Berlioz and His Century: An Introduction to the Age of Romanticism

by Jacques Barzun

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In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in show more order to understand Berlioz, it is essential to read Professor Barzun." show less

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There have been few figures in the history of music with so fascinating, almost hypnotic, an appeal for the present-day reader as Berlioz. With his life span encompassing roughly the rise and fall of two French empires, he emerges as perhaps the first totally modern mind in music— the man of affairs as well as of notes, a great conductor, concert organizer, writer of distinction. Whatever he touched, in any medium, bore the mark of his volatile, yet strangely sober, personality. Unlike his predecessors Bach, Mozart, and Beethoven, he was equipped to challenge the intellectual world on all fronts and make his charge across any field. This basic phase of Berlioz’s gift—its multiplicity in unity—has been admirably detailed by show more Jacques Barzun in this book. Barzun is one of the great teachers and thinkers of the our era. In his seminal work on Romanticism and the importance of Berlioz in the movement the author reveals Hector Berlioz in the perspective of his relationship to the other outstanding Romantics of his time, establishing the composer as the fountainhead of all that has come after him in virtually every sphere of symphonic and operatic music. As this long recital draws to a close the magnificence of the creator’s personality comes clearly into focus, the figures surrounding him emerge with warmth and humanity. The book, while having been surpassed by more recent scholarship, is still worthy of consideration due to its unique approach to Berlioz and his legacy. Mr. Barzun, treating a subject obviously congenial to him, commands an impressive range of scholarship and eloquence of style. Whether you love music or ideas or both this book is essential for you. show less

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74+ Works 9,643 Members
Jacques Barzun was born in Créteil, France on November 30, 1907. He came to the United States in 1920 and graduated magna cum laude from Columbia University in 1927. Following graduation, he joined Columbia's faculty as an instructor while continuing his studies in graduate school there, receiving a master's degree in 1928 and a doctorate in show more French history in 1932. He became a full professor in 1945, was dean of graduate faculties from 1955 to 1958, and dean of faculties from 1958 to 1967. He retired from Columbia University in 1975. He was a historian and cultural critic. The core of his work was the importance of studying history to understand the present and a fundamental respect for intellect. Although he wrote on subjects as diverse as detective fiction and baseball, he was especially known for his many books on music, nineteenth-century romanticism and education. His works include Darwin, Marx and Wagner: Critique of a Heritage; Romanticism and the Modern Ego; The House of Intellect; Race: A Study in Superstition; Simple and Direct: A Rhetoric for Writers; A Stroll with William James; The Culture We Deserve; and From Dawn to Decadence. He died on October 25, 2012 at the age of 104. (Bowker Author Biography) show less

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Common Knowledge

People/Characters
Hector Berlioz
Quotations
Inertia and insults, challenges and artistic shocks — these are what lie behind the threadbare terms Philistinism and epater le bourgeois. The swearing and cursing against the burgher-at-hand by Beethoven, Berlioz, Liszt, F... (show all)laubert, or Shaw are simply peacetime bombs and bayonets. But the artist, unlike the political rebel, inevitably fights single scout.
Disambiguation notice
This is a one-volume abridgement of Berlioz and the Romantic Century.  Do not combine with the original two-volume work.

Classifications

Genres
Music, Nonfiction, History, Biography & Memoir, General Nonfiction
DDC/MDS
927.8History & geographyBiographies, Genealogy, HeraldryArtist / Musicians / Performers / AthletesComposers And Musicians
LCC
ML410 .B5 .B2MusicLiterature on musicLiterature on musicHistory and criticismBiography
BISAC

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English
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Paper
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