The Faery Handbag

https://fromtheheartofeurope.eu/the-faery-handbag-by-kelly-link/

I didn’t vote for it. Indeed, I put it last of the five nominees in the novelette category for the Hugos, where I had a vote as a Worldcon member; not because I didn’t like it, but because I liked the other stories on the ballot even more. The result was the closest of the four fiction categories, and voters found it difficult to choose for the lower places – second place decided by a single vote, joint win for third place. I don’t begrudge the result; all five nominees were very good, and I see that by the time the Nebulas came around I had changed my views and put it top (though three of the other four stories of course were different). Well, what was it Emerson show more said about consistency?

In fairness to myself, I think it’s a story that grows on you. On first reading I found it very entertaining but didn’t think it was especially deep; part of my increase in affection for it came about as a result of reading the whole Magic for Beginners collection of Kelly Link’s stories and developing a taste for her particular style of magical realism, urban fantasy, underlaid with darker tones. ‘The Faery Handbag’ is a story told by Genevieve, a young woman living near Boston whose grandmother came with her handbag from far-off Baldeziwurlekistan; the handbag may or may not contain a fierce canine guardian, Grandmother Zofia’s home village, Genevieve’s grandfather Rustam and her boyfriend Jake. But Genevieve has lost the handbag (this is not a spoiler as she tells us so on the second page). And that’s about it.

Part of my initial under-appreciation of the story may be my own background, as a native of Northern Ireland who has worked on the various different countries of Eastern Europe for the last eleven years. Perhaps from an American perspective, Baldeziwurlekistan is an amusing mix of those funny European countries over there, combining Celtic, Germanic, Slavic and classical elements in its mythology. For me, the lack of precision in the geography of Baldeziwurlekistan was a problem; I need to know where things are on the map, and Link’s story is about taking them off the map. I also found myself a bit frustrated by the narrator’s ambiguity about her own reliability, though other reviewers felt this was part of the story’s charm.

Having said that, I agree with everyone who loves Link’s descriptive writing here, from the account of looking through second-hand clothes in the first paragraph to the poignancy of Zofia’s death at the end; and the way we learn about the narrator’s frame of mind from the way she describes the events around her is tremendously subtle and effective. Indeed, as Abigail Nussbaum points out, it’s a bit more approachable than some of Link’s other stories, which may (again) be part of the reason I didn’t quite take to it immediately. But I’ve found it rather a difficult story to grasp sufficiently to write about, which is part of the reason this series of reviews has been on hiatus for seventeen months.

(Added 2025:)

Rereading the story now, I found that it has grown on me again – in particular I loved the resonance between grandmother Zofia and grandfather Rustam, and present-day Genevieve and boyfriend Jake. And perhaps I have got more used to American humour in the last two decades, but I found the story funnier than my recollection. Definitely worth revisiting. “The Faery Handbag” is available on Link’s website for free. show less

She's grown up with the stories: open the handbag one way, and it's an entrance to another world; full of all the refugees from her grandmother's village, long ago. Open it the other way, and beware, because the sinister guardians will be released. She's never believed the stories. But bad things have happened, and boy has she messed up.