The Entertainer and the Dybbuk
by Sid Fleischman
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A struggling American ventriloquist in post-World War II Europe is possessed by the mischievous spirit of a young Jewish boy killed in the Holocaust. Author's note details the murder of over one million children by the Nazis during the 1930s and 1940s.Tags
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Member Reviews
As intense as this book's topic is, you'd expect a longer tome. But amazingly the prose is spare and in-your-face, so to-the-point and still packs an emotional wallop without sentimentality or pity. That's good writing! I also liked the use of the dybbuk and how he eventually formed his revenge.
I first picked up this book because it had a ventriloquist dummy on the cover. I was not sure what a dybbuk was but learned that it was the equivalent of a Jewish Ghost. This is the story of a ventriloquist who is not very successful. That is until he returns to his room one night and finds someone waiting. He finds out the someone is a dybbuk. He wants something from the Ventriloquist. He needs to inhabit his body in exchange he will help him. Against the entertainer's wishes the dybbuk enters his body and soon begins to speak for the dummy. They become a hit. The dybbuk needs the help of the entertainer to track down someone from his past. It seems the dybbuk, when alive was a young boy named Avrom Amos Poliakov. When is was alive he show more and his sister Sulka were hiding from the SS officers who took great pleasure in hunting down Jewish children, bagging them and then killing them. Avrom watched helplessly as his sister was poisoned and died. Avrom was eventually shot by the same officer. As a dybbuk he has unfinished business. Find the SS officer who now lives as a Jewish victim and get revenge.
I loved this book. The mystery of why the dybbuk was possessing the entertainer and for how long kept me reading. As I neared the end I was on the edge of my seat to see what the dybbuk would do. I was very pleased with the way the book ended. About the time I think I have heard all of the things the Nazis did to the Jews I learn something new. This was based on historical fact. The author did a wonderful job of telling it like it was and in a most respectful way. He let the dybbuk and his humor tell the story. I can't wait to recommend this now that I truly understand what this book is all about show less
I loved this book. The mystery of why the dybbuk was possessing the entertainer and for how long kept me reading. As I neared the end I was on the edge of my seat to see what the dybbuk would do. I was very pleased with the way the book ended. About the time I think I have heard all of the things the Nazis did to the Jews I learn something new. This was based on historical fact. The author did a wonderful job of telling it like it was and in a most respectful way. He let the dybbuk and his humor tell the story. I can't wait to recommend this now that I truly understand what this book is all about show less
When I think of Sid Fleischman’s books, I think – humor. This one is a little different. It certainly has its entertaining elements, but the underlying story is serious.
Freddie is a ventriloquist. Unfortunately, not a very good one. A solider in World War II, Freddie hangs around Europe after the war to ply his trade. One day a ghost shows up in the closet. It’s the ghost of a Jewish boy killed by Nazis, who is looking for revenge. Or perhaps “justice” is a better word. He becomes a dybbuk, a spirit who inhabits a living body. Freddie’s. Freddie doesn’t really know much about Jews, but he gets some lessons pretty quickly. He gets one more thing – the ability to throw his voice without moving his lips, because the voice show more is the dybbuk’s, not his own. This is historical fiction with an unusual slant. show less
Freddie is a ventriloquist. Unfortunately, not a very good one. A solider in World War II, Freddie hangs around Europe after the war to ply his trade. One day a ghost shows up in the closet. It’s the ghost of a Jewish boy killed by Nazis, who is looking for revenge. Or perhaps “justice” is a better word. He becomes a dybbuk, a spirit who inhabits a living body. Freddie’s. Freddie doesn’t really know much about Jews, but he gets some lessons pretty quickly. He gets one more thing – the ability to throw his voice without moving his lips, because the voice show more is the dybbuk’s, not his own. This is historical fiction with an unusual slant. show less
Book talk
I had just finished reading Briar Rose, by Jane Yolen, and was surprised that I learned something new about the Holocaust. One of the first genres that kind of hooked me into reading was historical fiction centered on the Holocaust, and I have read many in the genre. In Briar Rose, I learned about a camp and town in Poland I had never heard of, as well as yet another cruel way of eliminating the Jews, in this case, Jewish women. In Sid Fleishman's book, I learned yet another gruesome way that the Germans exterminated Jews, specifically, Jewish children.
Unbelievably, this Holocaust novel includes humor in the form of a not very talented ventriloquist named Freddie. What makes a good ventriloquist? (Question class) You'd think, show more since Freddie is pretty much lousy at his profession, that he would welcome any help he could get. Enter Avrom Amos. He's funny and he loves the spotlight. He's also a dybbuk--a ghost. He was murdered by the Nazis, not long after he had saved the life of a young soldier--one named Freddie, who happen to be a ventriloquist. Freddie doesn't know it yet, but he's going to return the favor. Avrom wants revenge against the Nazi that killed him and his sister, and he knows just how to get it. show less
I had just finished reading Briar Rose, by Jane Yolen, and was surprised that I learned something new about the Holocaust. One of the first genres that kind of hooked me into reading was historical fiction centered on the Holocaust, and I have read many in the genre. In Briar Rose, I learned about a camp and town in Poland I had never heard of, as well as yet another cruel way of eliminating the Jews, in this case, Jewish women. In Sid Fleishman's book, I learned yet another gruesome way that the Germans exterminated Jews, specifically, Jewish children.
Unbelievably, this Holocaust novel includes humor in the form of a not very talented ventriloquist named Freddie. What makes a good ventriloquist? (Question class) You'd think, show more since Freddie is pretty much lousy at his profession, that he would welcome any help he could get. Enter Avrom Amos. He's funny and he loves the spotlight. He's also a dybbuk--a ghost. He was murdered by the Nazis, not long after he had saved the life of a young soldier--one named Freddie, who happen to be a ventriloquist. Freddie doesn't know it yet, but he's going to return the favor. Avrom wants revenge against the Nazi that killed him and his sister, and he knows just how to get it. show less
A terrific, fast-moving and *moving* young adult novel about a the spirit of a Jewish child killed in the Holocaust, who takes possession of a ventriloquist and goes out for revenge against the SS officer who killed him and his sister. Sounds menacing but it's a lively, engaging, quick read that I think most people would enjoy.
An interesting premise, and a very easy read for such a heavy topic. The author said he wanted to pay tribute not only to the suffering of the Jews, but to their uplifting sense of humor. and I think he succeeds in this. The premise is that a Jewish spirit, a dybbuk, possesses a ventriloquist, talking as his dummy. He manages to work on some unfinished business in this way, namely, finding the SS man who murdered him and getting revenge.
An interesting story about revenge and unfinished business. A boy who was killed during the Holocaust has some unfinished business with the Nazi who killed him. He choses to take up residence in a ventriloquist's body, giving a voice to the dummy and enabling the ventriloquist to bring in large audiences, amazed with his abilities. The ventriloquist becomes dependent on the dybbuk and begrudginly puts up with the inconvenience of having someone else's words come out of your mouth. The final revenge is very cleverly carried out.
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Author Information

Sid Fleischman was born in Brooklyn, New York on March 16, 1920 but grew up in San Diego, California. He loved all things magical and toured professionally as a magician until the beginning of World War II. During the war, he served in the U.S. Naval Reserve, and afterwards, he graduated from San Diego State University in 1949. After graduation, show more he worked as a reporter with the San Diego Daily Journal. After the paper folded in 1950, he started writing fiction. He tried his hand at children's books because his own children often wondered what their father did. To show them how he created stories, he wrote them a book. He wrote more than 50 fiction and nonfiction works during his lifetime including The Abracadabra Kid: A Writer's Life; Escape! The Story of the Great Houdini; The Trouble Begins at 8: A Life of Mark Twain in the Wild, Wild West; The Thirteenth Floor; and The Ghost in the Noonday Sun. His book, The Whipping Boy, won the Newberry Award in 1987. He is the father of Newbery Medal winning writer and poet Paul Fleischman; they are the only father and son to receive Newbery awards. He also wrote screenplays including Lafayette Escadrille, Blood Alley, and The Whipping Boy. He died from cancer on March 17, 2010 at the age of 90. (Bowker Author Biography) show less
Awards and Honors
Awards
Distinctions
Common Knowledge
- Original publication date
- 2008
- People/Characters
- Avrom Amos Poliakov; The Great Freddie; Gerhard Junker-Strupp
- Important places
- Vienna, Austria; Phoenix, Arizona, USA
- Epigraph
- The decision had to be made to annihilate...every Jewish child and to make this people disappear from the face of the earth. This is being accomplished.
--Heinrich Himmler, chief hangman of the Nazi Holocaust, and lead... (show all)er of the dreaded German SS squads, in a 1943 speech. Strutting about like vultures in black uniforms, SS killers wore death-skull insignias on their caps. - Dedication
- For the million and a half
LJCRS Book Fair Selection 5768 - First words
- In the gray, bombed-out city of Vienna, Austria, an American ventriloquist opened the closet door of his hotel.
- Last words
- (Click to show. Warning: May contain spoilers.)He didn't move his lips.
Classifications
- Genres
- Fiction and Literature, Tween, Kids, Children's Books
- DDC/MDS
- 813.52 — Literature & rhetoric American literature in English American fiction in English 1900-1999 1900-1945
- LCC
- PZ7 .F5992 .E — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
Statistics
- Members
- 308
- Popularity
- 103,458
- Reviews
- 16
- Rating
- (3.61)
- Languages
- English
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 15
- ASINs
- 4



























































