The Beatles: Image and the Media

by Michael R. Frontani

10 Members 1 Review ½ (3.33)

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The Beatles: Image and the Mediacharts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events. Upon their arrival in the U.S., the Beatles wore sharply tailored show more suits and cast themselves as adorable, accessible teen heartthrobs. By the end of the decade, they had absorbed the fashion and consciousness of the burgeoning counterculture and were using their interviews, media events, and music to comment on issues such as the Vietnam War, drug culture, and civil rights. Frontani traces the steps that led to this change and comments on how the band's mantra of essential optimism never wavered despite the evolution of its media profile. Michael R. Frontani is associate professor of communications at Elon University. His work has appeared in American Journalism, Journal of American Culture, Journalism History, and African Studies Review. show less

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Member Reviews

1 review
I’m not much for social science theorizing, especially when people start espousing Marshall McLuhan around. I sort of find the whole thing boring, but that’s definitely me and not Michael Frontani’s fault. I really like the photo chosen, manager Brian Epstein is standing right next to the table The Beatles are seated at answering questions from the press. Epstein’s arms are crossed and he’s looking straight into the camera as if to say, “Don’t you even think of fucking with my boys.” And this pretty much sets the tone for Epstein’s relationship with the band and the media, which Frontani explores with grace. There’s the question of what is image, and who controls what is presented and how that gets interpreted, which show more is where the social science part comes in. There are comparisons of both British and American reactions to things like John Lennon’s quote of, “We’re more popular that Jesus.” Which was a true statement, not meant to insult Christians or Christianity, yet Americans behaving as if John himself had crucified the Christ. Britain yawned and wondered what those wacky Americans were up to.

Overall, Frontani presents a good mixture of historical facts about The Beatles’ presentation to the world via the media all the while discussing what the reaction to said presentation was around the world. It’s an interesting read for the most part, and probably a really good one if social science theorizing is something you find interesting. Not one I would have picked up and read on my own, not sorry to have read it for class and not keeping it either.
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Author Information

1 Work 12 Members
Michael R. Frontani is associate professor of communications at Elon University

Classifications

Genres
Music, Nonfiction
DDC/MDS
782.42166092Arts & recreationMusicVocal music [formerly: Dramatic music and production of musical drama]Secular forms of vocal musicSongsGeneral principles and musical formsTraditions of secular songs {genres}Rock songsmodified standard subdivisionsHistory, geographic treatment, biographyBiography
LCC
ML421 .B4 .F76MusicLiterature on musicLiterature on musicHistory and criticismBiography
BISAC

Statistics

Members
10
Popularity
2,129,637
Reviews
1
Rating
½ (3.33)
Languages
English
Media
Paper, Ebook
ISBNs
4