The RSC Shakespeare : The Merchant of Venice

by Jonathan Bate (Editor), Eric Rasmussen (Editor), William Shakespeare (Playwright)

The RSC Shakespeare (Shakespeare : Merchant of Venice)

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Shylock and Portia aren't QUITE Hamlet and Falstaff and Cleopatra and Iago, but they are close!!

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Author Information

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Editor
72+ Works 3,715 Members
Jonathan Bate was born June 26, 1958. He is a British biographer, broadcaster, and leading Shakespeare scholar. He studied at Sevenoaks School, the University of Cambridge, and Harvard University. At Cambridge, he was a Fellow of Trinity Hall. While studying at Harvard, he held a Harness Fellowship. Bate is a professor of Shakespeare and show more Renaissance Literature at the University of Warwick. He was previously King Alfred Professor of English Literature at the University of Liverpool. He has also lectured at various universities in the United States. Bate is a Fellow of the British Academy and the Royal Society of Literature. He made the Samuel Johnson 2015 shortliast with his title Ted Hughes: The Unauthorised Life . Bate lives near Stratford-upon-Avon and is married to author and biography, Paula Byrne. They have three children. show less
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Editor
56+ Works 2,715 Members
Eric Rasmussen is the department chair and a professor of English at the University of Nevada, Reno. In addition to being the coeditor of the Royal Shakespeare Company's Complete Works of William Shakespeare, he has edited the authoritative editions of numerous other Elizabethan poets. Rasmussen lives in Reno, Nevada.
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Playwright
6,042+ Works 441,356 Members
William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. show more At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying. (Bowker Author Biography) show less

All Editions

Brown, Karin (In Performance (RSC))
Goodman, Genry (Interviewee)
Kirwan, Peter (In Performance (overview))
Lowe, Eleanor (Commentary)
Miskimmin, Esme (Scene-by-Scene Analysis)
Sher, Antony (Interviewee)
Thacker, David (Interviewee)
Tresnjak, Darko (Interviewee)
Wright, Kevin (Interviewer)

Series

Work Relationships

Common Knowledge

Canonical title
The RSC Shakespeare : The Merchant of Venice
Original publication date
2010
People/Characters
Shylock; Portia; Antonio; Jessica; Bassanio
Important places
Venice, Veneto, Italy
Related movies
Royal Shakespeare Company : The Merchant of Venice (2015 | IMDb)
Original language
English
Canonical DDC/MDS
822.33
Disambiguation notice
From the Royal Shakespeare Company – a fresh new edition of Shakespeare's bittersweet comedy of courtship and ethnic tension

THIS EDITION INCLUDES:

* An introduction to The Merchant of Venice by award-winning ... (show all)scholar Jonathan Bate
* The play – with clear and authoritative explanatory notes on each page
* A helpful scene-by-scene analysis and key facts about the play
* An introduction to Shakespeare's career and the Elizabethan theatre
* A rich exploration of approaches to staging the play featuring photographs of key productions

The most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of The Merchant of Venice in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with two leading directors and two actors – Darko Tresnjak, David Thacker, Anthony Sher and Henry Goodman - so that we may get a sense of the extraordinary variety of interpretations that are possible, a variety that gives Shakespeare his unique capacity to be reinvented and made 'our contemporary' four centuries after his death.

Classifications

DDC/MDS
822.33Literature & rhetoricEnglish & Old English literaturesBritish DramaShakespeareShakespeare, William 1564–1616
LCC
PR2825 .A2 .B37Language and LiteratureEnglishEnglish LiteratureEnglish renaissance (1500-1640)

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