: you already know. You are the Little Mother, the one who files the spaces.

I know this. I help Mama to lift a hand to my young face. -Part 1, Youth
Canonical DDC/MDS
813.6
Canonical LCC
PS3603.A5877

Classifications

Genres
Fiction and Literature, General Fiction, Historical Fiction
DDC/MDS
813.6Literature & rhetoricAmerican literature in EnglishAmerican fiction in English2000-
LCC
PS3603 .A5877Language and LiteratureAmerican literature
BISAC

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Reviews
3
Rating
(3.81)
Languages
English
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Paper, Audiobook, Ebook
ISBNs
4
ASINs
1