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English National Opera Guide : Tippett : The operas

by English National Opera, Nicholas John (Series Editor), Michael Tippett (Librettist)

Other authors: Meirion Bowen (Contributor), Andrew Clements (Contributor), John Lloyd Davies (Contributor), Paul Driver (Contributor), Leslie East (Contributor)

Series: English National Opera Guide (29)

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Although it is impossible to trace any one particular theme running through the operas of Michael Tippett, the libretti of his four operas are fascinating to compare. The dense allusions of The Midsummer Marriage (1955), here annotated, gave way to the classical formality of King Priam (1962); the psychoanalytical preoccupations of The Knot Garden (1970) hardly foreshadow the contemporary political commentary of The Ice Break (1977). Each work breaks new ground and provokes unexpected responses. The libretti offer unique introductions to the music, and throw a searching light on the direction of British theatre since 1945.Contents: Operas contained in this volume: The Midsummer Marriage, King Priam, The Knot Garden, The Ice Break; Introduction, Meirion Bowen; A Ritual of Renewal, Paul Driver; 'A Visionary Night', John Lloyd Davies; Music for an Epic, Andrew Clements; A Tempest of Our Time, Meirion Bowen; Stereotypes and Rebirth, Leslie East… (more)
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Author nameRoleType of authorWork?Status
English National Operaprimary authorall editionsconfirmed
John, NicholasSeries Editormain authorall editionsconfirmed
Tippett, MichaelLibrettistmain authorall editionsconfirmed
Bowen, MeirionContributorsecondary authorall editionsconfirmed
Clements, AndrewContributorsecondary authorall editionsconfirmed
Davies, John LloydContributorsecondary authorall editionsconfirmed
Driver, PaulContributorsecondary authorall editionsconfirmed
East, LeslieContributorsecondary authorall editionsconfirmed
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This is the English National Opera Guide: Please do not combine it with the full score or recordings.
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Although it is impossible to trace any one particular theme running through the operas of Michael Tippett, the libretti of his four operas are fascinating to compare. The dense allusions of The Midsummer Marriage (1955), here annotated, gave way to the classical formality of King Priam (1962); the psychoanalytical preoccupations of The Knot Garden (1970) hardly foreshadow the contemporary political commentary of The Ice Break (1977). Each work breaks new ground and provokes unexpected responses. The libretti offer unique introductions to the music, and throw a searching light on the direction of British theatre since 1945.Contents: Operas contained in this volume: The Midsummer Marriage, King Priam, The Knot Garden, The Ice Break; Introduction, Meirion Bowen; A Ritual of Renewal, Paul Driver; 'A Visionary Night', John Lloyd Davies; Music for an Epic, Andrew Clements; A Tempest of Our Time, Meirion Bowen; Stereotypes and Rebirth, Leslie East

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