The Girl in the Middle: A Recovered History of the American West

by Martha A. Sandweiss

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"Focusing on a single 1868 photograph by Alexander Gardner, celebrated photographer of the most deadly decade in American history, this book leads readers on an historical treasure hunt that uncovers new and unexpected stories about the American West in the aftermath of the Civil War. In May 1868, Gardner traveled to Ft. Laramie to document the negotiations between native tribes and federal officials who sought to push them onto a reservation. There, he took the enigmatic photograph that show more came to haunt historian Martha Sandweiss. In the photo, six members of the federal Peace Commission stand on either side of a young unnamed Indian girl wrapped in a blanket. Who was the girl, and why was she posed with the men? In her book, Sandweiss will take readers from the diplomatic event captured in Gardner's photograph into the complicated personal lives of the people who met up for one brief moment on a nondescript patch of earth at a military fort in Indian Country. Her greatest interest is reserved for the subject at the center of the mysterious photo: a mixed-race girl whose metis life on the northern Plains collapsed amid growing American settlements in the West. Many years after the photo was snapped, she married a white Civil War veteran. After that marriage ended in abandonment, she married a half-Lakota man and had eight children. She died in a sod house on an Indian reservation. The lives of Sandweiss's subjects were buffeted by the military orders and national laws that governed so many aspects of American life in the decades before and after the Civil War. But they were also shaped by disease and domestic violence, racial hierarchies and family dramas. Tracking the individual subjects in the photograph, Sandweiss aims to tell a fresh story of the Civil War and Reconstruction, and their intimate entwinement with the Indian Wars"-- "A haunting image of an unnamed Native child and a recovered story of the American WestIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government's treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name "Woman Killer," and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner's photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War"-- show less

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Rating: 4.5* of five

The Publisher Says: A haunting image of an unnamed Native child and a recovered story of the American West

In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his show more subjects.

Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.

Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: One image, not typical of Alexander Gardner the Civil War photographer's work, sent Martha Sandweiss on an intense journey of genealogical and historical research. Author Sandweiss is an archive-divin' fool in this book. As you'd expect from this book coming out via Princeton University Press, the evidence is in the sixtyish pages of endnotes. Impressive recordkeeping, impressive intensity of trolling the census data, genealogy databases, newspaper morgues, Federal records of official actions...I'm very slightly overawed by the depth of Author Sandweiss' commitment to her search for one child's identity when, at the time, it's clear she was unimportant.

Yet she was there...why?

I could easily see the intrigue; I could not match the dogged pursuit of facts. In any lifetime. The revelation that there had ever been a Federal Peace Commission (made up of those white guys in the photo), tasked with meeting Native people from all groups, was news to me. That its mission was to determine the course that would bring about lasting and just peace shocked me...talk about honored in the breach not the observance! So the book expanded my knowledge about the injustice, the lies, and the chicanery that acquiring our empire necessitated.

Sophie Mousseau, the titular girl in the titular middle, serves as a lens for Author Sandweiss to bring the role of women, Native and settler, in the wars and peaces of that time and place into focus. It was all new information to me, so I enjoyed the whole experience...despite the expected violence against women, it was reported not detailed for titillation.

I'd rate the read a full five were it not for some...unusual...thoughts the author had about the nature of photography....
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Martha A. Sandweiss is professor of history and American studies at Amherst College. Martha A. Sandweiss received a Ph.D. in history from Yale University. She began her career as a photography curator at the Amon Carter Museum in Fort Worth, Texas. She then taught American studies and history at Amherst College for twenty years. She is currently a show more professor of history at Princeton University. She has written numerous books on American history and photography including Print the Legend: Photography and the American West, which won the Organization of American Historians' Ray Allen Billington Award for the best book in American frontier history and the William P. Clements Award; Laura Gilpin: An Enduring Grace, which won the George Wittenborn Award for outstanding art book of 1987; and Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line. (Bowker Author Biography) show less

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Sophie Mousseau

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History, Nonfiction, General Nonfiction, Art & Design, Biography & Memoir
DDC/MDS
973.8History & geographyHistory of North AmericaUnited StatesThe Gilded Age, Reconstruction, Spanish American War (1865-1901)
LCC
E93 .S26History of the United StatesAmericaIndians of North America
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