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Awopbopaloobop Alopbamboom: The Golden Age of Rock (1970)

by Nik Cohn

Other authors: See the other authors section.

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2457110,793 (3.71)8
History. Music. Nonfiction. HTML:From the rise of Bill Haley to the death of Jimi Hendrix, this account of music in the 1950s and 1960s is "the definitive history of rock 'n' roll" (Rolling Stone).

This is British music journalist Nik Cohn's classic and cogent history of an unruly eraâ??filled with outrageous tales and vivid descriptions of the music, and covering artists from Elvis Presley to Eddie Cochran to Bob Dylan to the Beatles and beyond.

From the father of what would become a new literary formâ??rock criticismâ??this is a seminal history of rock and roll's evolution, including revisions and updates made for a new edition in the ear
… (more)
  1. 00
    How the Beatles Destroyed Rock n Roll: An Alternative History of American Popular Music by Elijah Wald (Crypto-Willobie)
    Crypto-Willobie: Cohn's book has a similar premise to part of Wald's -- that the 'rock' explosion of the 60s (Beatles etc) segregated and overwhelmed the more authentic music that went before it.
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» See also 8 mentions

Showing 1-5 of 7 (next | show all)
This isn't a history of rock but a love letter to early rock, nothing really cuts it post 1959 in Cohn's mind, and he seems a bit of a crochety old man. I made it until he referred to Dionne Warwick as a "negress." ( )
  waitingtoderail | Jan 14, 2022 |
I’m conflicted about this book. On the one hand, Awopbop, Etc. is an interesting history of the first two decades of rock music, written by a man who was a fan first, music critic second, and who was there. It’s informative, with a lot of anecdotes about stage performances and such which give a good sense of what it was like to see the Stones or the Who or Little Richard perform, or to be in the music scene at the time. It had me looking up musical styles and artists, and did a good job of showing the progression of rock and, to a point, the interactions between the parallel musical styles.

On the other hand, this was written by a man who was there and published in 1968, so the hip, pattery writing style doesn’t always hold up well—he sounds cynical and pithy when he’s being affectionate, he chooses some deeply unsavory words—and a good number of his opinions are … sigh. This is probably one to steel yourself for a bit, if you’re Black, female, or Black-and-female, for instance.

Also, because he was living the history, there are artists he missed because they were largely overshadowed (Sister Rosetta Tharpe is notable), connections he doesn’t make, and tastes and opinions that you/I don’t agree with for all that they are, again, interesting to read. (Sergeant Pepper’s is not bad rock music just because it doesn’t have simple, catchy single, I don’t care what he says.)

This is a great book to read if you’re really into the subject or want to read a contemporary perspective on the early years of rock, like I was. But there are probably better, more complete histories out there, and I’ll be looking for them.

All the same, I do kind of want to read Cohn’s opinion on metal, disco, and glam. What did he make of Queen? Bowie? I’m sure he’d have hated ABBA. ( )
1 vote NinjaMuse | Jan 24, 2021 |
I've read several of the books on David Bowie's favorite books list and haven't cared for a few of them (this being one), which made me feel like I must be wrong. This is also praised by Greil Marcus (who I love), so I feel like I must be missing something. But this reads too much like a sloppy high school English paper, even if the subject matter is interesting. Maybe it's unfair that I read this at the same time as reading a music book by Lester Bangs, who is otherworldly good. ( )
  jasonrkron | Jan 15, 2021 |
an old book. rated4 stars despite the fact that the author and i disagree on many groups. Well written, with generous writeups on various stars; who the hell is PJ Rowly?

4 despite t ( )
  annbury | Sep 6, 2019 |
One of the few heirlooms in my family is a set of books about the First World War by Frank R. Cana. They were dashed out as soon as the war ended so include some factual errors, such as that Samsonov was killed by a German shell at Tannenberg, when, in fact, he committed suicide.

There are similar things here, a book about the history of 'pop' (somewhat loosely defined) written in 1969. Buddy Holly died in Iowa, not North Dakota, and Eddie Cochran did not die on the A1, he died on the A4 traveling back from Bristol to London. Such mistakes are to be expected from a book knocked out pre-internet in deepest Connemara, but it is odd that proof-reading missed them and none of the book's immediacy would be lost by correcting them now.

There are questions of interpretation besides those of fact. Cohn is often contemptuous of novelty acts but P.J. Proby, who built a short career on splitting his trousers onstage, gets extensive favourable coverage. Also, some of the trends discerned in pop turned out to be only partial. The Stones were not finished in late 1966, and from Beggar's Banquet onwards released a series of the greatest albums ever recorded.

But I suppose 'immediacy' is the keyword here. This is how pop looked in 1969 to a shrewd observer with extensive knowledge and a talent for writing. It would have looked different to him had he written any later. But, of course, then he wouldn't have been the first to write it. ( )
2 vote JohnPhelan | Oct 4, 2016 |
Showing 1-5 of 7 (next | show all)
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Cohn, Nikprimary authorall editionsconfirmed
Schwaner, TejaTranslatorsecondary authorsome editionsconfirmed

Belongs to Publisher Series

rororo (1542)
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History. Music. Nonfiction. HTML:From the rise of Bill Haley to the death of Jimi Hendrix, this account of music in the 1950s and 1960s is "the definitive history of rock 'n' roll" (Rolling Stone).

This is British music journalist Nik Cohn's classic and cogent history of an unruly eraâ??filled with outrageous tales and vivid descriptions of the music, and covering artists from Elvis Presley to Eddie Cochran to Bob Dylan to the Beatles and beyond.

From the father of what would become a new literary formâ??rock criticismâ??this is a seminal history of rock and roll's evolution, including revisions and updates made for a new edition in the ear

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