Beethoven and His World

by Scott Burnham (Editor), Michael P. Steinberg (Editor)

The Bard Music Festival

24 Members 1 Review ½ (4.50)

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Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the show more post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon. show less

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1 review
This collection of articles brings together diverse and innovative perspectives on the West's most known composer, providing music lovers with a richer knowledge of Beethoven - as man, musician, and phenomenon. The essays cover various aspects including the heroic Beethoven and his connections with the world at large.

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Author Information

Picture of author.
Editor
4 Works 74 Members
Editor
9+ Works 105 Members
Michael P. Steinberg is director of the Cogut Center for the Humanities, Barnaby Conrad and Mary Critchfield Kenney Professor of History, and professor of music at Brown University

All Editions

Botstein, Leon (Contributor)
Brinkmann, Reinhold (Contributor)
Comini, Alessandra (Contributor)
Gibbs, Christopher H. (Contributor)
Kinderman, William (Contributor)
Lockwood, Lewis (Contributor)
Marston, Nicholas (Contributor)
Pederson, Sanna (Contributor)
Sisman, Elaine (Contributor)
Skowroneck, Tilman (Contributor)
Stanley, Glenn (Contributor)

Series

Common Knowledge

Canonical title*
Beethoven and his world
People/Characters
Ludwig van Beethoven
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Music, Nonfiction, Biography & Memoir
DDC/MDS
780.92Arts & recreationMusicMusicBiography And HistoryBiography
LCC
ML410 .B4 .B2812MusicLiterature on musicLiterature on musicHistory and criticismBiography
BISAC

Statistics

Members
24
Popularity
1,107,070
Reviews
1
Rating
½ (4.50)
Languages
English, Finnish
Media
Paper, Ebook
ISBNs
3