The Most of S.J.Perelman

by S. J. Perelman

On This Page

Description

A collection, spanning 30 years, of Perelman's humorous mock-solemn commentaries on the absurdities of our times.

Tags

Recommendations

Member Reviews

5 reviews
S.J. Perelman was an American humorist, best known for his short pieces in The New Yorker and for writing two of the best Marx Brothers films. This collection of New Yorker stories is not necessarily best read in large chunks (it's a massive collection), but rather as one takes appetizers. Perelman may have the best vocabulary of any American writer I've ever read. His turns of phrase are often brilliant and made more so by the astonishing range of words with which he turns those phrases. The pieces are largely divided into two kinds: those in which an event or a news item or such has caught his attention and he spins off a scenario or readers' theatre script satirizing its foibles, and those in which he recounts adventures from his own show more life. All of these are wonderfully amusing, but the real laughs I found to reside almost always in his tales of his own experiences. Included is a portion of Westward Ha!, a hilarious tellling of his 'round-the-world trip with Broadway caricaturist Al Hirschfeld, and if the entire 600 pages of this book had been devoted to that trip, I would have been delighted. Also of particular interest are a couple of pieces relating to his friendship with Groucho Marx. It's no wonder that Perelman wrote so well for the Marxes, as his somewhat surreal sense of humor is a great match for theirs. Perelman is for comic writing, as Dashiell Hammett and Raymond Chandler are for hardboiled stories, one of the great purveyors of a kind of language that doesn't exist anymore except in parody or homage, an ironic, witty, and utterly of-its-time style that defies (for me at least) explanation or precise definition, but which is the soul of American letters in the 1920s and '30s. show less
Picked this up in an attempt to become witty. While the author is certainly sesquipedalian, I did not find this an entirely funny or even sybaritic experience.
Stephen Leacock having stopped writing humour, Mr. Perelman stepped up to be the most celebrated American Humourist of his day. e was often amusing, and sometimes quite funny. this is the efficient way to absorb what you will of his scope, talents, and ambitions.
½
Back when I was trying hard to be cultured, I picked up this book. I've read a lot of the stories, but I don't think I'll ever finish it, so it'll remain in the skimmed/unfinished collection. It's certainly sesquipedalian but most of the cultural allusions go over my head or just don't amuse me.

Members

Recently Added By

Published Reviews

ThingScore 100
The huge advantage of American humour, as one sees it in S. J. Perelman, is in the punishment of character and the use of language. Unlike Thurber who has been much admired by us, Perelman is not an understater who suddenly throws out an almost spiritual blossom. He drops ash into the dessert. Perelman either grew up with burlesque or soon got caught up in it. Immediate action is his show more need...

For a long time the English humorists have suffered from having achieved the funny man’s dream; they have either gone straight for the information or have succumbed to the prosaic beauty of their own utterance. They are ‘facetious’ without being Boswell. Mr Perelman is not entirely free of the English vice. I have caught him adding an unnecessary ‘I said with hauteur’ or ‘I said with dignity’. This weakness he may have picked up on his annual visits to those fake cathedral closes of ours in Savile Row. (The metaphor is his.) But he does not wear thin. There are four or five narky things in the present book which are as good as anything in Crazy Like a Fox.
show less
V.S. Pritchett, Times Literary Supplement
added by SnootyBaronet

Lists

Author Information

Picture of author.
72+ Works 2,650 Members
S. J. Perelman was a prolific humorist and satirist at the New Yorker for almost half a century. His contributions had a surrealistic quality in style and in subject that elicited from Dorothy Parker the judgment that he had "a disciplined eye and a wild mind" and "a magnificent disregard" for his reader. His raillery was aimed at popular fiction, show more motion pictures, advertising, and similar features of our transient culture. In his preferred form, a short drama, Perelman excelled in the unconventional, the concentrated, the sophisticated in humor. (Bowker Author Biography) show less

Some Editions

Bryson, Bill (Introduction)
Hamburger, Philip (Afterword)
Martin, Steve (Editor)
Parker, Dorothy (Foreword)

Awards and Honors

Common Knowledge

Canonical title*
Most of the Most of S. J. Perelman
Original title
The Most of S.J. Perelman
Original publication date
1958
First words
INTRODUCTION

by Dorothy Parker

It is a strange force that compels a writer to be a humorist.
THE NEEDLEWORK in the section that follows — the greater part of it published originally in The New Yorker, the balance in magazines no longer extant — was executed in the thirties and early forties.
Last words
(Click to show. Warning: May contain spoilers.)Lazing around the house with my tweezers, subsequently, probing for slivers of glass, it occurred to me all at once that maybe Valentino used a double in moments of hazard. Maybe I should have, beginning way back around 1921.
Disambiguation notice
The Most of S. J. Perelman, and The Most of the Most of S. J. Perelman, have different contents and should not be combined.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genre
Fiction and Literature
DDC/MDS
817.5Literature & rhetoricAmerican literature in EnglishHumor: Jokes & Riddles1900-1999
LCC
PS3531 .E6544 .A6Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960

Statistics

Members
395
Popularity
78,595
Reviews
4
Rating
(4.00)
Languages
Dutch, English
Media
Paper
ISBNs
8
ASINs
7