Cubism, Stieglitz, and the Early Poetry of William Carlos Williams
by Bram Dijkstra
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Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.Tags
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A readable literary critical work illuminating a creative moment in American cultural history and the cross fertilization of differing artists and art.
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12 Works 680 Members
Bram Dijkstra is Professor of American and Comparative Literature at the University of California, San Diego
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